Giuliana De Sio

Dora, raises her two children with the help of her eccentric family, free-spirited best friend, and a charming poet-turned- nanny.

Когда брак между Амосом и Марией Магдалиной оказывается бездетным, он бросает ее и получает развод. Мария жаждет мести. Римский префект Сильванус соглашается ей помочь, и Мария покидает Магдалу с ним. По пути она встречает пророка Иоанна Крестителя, предвещавшего приход Мессии, который пытается помочь ей задуматься о смысле ее жизни. Эта встреча невольно приведет к последовавшим горестям и лишениям Марии, на пути которых она станет свидетелем конца жизни Иоанна. Живя в мире жестокости, несправедливости и предательства, видя, как ее месть оборачивается против самых близких ей людей, в конец отчаявшись, она получит поддержку и прощение от Иисуса и найдет себя.

Jack Altieri, a young Italian-American restaurant owner, arrives at Vesta awaits him a painting of the sixteenth century that depicts the veiled face of Medea of Carpi, noble woman processed to witchcraft. Shortly after the arrival of Jack, a country girl is killed in a mysterious way, dropping the suspicions of the Commissioner Gianzi on the young restorer, who is soon advised to not complete the work on the opera, because it would hide an ancient curse.

Поезд идет через всю Италию — из Палермо в Милан. Какие разные люди эти пассажиры: бедняки, едущие из нищей Сицилии в зажиточный Милан в поисках заработка, богатый предприниматель, использующий поездку для уединения со своей любовницей, молоденький статист, мечтающий о большом кино. Как много всего может случиться в итальянском поезде дальнего следования: кто-то влюбляется, кто-то ссорится, у кого-то намечается блестящая карьера, кому-то не повезло. Пройдет двадцать лет, и все участники этого путешествия поедут другим поездом в обратном направлении. Вот тут-то и выяснится, что же произошло за это время с каждым из них? А может быть — можно пересесть на другой поезд и все изменить?

At the beginning of the 20th century, a junior resident takes an interest in a newly-arrived patient, a young Italian woman who has mysteriously developed schizophrenia. To identify the causes of her condition, he employs psychoanalytic methods to dig into her sexual past, despite objections by the old-fashioned chief physician.

Robert Cavaillon is the king of the pet food industry. After he sold the factory to his workers, he decided to run for office. His campaign in support of animal rights gives him a lead in the opinion polls - which worries the main political parties. Since his past is unassailable, his political opponents decide to give the job of getting rid of him to a bizarre couple - a professional killer called Jean and a high-class call girl named Clara. The pair has to ruin him with scandal and then eliminate him for good. Jean's first attempt at his task is a failure: instead of a killer he ends up looking like Cavaillon's savior and friend. Clara is forced to play the role of the killer's tender wife, because their victim sees them as a kindly pair not interested in using him for his position like everyone else. Between one bungled assassination attempt and the next, the three are enmeshed in an intense relationship in which their roles all change.

Teresa is a nurse and does not have an easy life: her husband plays poker and next to her she sleeps only and the father organizes the illegal lot among the sick. So one night Teresa is involved, in spite of herself, in a whirlwind of ambiguous situations, together with Ferdinando and Friariello, met by chance, between camorristi, dog races and a bingo of which he unknowingly becomes the prize. But "has to pass" to "nuttata", this is certain, but how?

Ti presento un'amica (internationally released as Private Affairs and Quite by Chance) is a 1988 comedy drama film directed by Francesco Massaro.

The adventures of a couple of scoundrels in the Spain of the 16th century.

Let's Hope It's a Girl is a multifaceted exploration of the pointlessness of sexual stereotypes. Liv Ullmann is a countess who, after her divorce, takes over the family farm. Realizing that she can't rely on the patriarchal society structure for assistance, Ullmann runs the farm herself with the help of her female servants and relatives. When the Count (Philipe Noiret) comes back into her life, he and his male buddies find themselves outclassed by the expertise of the ladies.

Francesco forgot billiards because now he lives with Chiara. She is a musician and she would like to become famous. Francesco is different: he found in her the reason of his life. But when she accepts a job far from home, Francesco comes back to billiards.

Некоего бродягу помещают в дом для сумасшедших: при нем нет никаких документов, и он не может вспомнить ни своего имени, ни прошлого. По истечении года безрезультатного лечения врачи решают опубликовать его фотографию в газетах..

В конце 70-х - начале 80-х годов многочисленные убийства государственных чиновников в Сицилии потрясли всю Италию. Еще никогда с такой наглостью мафия не демонстрировала свою силу перед лицом бездействующей власти. Честного и принципиального генерала Карло Делакьеза назначают префектом в Палермо, где он будет бороться с сицилийской преступностью...

Francesco, nicknamed 'Toscano', is a very good pool player but he never wins when he plays for money. He meets Chiara, a saxophone player, on a late night bus by swapping his case containing the cue with her one, containing the sax. The two fall in love, but in the meantime Francesco loses a big amount of money playing versus 'Scuro', the long-time Italian champion. His only chance to pay the debt is to win the Italian Championships.

Vincenzo, a 30 years old apathetic and lazy man who still lives with his mother, has no job and no desire to improve. He meets Anna and fell in love with her but to keep the relationship alive he has to learn to accept more responsibility.

During the year 1673, Rome was besieged by poverty and violence. The rich Mr. Argante has two servants to look after him, while his wife is only waiting to see him dead to inherit.