Irati Gorostidi

1978. While talks are going on for a new agreement in the metal industry, a group of libertarian militants encourage their fellow factory workers to defend their radical position. Meanwhile, they watch in dismay as the workers’ movement becomes fragmented.

On October 4th, 2007 Arantza, the director of the film, was detained and taken to prison. She remembers a few things about those days: endlessly walking around the prison exercise yard, swimming competitions, Rasha's prison journey... After 918 nights locked up, Arantza is set free. From then onwards, she recorded her memories and doubts, which are heard throughout the documentary as a kind of fragmented memoir.

In her escape, M. takes refuge in an abandoned house. Amidst the echoing sounds resulting from her efforts to make herself comfortable, she hears some footsteps outside and decides to open the door. A fortuitous visitor, who will become her companion-in-shelter, steps into the house.

In her escape, M. takes refuge in an abandoned house. Amidst the echoing sounds resulting from her efforts to make herself comfortable, she hears some footsteps outside and decides to open the door. A fortuitous visitor, who will become her companion-in-shelter, steps into the house.

In her escape, M. takes refuge in an abandoned house. Amidst the echoing sounds resulting from her efforts to make herself comfortable, she hears some footsteps outside and decides to open the door. A fortuitous visitor, who will become her companion-in-shelter, steps into the house.

In her escape, M. takes refuge in an abandoned house. Amidst the echoing sounds resulting from her efforts to make herself comfortable, she hears some footsteps outside and decides to open the door. A fortuitous visitor, who will become her companion-in-shelter, steps into the house.

Almost two decades ago, the Itoiz dam flooded seven villages and three natural reserves on the Pyrenean hillside in Navarra. The ecologist group Solidari@s con Itoiz registered the fight against its construction. Today, those who were there dream of the land lying beneath the water on video. Their voices and gestures come together to tell the tale of an individual and collective mourning still suffered today.

Created by 24 fabulous filmmakers and two talented sound artists in conjunction with the 2018 edition of Punto De Vista International Documentary Film Festival in Pamplona, Spain.

Euritan is a review of the narrative 'Klara eta biok', written by Itxaro Borda in 1985. Putting the author against the words of her past, it updates her view on the peripheral relationship around the Basque character.

Euritan is a review of the narrative 'Klara eta biok', written by Itxaro Borda in 1985. Putting the author against the words of her past, it updates her view on the peripheral relationship around the Basque character.

Euritan is a review of the narrative 'Klara eta biok', written by Itxaro Borda in 1985. Putting the author against the words of her past, it updates her view on the peripheral relationship around the Basque character.

Euritan is a review of the narrative 'Klara eta biok', written by Itxaro Borda in 1985. Putting the author against the words of her past, it updates her view on the peripheral relationship around the Basque character.

Euritan is a review of the narrative 'Klara eta biok', written by Itxaro Borda in 1985. Putting the author against the words of her past, it updates her view on the peripheral relationship around the Basque character.

Pasaia is the bay where the main commercial port of Gipuzkoa is placed. The urban and industrial fabric grew and was structured around the productive activity of that harbor, which, ever since the industrial crisis keeps declining. Pasaia Bitartean has its starting point in the architectural project with the same name that Jonander Agirre Mikelez made during the year 2013. The idea of articulating this project as a film came up as a consequence of the search of other methodologies to think the city and its common spaces.

Pasaia is the bay where the main commercial port of Gipuzkoa is placed. The urban and industrial fabric grew and was structured around the productive activity of that harbor, which, ever since the industrial crisis keeps declining. Pasaia Bitartean has its starting point in the architectural project with the same name that Jonander Agirre Mikelez made during the year 2013. The idea of articulating this project as a film came up as a consequence of the search of other methodologies to think the city and its common spaces.

Pasaia is the bay where the main commercial port of Gipuzkoa is placed. The urban and industrial fabric grew and was structured around the productive activity of that harbor, which, ever since the industrial crisis keeps declining. Pasaia Bitartean has its starting point in the architectural project with the same name that Jonander Agirre Mikelez made during the year 2013. The idea of articulating this project as a film came up as a consequence of the search of other methodologies to think the city and its common spaces.