Maged Nader

Фильмы

Суад
Director of Photography
Драма о раздвоении личности на фоне современного Египта.
Most of What Follows Is True
Director
A man returns to his neighborhood looking for his brother. He confronts the destruction of his old home, which has become a featureless wasteland. He keeps looking for his brother’s traces, but all he finds is the urban legend about his disappearance.
Poisonous Roses
Cinematography
Set in the confines of an impoverished Cairo neighborhood, a community's everyday life is threatened by the ruthless rhythms of Tanneries, rotary driers crushing animal skin, hazards of poisonous waste water, Tahyea desperately clings to her brother, Saqr, whose only dream is to escape.
Fathy Doesn't Live Here Anymore
Cinematography
An old image of Bobby Anderson and Lev Olman from Ingmar Bergman's Sweedish film Persona adhering to a bottle of Shampoo tells a tale of pent-up dreams through an adventure to find answers in Cairo today.
Fathy Doesn't Live Here Anymore
Writer
An old image of Bobby Anderson and Lev Olman from Ingmar Bergman's Sweedish film Persona adhering to a bottle of Shampoo tells a tale of pent-up dreams through an adventure to find answers in Cairo today.
Fathy Doesn't Live Here Anymore
Director
An old image of Bobby Anderson and Lev Olman from Ingmar Bergman's Sweedish film Persona adhering to a bottle of Shampoo tells a tale of pent-up dreams through an adventure to find answers in Cairo today.