Editor
A film about our garbage that is found in the most remote areas and about the people who try to dispose of it. Not only in the sea and on coasts, also in the Arctic, the jungle, high up on the mountains and deep inside the desert, garbage is found almost everywhere in various forms and dimensions, sometimes as whole car wrecks, old TV sets or simply construction rubble, but mostly in the form of disintegrated plastic particles a few millimetres in size. Humanity has handed out its visiting cards thoroughly.
Editor
An audiovisual allegory on communication – this film follows cable technicians in four different countries (Ukraine, Romania, Bulgaria, Moldova) as they visit their customers. Each client they call on provides a glimpse into their own individual universe. With so many tools for communication, we still inhabit a modern-day Tower of Babel; an ordered discordance of personalities and perspectives.
Editor
Editor
VIVA LA VULVA is a documentary film that casts a glance right into the centre of female sexuality – historically, culturally, and politically. With a sense of humour, but earnestly and profoundly it examines this very symbol and indicator of women's self-determination, a mystic source of life and anarchic threat to patriarchal systems. Made a symbol of the forbidden, the vulva is attributed its due cultural significance only by being heavily negated, while its fictitious existence as a focus of male sexual phantasies and the pressure to adapt exerted on women make it a significant economic factor. From church to psychoanalysis: what women carry between their legs seems second-rate to the primacy of the penis. But VIVA LA VULVA can also give hope to those awaiting a turn towards a self-determined female sexuality and a new, confident self-definition of women. Not deadly serious, but with informative verve we tell the tale of the new self-awareness of the female sex.
Screenplay
Lizzy is in love with Bernhard, but Bernhard is undecided. Lizzy returns Bernhard’s dog, which she occasionally watches, and stays a little longer. Lizzy shows Bernhard some kung-fu moves; Bernhard starts to flirt; and, although it’s not like her, Lizzy gets embarrassed. The same night, Bernhard asks her to drive him to a party outside town. A tense ride begins.
Director
Lizzy is in love with Bernhard, but Bernhard is undecided. Lizzy returns Bernhard’s dog, which she occasionally watches, and stays a little longer. Lizzy shows Bernhard some kung-fu moves; Bernhard starts to flirt; and, although it’s not like her, Lizzy gets embarrassed. The same night, Bernhard asks her to drive him to a party outside town. A tense ride begins.
