Editor
En la noche de carnaval, un aquelarre de Bufones surge de las sombras. Vienen a incomodarte, a provocar el caos, a poner el mundo al revés. Sus armas son la risa, la sátira, el grotesco, el sarcasmo. Quieren despabilarte, a revelar lo que intentas ocultar, a cuestionar tu mundo ideal, tan solo, para despertar conciencias.
Sound
Una particular novela de 670 páginas recorre editoriales en los '90 sin suerte, ávida de encontrar quién la publique. Salvador Benesdra, el autor de El Traductor, era un periodista ideológicamente en crisis ante la caía del Muro de Berlín, con pánico a perder su empleo en el diario Página/12 en el que trabajaba en la sección Internacionales, donde se sentía desvalorizado profesionalmente.
Camera Operator
Una particular novela de 670 páginas recorre editoriales en los '90 sin suerte, ávida de encontrar quién la publique. Salvador Benesdra, el autor de El Traductor, era un periodista ideológicamente en crisis ante la caía del Muro de Berlín, con pánico a perder su empleo en el diario Página/12 en el que trabajaba en la sección Internacionales, donde se sentía desvalorizado profesionalmente.
Producer
Una particular novela de 670 páginas recorre editoriales en los '90 sin suerte, ávida de encontrar quién la publique. Salvador Benesdra, el autor de El Traductor, era un periodista ideológicamente en crisis ante la caía del Muro de Berlín, con pánico a perder su empleo en el diario Página/12 en el que trabajaba en la sección Internacionales, donde se sentía desvalorizado profesionalmente.
Cinematography
Una particular novela de 670 páginas recorre editoriales en los '90 sin suerte, ávida de encontrar quién la publique. Salvador Benesdra, el autor de El Traductor, era un periodista ideológicamente en crisis ante la caía del Muro de Berlín, con pánico a perder su empleo en el diario Página/12 en el que trabajaba en la sección Internacionales, donde se sentía desvalorizado profesionalmente.
Editor
Una particular novela de 670 páginas recorre editoriales en los '90 sin suerte, ávida de encontrar quién la publique. Salvador Benesdra, el autor de El Traductor, era un periodista ideológicamente en crisis ante la caía del Muro de Berlín, con pánico a perder su empleo en el diario Página/12 en el que trabajaba en la sección Internacionales, donde se sentía desvalorizado profesionalmente.
Writer
Una particular novela de 670 páginas recorre editoriales en los '90 sin suerte, ávida de encontrar quién la publique. Salvador Benesdra, el autor de El Traductor, era un periodista ideológicamente en crisis ante la caía del Muro de Berlín, con pánico a perder su empleo en el diario Página/12 en el que trabajaba en la sección Internacionales, donde se sentía desvalorizado profesionalmente.
Director
Una particular novela de 670 páginas recorre editoriales en los '90 sin suerte, ávida de encontrar quién la publique. Salvador Benesdra, el autor de El Traductor, era un periodista ideológicamente en crisis ante la caía del Muro de Berlín, con pánico a perder su empleo en el diario Página/12 en el que trabajaba en la sección Internacionales, donde se sentía desvalorizado profesionalmente.
Sound
The film investigates an industry considered one of the pillars of growth during Kirchnerism in which, during these years, relations and conflicts were drawn between the manufacturers - foreign in its entirety -, the auto parts companies, the Argentine government, the Brazilian one, the union leaderships. -centrally from SMATA-, the workers and the left. The documentary delves into the interests that intersect and the confrontations that originate between the different actors in the chain, which became clear in recent times when the industry, which aspired to reach one million cars manufactured per year, began to regress. The different actors of the "Journey to the Center of Production" are intertwined in the conflict of the auto parts company Gestamp, which opened a dispute regarding who pays for the crisis in the sector and what solutions are seen in that dispute.
Camera Operator
The film investigates an industry considered one of the pillars of growth during Kirchnerism in which, during these years, relations and conflicts were drawn between the manufacturers - foreign in its entirety -, the auto parts companies, the Argentine government, the Brazilian one, the union leaderships. -centrally from SMATA-, the workers and the left. The documentary delves into the interests that intersect and the confrontations that originate between the different actors in the chain, which became clear in recent times when the industry, which aspired to reach one million cars manufactured per year, began to regress. The different actors of the "Journey to the Center of Production" are intertwined in the conflict of the auto parts company Gestamp, which opened a dispute regarding who pays for the crisis in the sector and what solutions are seen in that dispute.
Editor
The film investigates an industry considered one of the pillars of growth during Kirchnerism in which, during these years, relations and conflicts were drawn between the manufacturers - foreign in its entirety -, the auto parts companies, the Argentine government, the Brazilian one, the union leaderships. -centrally from SMATA-, the workers and the left. The documentary delves into the interests that intersect and the confrontations that originate between the different actors in the chain, which became clear in recent times when the industry, which aspired to reach one million cars manufactured per year, began to regress. The different actors of the "Journey to the Center of Production" are intertwined in the conflict of the auto parts company Gestamp, which opened a dispute regarding who pays for the crisis in the sector and what solutions are seen in that dispute.
Producer
The film investigates an industry considered one of the pillars of growth during Kirchnerism in which, during these years, relations and conflicts were drawn between the manufacturers - foreign in its entirety -, the auto parts companies, the Argentine government, the Brazilian one, the union leaderships. -centrally from SMATA-, the workers and the left. The documentary delves into the interests that intersect and the confrontations that originate between the different actors in the chain, which became clear in recent times when the industry, which aspired to reach one million cars manufactured per year, began to regress. The different actors of the "Journey to the Center of Production" are intertwined in the conflict of the auto parts company Gestamp, which opened a dispute regarding who pays for the crisis in the sector and what solutions are seen in that dispute.
Director
The film investigates an industry considered one of the pillars of growth during Kirchnerism in which, during these years, relations and conflicts were drawn between the manufacturers - foreign in its entirety -, the auto parts companies, the Argentine government, the Brazilian one, the union leaderships. -centrally from SMATA-, the workers and the left. The documentary delves into the interests that intersect and the confrontations that originate between the different actors in the chain, which became clear in recent times when the industry, which aspired to reach one million cars manufactured per year, began to regress. The different actors of the "Journey to the Center of Production" are intertwined in the conflict of the auto parts company Gestamp, which opened a dispute regarding who pays for the crisis in the sector and what solutions are seen in that dispute.
Writer
It tells the biography of Carlos Fuentealba, an argentinian teacher and leftist militant, murdered in 2007 in Neuquén.
Director
It tells the biography of Carlos Fuentealba, an argentinian teacher and leftist militant, murdered in 2007 in Neuquén.
Editor
La crisis causó 2 nuevas muertes es un documental argentino de 2006. Analiza mediante entrevistas el papel que desempeñaron los medios masivos de comunicación, en especial el diario Clarín, luego del asesinato de los piqueteros Maximiliano Kosteki y Darío Santillán, el 26 de junio de 2002, por parte de integrantes de la Policía Bonaerense.
Director of Photography
La crisis causó 2 nuevas muertes es un documental argentino de 2006. Analiza mediante entrevistas el papel que desempeñaron los medios masivos de comunicación, en especial el diario Clarín, luego del asesinato de los piqueteros Maximiliano Kosteki y Darío Santillán, el 26 de junio de 2002, por parte de integrantes de la Policía Bonaerense.
Director
La crisis causó 2 nuevas muertes es un documental argentino de 2006. Analiza mediante entrevistas el papel que desempeñaron los medios masivos de comunicación, en especial el diario Clarín, luego del asesinato de los piqueteros Maximiliano Kosteki y Darío Santillán, el 26 de junio de 2002, por parte de integrantes de la Policía Bonaerense.
