Dimitry Haulet

For Stella, it’s her final year. But she says she doesn’t care! That year, she discovers the famous Parisian club, the Bains Douches, 80’s and its crazy nights. Her friends are just studying, her father has left with another woman and her mother is depressed. And then there is André who dances like a God… That year will decide her whole life. She pretends not to think about it…

1914 год. Бедная Нелли устраивается работать медсестрой в военном госпитале. Однажды на её глазах умирает Роз, девушка из зажиточной семьи, и Нелли решает занять её место. Представившись чужим именем, она становится компаньонкой в доме богатой мадам де Лангвиль.

Жюст бродит по Парижу в поисках людей, которых только он один способен видеть. Он собирает их последние воспоминания перед уходом в потусторонний мир. Однажды молодая женщина Агата узнала его. Она жива, а он призрак. Как они могут любить друг друга и не упустить этот второй шанс?

A film in three parts: An aquarium, a man sitting at a table reading various text passages, and a sequence from Jean Renoir’s film LA MARSEILLAISE. This is all from a film by Jean-Marie Straub – about fate, the soul and the cosmos, about the evident nature in which man lives, just like in the aquarium surrounding him. And finally, there’s the nation as a symbol for the community of free people. A Straub film represents a gift that isn’t based on exchange, but rather the opposite of communication. And what could be more beautiful and liberating in life?

In a single static shot a man is threatened with death at another's gunpoint.

In a single static shot a man is threatened with death at another's gunpoint.

Jean-Marie Straub pushes this musicality of blocks to a paroxysmal extreme, mixing blocks of time (40 years separate the various extracts that are going to be used, and what is to be filmed), blocks of text (Malraux, Fortini, Vittorini, Hölderlin) and blocks of language (French, Italian, German), and from this ruckus emerges the history of the world, yes, History with a capital H, and from the same movement, the political hope of its being overtaken. So this is an adventure film, about the Human adventure, still one that is always, in the end, overtaken by Nature. (Arnaud Dommerc)

The story is simply set around a couple fighting at the breakfast table. All is well, nothing out of the ordinary. Steph announces to his life partner Flippy, the mascot bear for Flipp’s cereals, that he wishes to go to Japan to fulfill his childhood’s dream: study at a Ninja school.

Paris, 1977. Eleven year old Stella knows poker better than grammar when she starts the year at a prestigious new school. There, she discovers the possibilities of a whole new world outside her parents' bar.

Jean-Marie Straub's first film after the death of Danièlle Huillet is a love poem to her. Le Genou d'Artémide is based on Cesare Pavese's "Dialogues of Leuco", which had already been adapted by Straub et Huillet as Ces Rencontres Avec Eux (2006).

The film recounts the resistance of these men detained for eighteen years in Tazmamart , a former barracks that became the symbol of Morocco 's dark years, as the conditions of those who were imprisoned there were so inhuman and arbitrary.

A story about two struggling people who are trying to find their own place in the world. He is a small-time crook recently released from prison and she is a prostitute craving some love and affection. They find each other in an obscure part of Gent. Jean-Claude is responsible for their meeting ; he is also an ex-inmate who has just traded the low-life crime scene for life as a pimp. Will their love survive?

A group of men and women have been brought together after World War II, when Italy regained its national and territorial unity. They make up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life, and look to protect themselves from violence, misery and fear. Amid the ruins of this post-war period, these men and women build a new rapport between themselves, between sexes, between generations, between social and geographical origins, between political camps.