Soudade Kaadan

Soudade Kaadan

Рождение : 1979-01-01, France

История

Soudade Kaadan is a Syrian filmmaker, born in France in 1979. She was educated in theatre criticism at the Higher Institute of Dramatic Arts in Syria and in filmmaking at the Saint Joseph University in Lebanon. She has directed and produced documentary films for Al Jazeera Documentary Channel, UNDP and UNICEF. The Day I Lost My Shadow (2018) is her first feature fiction film and was selected for the Venice and Toronto film festivals. In Venice the film was awarded Best Debut.

Профиль

Soudade Kaadan
Soudade Kaadan

Фильмы

Nezouh
Editor
Even as bombs fall on Damascus, Mutaz refuses to flee to the uncertain life of a refugee. His wife, Hala, and daughter, Zeina, must make the choice whether to stay or leave.
Nezouh
Writer
Even as bombs fall on Damascus, Mutaz refuses to flee to the uncertain life of a refugee. His wife, Hala, and daughter, Zeina, must make the choice whether to stay or leave.
Nezouh
Producer
Even as bombs fall on Damascus, Mutaz refuses to flee to the uncertain life of a refugee. His wife, Hala, and daughter, Zeina, must make the choice whether to stay or leave.
Nezouh
Director
Even as bombs fall on Damascus, Mutaz refuses to flee to the uncertain life of a refugee. His wife, Hala, and daughter, Zeina, must make the choice whether to stay or leave.
День, когда я потерял свою тень
Editor
Сирия, 2012-й год. Мать отправляется в зону боевых действий на поиски газового баллона, чтобы приготовить еду для своего сына. Вскоре она узнает, что в осажденном районе люди потеряли свои тени.
День, когда я потерял свою тень
Writer
Сирия, 2012-й год. Мать отправляется в зону боевых действий на поиски газового баллона, чтобы приготовить еду для своего сына. Вскоре она узнает, что в осажденном районе люди потеряли свои тени.
День, когда я потерял свою тень
Director
Сирия, 2012-й год. Мать отправляется в зону боевых действий на поиски газового баллона, чтобы приготовить еду для своего сына. Вскоре она узнает, что в осажденном районе люди потеряли свои тени.
Азиза
Editor
Сцена из жизни сирийских беженцев в Ливане, пересказанная в жанре черной комедии.
Азиза
Screenplay
Сцена из жизни сирийских беженцев в Ливане, пересказанная в жанре черной комедии.
Азиза
Producer
Сцена из жизни сирийских беженцев в Ливане, пересказанная в жанре черной комедии.
Азиза
Director
Сцена из жизни сирийских беженцев в Ливане, пересказанная в жанре черной комедии.
Obscure
Director
Six-year-old Ahmad doesn’t want to remember that he is Syrian. He recently lost his older brother to the war in Syria, and now lives with his family in a Lebanese refugee camp. Traumatised, overwhelmed, disengaged, he prefers to be silent. Director Soudade Kaadan’s patient observation accompanies Ahmad, as he recovers a sense of childhood lightness despite his grief. Amid endless images of violence, the film poses a question about the future, and in Kaadan’s words, “explores the impossibility to verbally express what is happening in Syria now.”
Besieged Bread
Editor
In battle-ridden Syria, a woman trying to smuggle bread into a blockaded area crosses paths with a soldier on the run.
Besieged Bread
Story
In battle-ridden Syria, a woman trying to smuggle bread into a blockaded area crosses paths with a soldier on the run.
Besieged Bread
Writer
In battle-ridden Syria, a woman trying to smuggle bread into a blockaded area crosses paths with a soldier on the run.
Besieged Bread
Director
In battle-ridden Syria, a woman trying to smuggle bread into a blockaded area crosses paths with a soldier on the run.
Damascus Roof and Tales of Paradise
Writer
Syrian traditional story-telling, folklore, tales, fictional mythological characters play an important role in their culture. This tradition is passed generation to the next generation — from grandparents to grandchildren. However, in the modern era these stories are being lost. This is happening in Damascus, the capital and the second largest city of Syria, too.
Damascus Roof and Tales of Paradise
Director
Syrian traditional story-telling, folklore, tales, fictional mythological characters play an important role in their culture. This tradition is passed generation to the next generation — from grandparents to grandchildren. However, in the modern era these stories are being lost. This is happening in Damascus, the capital and the second largest city of Syria, too.