Nicolau Domingues

Claé and Bruô, secret agents from enemy Kingdoms of the Sun and the Moon, must overcome their differences and combine forces to find the Perlimps and infiltrate into a world controlled by Giants where war is imminent.

Claé and Bruô, secret agents from enemy Kingdoms of the Sun and the Moon, must overcome their differences and combine forces to find the Perlimps and infiltrate into a world controlled by Giants where war is imminent.

After taking the wrong bus, the repressed Pedro gets lost in the city and has his cell phone stolen. The course of his day changes when he meets another guy. Into the night, he experiences new sensations and discovers more about himself.

After taking the wrong bus, the repressed Pedro gets lost in the city and has his cell phone stolen. The course of his day changes when he meets another guy. Into the night, he experiences new sensations and discovers more about himself.

After taking the wrong bus, the repressed Pedro gets lost in the city and has his cell phone stolen. The course of his day changes when he meets another guy. Into the night, he experiences new sensations and discovers more about himself.

To protect herself from a revolt by the workers on her family's farm, a reclusive designer locks herself in her armored car. The clock is ticking and the tension rises. Separated by an impenetrable layer of glass, two universes are about to collide.

To protect herself from a revolt by the workers on her family's farm, a reclusive designer locks herself in her armored car. The clock is ticking and the tension rises. Separated by an impenetrable layer of glass, two universes are about to collide.

История бедного писателя, жизнь которого окутана алкогольными парами и сигаретным дымом. Идя по пути саморазрушения, он всё же надеется отыскать в мире родственную душу.

After 10 months of a self imposed lockdown, Francisco wants to have sex.

After 10 months of a self imposed lockdown, Francisco wants to have sex.

Brazil leaders a sad statistic: It’s the country that kills most LGBT people in the world, a reality that worsens after the result of the 2018 elections. In this scenario ASSIM COMO O AR, SEMPRE NOS LEVANTAREMOS is born, a feature-length documentary film that focuses on giving visibility to travestis, lesbians, bisexuals and trans women, portraying their anxieties and fears; and also showing, in the routine of their lives and family relationships, resistance, the fight for their rights, for their lives.

Brazil leaders a sad statistic: It’s the country that kills most LGBT people in the world, a reality that worsens after the result of the 2018 elections. In this scenario ASSIM COMO O AR, SEMPRE NOS LEVANTAREMOS is born, a feature-length documentary film that focuses on giving visibility to travestis, lesbians, bisexuals and trans women, portraying their anxieties and fears; and also showing, in the routine of their lives and family relationships, resistance, the fight for their rights, for their lives.

Pilar, a young hotel maid, has her path crossed by Shin, a middle-aged South Korean guest. The plans of both go wrong and, despite everything that separates them, they end up getting closer and establishing a relationship of solidarity.

Pilar, a young hotel maid, has her path crossed by Shin, a middle-aged South Korean guest. The plans of both go wrong and, despite everything that separates them, they end up getting closer and establishing a relationship of solidarity.

Miami-Cuba is an audiovisual immersion through the Historic Center of João Pessoa, with brief trips to symbolic places along its shore. In particular, the recently verticalized Altiplano district, where his current urban development project seems to be heading. Its cinematographic device is the occupation of an apartment in the 18th floor building, the first skyscraper and initial landmark of modernization in the capital. Work that also configures a type of sentinel in this central region of the city, listed as a historical heritage shortly after its construction. A performative documentary that walks with pre-researched characters and others who were found in the journey of recordings… Expressive people from the city, known and/or anonymous, who ramble about their urban experiences, resisting, ways of living and living, existing .

Invented memory, broken future, fire!

Invented memory, broken future, fire!

Во время выборов мэра население бразильского городка делится на "красных" и "синих" - представителей двух основных политических фигур. Засушливость региона говорит о том, что вода - дороже золота, и именно ей пытаются манипулировать кандидаты, чтобы получить заветные голоса. В это время Шику Кайша, выходец из деревни, где всегда были проблемы с водой, присоединяется к кампании своего товарища Жоэла, который представляет себя как альтернативу привычным кандидатам. Однако позднее Шику понимает, что выйти из политической игры не так-то просто.

The construction of a community goes far beyond its erected walls and masonry bricks: it lies in the everyday invention of the commonplace, of life shared in its struggles and victories. Stemming from this premise, this debut feature film (by the directors of Na Missão com Kadu) documents the daily life of the urban occupation Eliana Silva, in the city of Belo Horizonte, on the eve of the 2018 elections. Seen from the inside, the hard-won territory becomes a protagonist as much as its residents, as they talk about political activism, companionship, love. Along with the records and personal testimonies is the (re)invention of subjectivity through art, going up against the totalizing narratives that reduce their existence to a newspaper news story.

In the end, one is dead and the others are alone, although the truth is that they were already alone long before his death. Now all of this is gone and there is no point in looking back.

In Brazil of yore, ex-humans feed on a fleeting drug.

Bigger-than-life revolutionary, Indianara and her group lead a fight for the survival of transgender people in Brazil. She gathers her forces for one last battle against the attacks from her political party and the totalitarian threat to come.

Bigger-than-life revolutionary, Indianara and her group lead a fight for the survival of transgender people in Brazil. She gathers her forces for one last battle against the attacks from her political party and the totalitarian threat to come.

Педро, 70-летний гомосексуальный медбрат, заботится о Даниэле, своей нездоровой трансгендерной подруге. Для того, чтобы определить ее в больницу, он решает помочь раненому заключенному сбежать.

Eduardo has a mysterious disease in his body. The appearance of crabs everywhere in the tropical city of Recife may have something to do with it.

In the sports court of a school, dancers rehearse under the watchful eye of a choreographer. Tensions haunt personal desires as they are observed by a rival troupe.

In the sports court of a school, dancers rehearse under the watchful eye of a choreographer. Tensions haunt personal desires as they are observed by a rival troupe.

In the sports court of a school, dancers rehearse under the watchful eye of a choreographer. Tensions haunt personal desires as they are observed by a rival troupe.

Bernardo owns a furniture industry. In his sixties, he lives alone. After his father's death, he has to count to ten everynight to fall asleep. Time goes by, and it seems like he just can't fall asleep.

Молодые, талантливые и черные! Группа молодых темнокожих ребят – поэты, рэперы, музыканты – в основном из первого и второго поколения иммигрантов из Карибского региона, устраивает перформансы в метро Торонто, пропагандируя новые формы образования через развлекательные формы.

Молодые, талантливые и черные! Группа молодых темнокожих ребят – поэты, рэперы, музыканты – в основном из первого и второго поколения иммигрантов из Карибского региона, устраивает перформансы в метро Торонто, пропагандируя новые формы образования через развлекательные формы.

Молодые, талантливые и черные! Группа молодых темнокожих ребят – поэты, рэперы, музыканты – в основном из первого и второго поколения иммигрантов из Карибского региона, устраивает перформансы в метро Торонто, пропагандируя новые формы образования через развлекательные формы.

Francisco is unhappy about his body.

In the shadows ours lights shows the way (or, the night is time to struggle).

Brazil. Historically Pernambuco state in the country’s northeast was characterised agriculturally by the sugarcane industry. Today there is a new sector in the economy: various evangelical Christian groups are on the rise. The mantra of the evangelicals, who have gained an ever-increasing influence in Brazilian society over the past years, is the attainment of improvements in one’s personal and economic situations through adherence to an extreme religious practice. In Brazil the evangelicals have established themselves as a growing political power over the past years. They control segments of the media and preach hate and intolerance towards homosexuality and other creeds. HOLY TREMOR focuses on a young generation of priests, producers and singers who hail from a rural area and make gospel music. Wagner and de Burca take into account the environment of the protagonists in order to make ethics, morality and life visible in an aesthetic agglomeration.

Brazil. Historically Pernambuco state in the country’s northeast was characterised agriculturally by the sugarcane industry. Today there is a new sector in the economy: various evangelical Christian groups are on the rise. The mantra of the evangelicals, who have gained an ever-increasing influence in Brazilian society over the past years, is the attainment of improvements in one’s personal and economic situations through adherence to an extreme religious practice. In Brazil the evangelicals have established themselves as a growing political power over the past years. They control segments of the media and preach hate and intolerance towards homosexuality and other creeds. HOLY TREMOR focuses on a young generation of priests, producers and singers who hail from a rural area and make gospel music. Wagner and de Burca take into account the environment of the protagonists in order to make ethics, morality and life visible in an aesthetic agglomeration.

Brazil. Historically Pernambuco state in the country’s northeast was characterised agriculturally by the sugarcane industry. Today there is a new sector in the economy: various evangelical Christian groups are on the rise. The mantra of the evangelicals, who have gained an ever-increasing influence in Brazilian society over the past years, is the attainment of improvements in one’s personal and economic situations through adherence to an extreme religious practice. In Brazil the evangelicals have established themselves as a growing political power over the past years. They control segments of the media and preach hate and intolerance towards homosexuality and other creeds. HOLY TREMOR focuses on a young generation of priests, producers and singers who hail from a rural area and make gospel music. Wagner and de Burca take into account the environment of the protagonists in order to make ethics, morality and life visible in an aesthetic agglomeration.

Every four years, the calm and peacefull Camocim de São Félix, a small town in Pernambuco (Brazil), is shaken, revealing an outpouring of joy, anger, hope and disappointment. During the municipal political campaign, the city splits into two, and everything seems to orbit around politics. In the middle of this political market, Mayara, 23, tries to make a "clean" campaign to elect his candidate and friend Cesar.

Every four years, the calm and peacefull Camocim de São Félix, a small town in Pernambuco (Brazil), is shaken, revealing an outpouring of joy, anger, hope and disappointment. During the municipal political campaign, the city splits into two, and everything seems to orbit around politics. In the middle of this political market, Mayara, 23, tries to make a "clean" campaign to elect his candidate and friend Cesar.

Look around. Everything you see and touch can taste like vanilla.

Look around. Everything you see and touch can taste like vanilla.

Обменявшись взглядами между «доброе утро» и «добрый день», Марсело понимает, что пришло время попытаться пойти дальше с Марсио, швейцаром в его доме.

Обменявшись взглядами между «доброе утро» и «добрый день», Марсело понимает, что пришло время попытаться пойти дальше с Марсио, швейцаром в его доме.

Leticia is lost in time. Her nightly, melancholic routine reveals her wild, dark and bloody state of mind. When she meets Gabriela at a party and brings her to her house, strange things begin to take place in her old manor. One of the two will never leave that apartment. This is a film about tensions, memories and social dominations.

Leticia is lost in time. Her nightly, melancholic routine reveals her wild, dark and bloody state of mind. When she meets Gabriela at a party and brings her to her house, strange things begin to take place in her old manor. One of the two will never leave that apartment. This is a film about tensions, memories and social dominations.

In 1910, Le Corbusier wrote in Germany his famous essay on the eyes that do not see the new forms of modern architecture. One hundred years later, in Recife, the immense modernist work of Portuguese architect Delfim Amorim remains unrecognized. What for Le Corbusier was a necessity and a projection, is now a debate about heritage, preservation, inheritance.

In 1910, Le Corbusier wrote in Germany his famous essay on the eyes that do not see the new forms of modern architecture. One hundred years later, in Recife, the immense modernist work of Portuguese architect Delfim Amorim remains unrecognized. What for Le Corbusier was a necessity and a projection, is now a debate about heritage, preservation, inheritance.