Damián Finvarb

On carnival night, a coven of Jesters emerges from the shadows. They come to make you uncomfortable, to cause chaos, to turn the world upside down. They come to show you the beauty that hides the ugly, and the ugliness that nests in what you accept as beautiful. Their weapons are laughter, satire, the grotesque, sarcasm... They come to wake you up, to reveal what you are trying to hide, to question your ideal world, alone, so alone, to awaken consciences. And when you think that the carnival ended, in the least expected moment, there, in front of you, as real as you, is the Jester laughing in your face.

Documentary film on the critically acclaimed novel El traductor by Salvador Benesdra, a journalist in midst of crisis in the mid 90s. Unable to publish his work, he kills himself.

Documentary film on the critically acclaimed novel El traductor by Salvador Benesdra, a journalist in midst of crisis in the mid 90s. Unable to publish his work, he kills himself.

Documentary film on the critically acclaimed novel El traductor by Salvador Benesdra, a journalist in midst of crisis in the mid 90s. Unable to publish his work, he kills himself.

Documentary film on the critically acclaimed novel El traductor by Salvador Benesdra, a journalist in midst of crisis in the mid 90s. Unable to publish his work, he kills himself.

Documentary film on the critically acclaimed novel El traductor by Salvador Benesdra, a journalist in midst of crisis in the mid 90s. Unable to publish his work, he kills himself.

Documentary film on the critically acclaimed novel El traductor by Salvador Benesdra, a journalist in midst of crisis in the mid 90s. Unable to publish his work, he kills himself.

Documentary film on the critically acclaimed novel El traductor by Salvador Benesdra, a journalist in midst of crisis in the mid 90s. Unable to publish his work, he kills himself.

The film investigates an industry considered one of the pillars of growth during Kirchnerism in which, during these years, relations and conflicts were drawn between the manufacturers - foreign in its entirety -, the auto parts companies, the Argentine government, the Brazilian one, the union leaderships. -centrally from SMATA-, the workers and the left. The documentary delves into the interests that intersect and the confrontations that originate between the different actors in the chain, which became clear in recent times when the industry, which aspired to reach one million cars manufactured per year, began to regress. The different actors of the "Journey to the Center of Production" are intertwined in the conflict of the auto parts company Gestamp, which opened a dispute regarding who pays for the crisis in the sector and what solutions are seen in that dispute.

The film investigates an industry considered one of the pillars of growth during Kirchnerism in which, during these years, relations and conflicts were drawn between the manufacturers - foreign in its entirety -, the auto parts companies, the Argentine government, the Brazilian one, the union leaderships. -centrally from SMATA-, the workers and the left. The documentary delves into the interests that intersect and the confrontations that originate between the different actors in the chain, which became clear in recent times when the industry, which aspired to reach one million cars manufactured per year, began to regress. The different actors of the "Journey to the Center of Production" are intertwined in the conflict of the auto parts company Gestamp, which opened a dispute regarding who pays for the crisis in the sector and what solutions are seen in that dispute.

The film investigates an industry considered one of the pillars of growth during Kirchnerism in which, during these years, relations and conflicts were drawn between the manufacturers - foreign in its entirety -, the auto parts companies, the Argentine government, the Brazilian one, the union leaderships. -centrally from SMATA-, the workers and the left. The documentary delves into the interests that intersect and the confrontations that originate between the different actors in the chain, which became clear in recent times when the industry, which aspired to reach one million cars manufactured per year, began to regress. The different actors of the "Journey to the Center of Production" are intertwined in the conflict of the auto parts company Gestamp, which opened a dispute regarding who pays for the crisis in the sector and what solutions are seen in that dispute.

The film investigates an industry considered one of the pillars of growth during Kirchnerism in which, during these years, relations and conflicts were drawn between the manufacturers - foreign in its entirety -, the auto parts companies, the Argentine government, the Brazilian one, the union leaderships. -centrally from SMATA-, the workers and the left. The documentary delves into the interests that intersect and the confrontations that originate between the different actors in the chain, which became clear in recent times when the industry, which aspired to reach one million cars manufactured per year, began to regress. The different actors of the "Journey to the Center of Production" are intertwined in the conflict of the auto parts company Gestamp, which opened a dispute regarding who pays for the crisis in the sector and what solutions are seen in that dispute.

The film investigates an industry considered one of the pillars of growth during Kirchnerism in which, during these years, relations and conflicts were drawn between the manufacturers - foreign in its entirety -, the auto parts companies, the Argentine government, the Brazilian one, the union leaderships. -centrally from SMATA-, the workers and the left. The documentary delves into the interests that intersect and the confrontations that originate between the different actors in the chain, which became clear in recent times when the industry, which aspired to reach one million cars manufactured per year, began to regress. The different actors of the "Journey to the Center of Production" are intertwined in the conflict of the auto parts company Gestamp, which opened a dispute regarding who pays for the crisis in the sector and what solutions are seen in that dispute.

It tells the biography of Carlos Fuentealba, an argentinian teacher and leftist militant, murdered in 2007 in Neuquén.

It tells the biography of Carlos Fuentealba, an argentinian teacher and leftist militant, murdered in 2007 in Neuquén.

What happened, really, on June 26th, 2002 at the Pueyrredón Bridge cut? How do the newsrooms of the main newspapers in the country work? Why didn't the media publish the photographic sequence after the repression? How far does journalists' responsibility go? Through these questions, the film reconstructs and analyzes the events that occurred in the Avellaneda Massacre, the government's political bosses, and the documentation of the information by the mainstream media.

What happened, really, on June 26th, 2002 at the Pueyrredón Bridge cut? How do the newsrooms of the main newspapers in the country work? Why didn't the media publish the photographic sequence after the repression? How far does journalists' responsibility go? Through these questions, the film reconstructs and analyzes the events that occurred in the Avellaneda Massacre, the government's political bosses, and the documentation of the information by the mainstream media.

What happened, really, on June 26th, 2002 at the Pueyrredón Bridge cut? How do the newsrooms of the main newspapers in the country work? Why didn't the media publish the photographic sequence after the repression? How far does journalists' responsibility go? Through these questions, the film reconstructs and analyzes the events that occurred in the Avellaneda Massacre, the government's political bosses, and the documentation of the information by the mainstream media.