Sérgio Toledo

Фильмы

Война одного человека
Director
Представьте: обшарпанные стены домов, вездесущие армейские патрули, неожиданные ночные визиты военных и внесудебные расстрелы неугодных – таков Парагвай 1974 года. Энтони Хопкинс играет известного парагвайского врача – Джоела Филартигу. По слухам, он пользуется расположением самого Стресснера и считается чуть ли не его личным другом. Это помогает ему чувствовать себя в относительной безопасности и говорить больше, чем положено остальным. Естественно, это многим не нравится. Однако доктор Филартига спокоен: влиятельные покровители и известность за границей – гарант его безопасности. Трагическая гибель сына расставляет всё по своим местам: при кровавой диктатуре никто не застрахован. Официальное заключение о смерти настолько неправдоподобно, что доктору хватает одного беглого взгляда на тело мальчика, чтобы понять: его сын погиб страшной смертью после долгих пыток.
Vera
Writer
Young girl spends her adolescence in an institution for minors, developing some masculine traits in her personality. In this hostile environment, she can only find some sympathy in a teacher. After leaving the place, she falls in love with a divorced woman in her work, mother of a young boy, which aggravates her inner conflicts.
Vera
Director
Young girl spends her adolescence in an institution for minors, developing some masculine traits in her personality. In this hostile environment, she can only find some sympathy in a teacher. After leaving the place, she falls in love with a divorced woman in her work, mother of a young boy, which aggravates her inner conflicts.
Heart and Guts
Editor
Financial problems in a religious school for girls force the government to interfere. While waiting in the conference hall to communicate the fact to the school administrators, the intervenor falls asleep and a crazy dream begins, involving teachers, students and strange characters.
Braços Cruzados, Máquinas Paradas
Editor
São Paulo, May 1978. Three slates compete for the leadership of the Metalworkers' Union of São Paulo, the largest in Latin America, with 300,000 associate workers, and presided over by a platoon since the military coup of 1964. In the midst of the Union electoral campaign, the first workers' strikes that would change the country began. Braços Cruzados, Máquinas Paradas reveals, in an engaging narrative, the Brazilian trade union structure of fascist inspiration.
Braços Cruzados, Máquinas Paradas
Executive Producer
São Paulo, May 1978. Three slates compete for the leadership of the Metalworkers' Union of São Paulo, the largest in Latin America, with 300,000 associate workers, and presided over by a platoon since the military coup of 1964. In the midst of the Union electoral campaign, the first workers' strikes that would change the country began. Braços Cruzados, Máquinas Paradas reveals, in an engaging narrative, the Brazilian trade union structure of fascist inspiration.
Braços Cruzados, Máquinas Paradas
Writer
São Paulo, May 1978. Three slates compete for the leadership of the Metalworkers' Union of São Paulo, the largest in Latin America, with 300,000 associate workers, and presided over by a platoon since the military coup of 1964. In the midst of the Union electoral campaign, the first workers' strikes that would change the country began. Braços Cruzados, Máquinas Paradas reveals, in an engaging narrative, the Brazilian trade union structure of fascist inspiration.
Braços Cruzados, Máquinas Paradas
Director
São Paulo, May 1978. Three slates compete for the leadership of the Metalworkers' Union of São Paulo, the largest in Latin America, with 300,000 associate workers, and presided over by a platoon since the military coup of 1964. In the midst of the Union electoral campaign, the first workers' strikes that would change the country began. Braços Cruzados, Máquinas Paradas reveals, in an engaging narrative, the Brazilian trade union structure of fascist inspiration.
A Força do Sexo
Director