Maurizio Nichetti
Рождение : 1948-05-08, Milan, Lombardy, Italy
История
Maurizio Nichetti (born 8 May 1948) is an Italian film screenwriter, actor and director. His 1989 film The Icicle Thief won the Golden St. George at the 16th Moscow International Film Festival.[1] In 1998 he was a member of the jury at the 48th Berlin International Film Festival.
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Rider
Arturo loses his tech job to an algorithm he himself created. The rest of his life quickly crumbles and he ends up working as a delivery man for FUUBER, shuttling take-out orders around town while his movements are monitored and evaluated by an unreasonably strict app. His only solace comes from Stella, a hologram girlfriend also connected to a FUUBER app whose free trial is running out. Unable to afford a subscription due to the financial uncertainty of his new job, Arturo decides to take a stand...
Prof. Fanfulla
The Manzoni High School in Milan is the worst in Italy. When the percentage of those promoted falls to 12%, it's time for the last resort: to entrust the classes to the worst of the available teachers.
Himself
Self
A passionate cavalcade through decades of "coming attractions"
Screenplay
Однажды в Вигате... в Страстную Пятницу 1890 года произошло чудесное и загадочное событие: во время представления, посвящённого Страстям Христовым, пропал счетовод Пато, безупречный служащий и семьянин. Великолепно отыграв роль Иуды, он так и не вышел на поклон...Кто разгадает тайну: местный сицилийский карабинер или пришлый итальянский полицейский?
Himself
Documentary about the movie theaters of Milan.
Screenplay
Director
Telegatto Award Recipient
Утопая в оргиях и пьянках, дорогих машинах и поклонницах, прожженная голливудская звезда Джонни Марко ведет распутную жизнь. Забившись в кокон греха и порока, он теряет себя… Однажды в роскошном отеле Шато Мормон его разыскивает его 11-летняя дочь, которую он бросил много лет назад. Джонни привязывается к девочке, а та возвращает его к жизни. Но расставание неизбежно…
Self
Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.
Director
Himself
How the cinema industry does not respect the author's work as it was conceived, how manipulates the motion pictures in order to make them easier to watch by an undemanding audience or even how mutilates them to adapt the original formats and runtimes to the restrictive frame of the television screen and the abusive requirements of advertising. (Followed by “Filmmakers in Action.”)
Giulio Fellini
Having recently earned his college degree, Lorenzo Primavera (Eddie Malavarca) leaves his home in Boston to travel to his family's ancestral homeland in Italy -- as was requested by his late grandfather. Upon arriving, Lorenzo is offered a short-term position as coach for an American-style football team by the team's manager, Giulio Fellini (Maurizio Nichetti). As the young American immerses himself in his new duties, he makes the acquaintance of Paola Angelini (Violante Placido) and the two begin a friendship that quickly blossoms into something more. In between spending time with Paola and working with the team, Lorenzo also begins investigating his own family's history and learns the reason for his grandfather's departure from Italy, as well as why his grandfather never returned to visit. As Lorenzo begins to forge an identity for himself in Italy -- not to mention strong romantic attachments to Paola -- he must eventually decide whether or not to return to the States.
Writer
Director
Ing. Alberto Colombo
Story
Luna is an endearingly prudish teacher in Milan, who lives with her grumpy father. Often teased by students and co-workers alike, her only ally is the janitor, Angelo, who harbors a secret crush on Luna. When a carnival comes to town, Luna meets a man who possesses a magic lamp, which he uses to free her "shadow self." This doppelganger is Luna's polar opposite, whose presence poses both a problem and an opportunity for Luna.
Screenplay
Luna is an endearingly prudish teacher in Milan, who lives with her grumpy father. Often teased by students and co-workers alike, her only ally is the janitor, Angelo, who harbors a secret crush on Luna. When a carnival comes to town, Luna meets a man who possesses a magic lamp, which he uses to free her "shadow self." This doppelganger is Luna's polar opposite, whose presence poses both a problem and an opportunity for Luna.
Angelo Franchini
Luna is an endearingly prudish teacher in Milan, who lives with her grumpy father. Often teased by students and co-workers alike, her only ally is the janitor, Angelo, who harbors a secret crush on Luna. When a carnival comes to town, Luna meets a man who possesses a magic lamp, which he uses to free her "shadow self." This doppelganger is Luna's polar opposite, whose presence poses both a problem and an opportunity for Luna.
Director
Luna is an endearingly prudish teacher in Milan, who lives with her grumpy father. Often teased by students and co-workers alike, her only ally is the janitor, Angelo, who harbors a secret crush on Luna. When a carnival comes to town, Luna meets a man who possesses a magic lamp, which he uses to free her "shadow self." This doppelganger is Luna's polar opposite, whose presence poses both a problem and an opportunity for Luna.
Screenstory
Старый актёр отправляется в последние в своей жизни «гастроли» перед пенсией развлекать пассажиров в круизе на теплоходе. А в тот же день во время грозы на свободу случайно вырвался дорогой белый дельфин, которого с целью наживы держал в неволе жестокий и бездушный злодей со стальной ногой…
Director
Старый актёр отправляется в последние в своей жизни «гастроли» перед пенсией развлекать пассажиров в круизе на теплоходе. А в тот же день во время грозы на свободу случайно вырвался дорогой белый дельфин, которого с целью наживы держал в неволе жестокий и бездушный злодей со стальной ногой…
Jésus
Dodo, a French man living in Florida, has one goal in life: Get by without working. Difficult to implement without the help of some women. Betty is one of them, and a gypsy's bride, who suddenly disappears, changing Dodo's life.
Screenplay
Screenplay
Story
Director
Stefano
Director
Коллекция рекламных роликов, снятых известными режиссерами со всего мира.
Screenplay
Maurizio works in a dubbing studio and puts sound effects into cartoons. One day his hands turn into cartoon ones, with a life of their own.
Maurizio
Maurizio works in a dubbing studio and puts sound effects into cartoons. One day his hands turn into cartoon ones, with a life of their own.
Director
Maurizio works in a dubbing studio and puts sound effects into cartoons. One day his hands turn into cartoon ones, with a life of their own.
Screenplay
Director Maurizio Nichetti is invited on TV to introduce a screening of his neo-realist classic 'The Icicle Thief'. He is horrified to discover that his black-and-white tale of life in poverty is constantly interrupted by garish color commercials, and even more horrified when a power cut in the studio causes film and commercials to mix up – a glamorous model finds herself in the arms of an unemployed pauper, while his wife finds herself in consumers' heaven. Nichetti has to break into the film to try to sort everything out.
Story
Director Maurizio Nichetti is invited on TV to introduce a screening of his neo-realist classic 'The Icicle Thief'. He is horrified to discover that his black-and-white tale of life in poverty is constantly interrupted by garish color commercials, and even more horrified when a power cut in the studio causes film and commercials to mix up – a glamorous model finds herself in the arms of an unemployed pauper, while his wife finds herself in consumers' heaven. Nichetti has to break into the film to try to sort everything out.
Self / Antonio Piermattei
Director Maurizio Nichetti is invited on TV to introduce a screening of his neo-realist classic 'The Icicle Thief'. He is horrified to discover that his black-and-white tale of life in poverty is constantly interrupted by garish color commercials, and even more horrified when a power cut in the studio causes film and commercials to mix up – a glamorous model finds herself in the arms of an unemployed pauper, while his wife finds herself in consumers' heaven. Nichetti has to break into the film to try to sort everything out.
Director
Director Maurizio Nichetti is invited on TV to introduce a screening of his neo-realist classic 'The Icicle Thief'. He is horrified to discover that his black-and-white tale of life in poverty is constantly interrupted by garish color commercials, and even more horrified when a power cut in the studio causes film and commercials to mix up – a glamorous model finds herself in the arms of an unemployed pauper, while his wife finds herself in consumers' heaven. Nichetti has to break into the film to try to sort everything out.
Screenplay
Director
Bertoldino
During the reign of King Alboin, the peasant Bertoldo, sly and smart, manages to always get away with pranks and pleasantires with great mastery, and, even if his clumsy wife Marcolfa and their foolish son Bertoldino always put him in trouble, his shrewdness and acumen save him from any unfortunate situation...
Atlante
Во времена крестовых походов юной красавице Брагаманте, отказавшейся от богатств и комфорта, было предсказано, что рыцарь, которого ей суждено полюбить, будет мавром и погибнет от руки страшного воина. И рыцарь в сияющих доспехах появляется и спасает её от изнасилования, уничтожая всех виновников. И он отдаёт ей свои доспехи и меч, сказав, что теперь никто не сможет причинить ей вреда..
Story
Aliens send a hypnotic signal through a TV channel, and the signal makes people dance and makes them forget their fears.
Screenplay
Aliens send a hypnotic signal through a TV channel, and the signal makes people dance and makes them forget their fears.
Maurizio
Aliens send a hypnotic signal through a TV channel, and the signal makes people dance and makes them forget their fears.
Director
Aliens send a hypnotic signal through a TV channel, and the signal makes people dance and makes them forget their fears.
Himself
The fake report about Troisi's death, with the direction of Troisi himself with Lello Arena and Anna Pavignano. A long of list people greet the comediam, from Gianni Boncompagni to Maria Giovanna Elmi. There is also Benigni, hidden behind a window, and Arena, his guardian angel.
Maurizio
Writer
Director
The teacher
Expect the unexpected in this unusual short that combines live action and animation.
Colombo
Misadventures of Colombo, an engineer in Milano. He is the only winner of an admission test for a job, and just for this reason he isn't hired. So he becomes a barman, and he discovers a special formula that turns simple water into the "Immortality drink". He is robbed of the magic water copyright. So he tries to set up a theatrical company, but the first show is a fiasco. Since finding a normal job seems a mission impossible, he tries to set the sentimental side of his life. He targets the most beautiful girl of his building, and for her he builds a robot able to dance like Tony Manero (John Travolta's character in Saturday Night Fever (1977)). The robot gets drunk (!). It is another fiasco. So he targets an ugly girl and finally with her succeeds to live his surreal world for ever.
Screenplay
Misadventures of Colombo, an engineer in Milano. He is the only winner of an admission test for a job, and just for this reason he isn't hired. So he becomes a barman, and he discovers a special formula that turns simple water into the "Immortality drink". He is robbed of the magic water copyright. So he tries to set up a theatrical company, but the first show is a fiasco. Since finding a normal job seems a mission impossible, he tries to set the sentimental side of his life. He targets the most beautiful girl of his building, and for her he builds a robot able to dance like Tony Manero (John Travolta's character in Saturday Night Fever (1977)). The robot gets drunk (!). It is another fiasco. So he targets an ugly girl and finally with her succeeds to live his surreal world for ever.
Director
Misadventures of Colombo, an engineer in Milano. He is the only winner of an admission test for a job, and just for this reason he isn't hired. So he becomes a barman, and he discovers a special formula that turns simple water into the "Immortality drink". He is robbed of the magic water copyright. So he tries to set up a theatrical company, but the first show is a fiasco. Since finding a normal job seems a mission impossible, he tries to set the sentimental side of his life. He targets the most beautiful girl of his building, and for her he builds a robot able to dance like Tony Manero (John Travolta's character in Saturday Night Fever (1977)). The robot gets drunk (!). It is another fiasco. So he targets an ugly girl and finally with her succeeds to live his surreal world for ever.
Writer
Картина начинается с игровой прелюдии, в которой работа представляется как инновационная и первая в своем роде. В разгаре этой торжественной речи звучит телефонный звонок, и неслышимый собеседник явно сообщает о первой, классической, «Фантазии», однако говорящий совершенно не понимает, о чем речь, забавно перевирает услышанные слова и называет позвонившего лжецом.
Animator
Картина начинается с игровой прелюдии, в которой работа представляется как инновационная и первая в своем роде. В разгаре этой торжественной речи звучит телефонный звонок, и неслышимый собеседник явно сообщает о первой, классической, «Фантазии», однако говорящий совершенно не понимает, о чем речь, забавно перевирает услышанные слова и называет позвонившего лжецом.
Screenplay
Where? Far from home,from work and his boss, far from city traffic and his alarm clock, far from the monotony of his life... The farthest away possible. Travelling against time, visiting places of other centuries. How? Thanks to a magic whistle given him by "Fairy Sicura" the most nutty, thoughtless, happy fairy still to be seen around. A golden whistle which can catapult him back into prehistory, or in ancient Rome, in Medieval time, on a desert island, in Fairy tale land, in ancient Egypt, in the far West or in the future.With whom? He travels with Gastone, his boss'dog, tiny,naive and a little bit spoiled : after many adventures he will realize how much more valuable a friend is rather than a cream pie. Will he find it? Yes, but not in the past, not in other centuries, full of incredible and miserable adventures for him. Happiness was much closer,at hand's reach. He only had to think about it... Isnt that right, Mr Rossi?
The Photographer
An amateur photographer watches a beautiful woman emerge from a beach hut and disappear into the sea.
Writer
An amateur photographer watches a beautiful woman emerge from a beach hut and disappear into the sea.