Maurizio Nichetti
Nacimiento : 1948-05-08, Milan, Lombardy, Italy
Historia
Maurizio Nichetti (born 8 May 1948) is an Italian film screenwriter, actor and director. His 1989 film The Icicle Thief won the Golden St. George at the 16th Moscow International Film Festival.[1] In 1998 he was a member of the jury at the 48th Berlin International Film Festival.
From Wikipedia, the free encyclopedia
Rider
Arturo es despedido de su empresa al aplicar un algoritmo que él mismo ha ayudado a crear y que hace innecesario su trabajo. Tras perder empleo, casa y pareja, su salida a la desesperada es convertirse en repartidor en bicicleta de una 'app' de envíos. Su único solaz será una inteligencia artificial femenina desarrollada por la propia empresa de 'riders' con la que podrá desahogarse tras los duros días de trabajo.
Prof. Fanfulla
Mientras (casi) todos festejan el aprobado del examen de madurez, en el instituto Alessandro Manzoni hay una gran preocupación: solo el 12% de los estudiantes ha logrado obtener el diploma. El Manzoni tiene un récord absoluto: es el peor instituto de Italia. No sabiendo ya que medidas adoptar, el Director escucha la propuesta del Superintendente y decide llevar a cabo un último, extremo y arriesgado intento: reclutar a los peores profesores en activo seleccionados por un algoritmo del ministerio con la esperanza que donde han fracasado los mejores, puedan triunfar los peores. Objetivo: tener al menos un 50% de aprobados.
Himself
Self
A passionate cavalcade through decades of "coming attractions"
Screenplay
La historia tiene lugar en la Italia del año 1890, en concreto en Vigata. Allí se encuentra el contable Antonio Patò, el cual trabaja como director de un banco. Un día de Semana Santa Patò desaparece misteriosamente sin dejar rastro alguno. En el momento en el que desaparece estaban representando una obra teatral en la que él tenía el importante papel de Judas, y nadie sabe qué ha podido ser de él.
Himself
Documentary about the movie theaters of Milan.
Screenplay
Director
Telegatto Award Recipient
Johnny Marco (Stephen Dorff) es un actor de gran éxito cuya vida de excesos y lujo cambia por completo cuando, sin previo aviso, se presenta su hija de once años (Elle Fanning), fruto de un matrimonio fracasado. Johnny es una estrella de cine que vive en un lujoso hotel de Hollywood, conduce un ferrari y sale con bellas mujeres sin comprometerse con ninguna.
Self
Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.
Director
Himself
Ensayo cinematográfico en defensa de los Derechos Morales de los cineastas frente a las manipulaciones que sufren las películas desde los orígenes del cine hasta hoy. Incluye fragmentos de importantes películas, como una escena en la que Felipe II (1559-1598) recorta una pintura de Tiziano porque no cabía en el espacio que le había reservado en El Escorial. Con esta acción el Rey de España se convirtió en el inventor del panning-scanning que en nuestra época altera el formato original de las películas. Este ensayo documental tiene su continuación en "Cineastas en acción", también del año 2005. (FILMAFFINITY)
Giulio Fellini
Having recently earned his college degree, Lorenzo Primavera (Eddie Malavarca) leaves his home in Boston to travel to his family's ancestral homeland in Italy -- as was requested by his late grandfather. Upon arriving, Lorenzo is offered a short-term position as coach for an American-style football team by the team's manager, Giulio Fellini (Maurizio Nichetti). As the young American immerses himself in his new duties, he makes the acquaintance of Paola Angelini (Violante Placido) and the two begin a friendship that quickly blossoms into something more. In between spending time with Paola and working with the team, Lorenzo also begins investigating his own family's history and learns the reason for his grandfather's departure from Italy, as well as why his grandfather never returned to visit. As Lorenzo begins to forge an identity for himself in Italy -- not to mention strong romantic attachments to Paola -- he must eventually decide whether or not to return to the States.
Writer
Director
Ing. Alberto Colombo
Story
Luna is an endearingly prudish teacher in Milan, who lives with her grumpy father. Often teased by students and co-workers alike, her only ally is the janitor, Angelo, who harbors a secret crush on Luna. When a carnival comes to town, Luna meets a man who possesses a magic lamp, which he uses to free her "shadow self." This doppelganger is Luna's polar opposite, whose presence poses both a problem and an opportunity for Luna.
Screenplay
Luna is an endearingly prudish teacher in Milan, who lives with her grumpy father. Often teased by students and co-workers alike, her only ally is the janitor, Angelo, who harbors a secret crush on Luna. When a carnival comes to town, Luna meets a man who possesses a magic lamp, which he uses to free her "shadow self." This doppelganger is Luna's polar opposite, whose presence poses both a problem and an opportunity for Luna.
Angelo Franchini
Luna is an endearingly prudish teacher in Milan, who lives with her grumpy father. Often teased by students and co-workers alike, her only ally is the janitor, Angelo, who harbors a secret crush on Luna. When a carnival comes to town, Luna meets a man who possesses a magic lamp, which he uses to free her "shadow self." This doppelganger is Luna's polar opposite, whose presence poses both a problem and an opportunity for Luna.
Director
Luna is an endearingly prudish teacher in Milan, who lives with her grumpy father. Often teased by students and co-workers alike, her only ally is the janitor, Angelo, who harbors a secret crush on Luna. When a carnival comes to town, Luna meets a man who possesses a magic lamp, which he uses to free her "shadow self." This doppelganger is Luna's polar opposite, whose presence poses both a problem and an opportunity for Luna.
Screenstory
Un niño, su madre y un actor desgastado tratar de entregar una ballena beluga de las garras de un traficante de
armas que se hace pasar como un proveedor de delfines a los parques marinos.
Director
Un niño, su madre y un actor desgastado tratar de entregar una ballena beluga de las garras de un traficante de
armas que se hace pasar como un proveedor de delfines a los parques marinos.
Jésus
Dodo, a French man living in Florida, has one goal in life: Get by without working. Difficult to implement without the help of some women. Betty is one of them, and a gypsy's bride, who suddenly disappears, changing Dodo's life.
Screenplay
Screenplay
Story
Director
Stefano
Director
A collection of European T.V. commercials directed by a variety of well-known directors from across Europe and the U.S. Compiled and produced by Jean-Marie Boursicot.
Screenplay
Maurizio works in a dubbing studio and puts sound effects into cartoons. One day his hands turn into cartoon ones, with a life of their own.
Maurizio
Maurizio works in a dubbing studio and puts sound effects into cartoons. One day his hands turn into cartoon ones, with a life of their own.
Director
Maurizio works in a dubbing studio and puts sound effects into cartoons. One day his hands turn into cartoon ones, with a life of their own.
Screenplay
Director Maurizio Nichetti is invited on TV to introduce a screening of his neo-realist classic 'The Icicle Thief'. He is horrified to discover that his black-and-white tale of life in poverty is constantly interrupted by garish color commercials, and even more horrified when a power cut in the studio causes film and commercials to mix up – a glamorous model finds herself in the arms of an unemployed pauper, while his wife finds herself in consumers' heaven. Nichetti has to break into the film to try to sort everything out.
Story
Director Maurizio Nichetti is invited on TV to introduce a screening of his neo-realist classic 'The Icicle Thief'. He is horrified to discover that his black-and-white tale of life in poverty is constantly interrupted by garish color commercials, and even more horrified when a power cut in the studio causes film and commercials to mix up – a glamorous model finds herself in the arms of an unemployed pauper, while his wife finds herself in consumers' heaven. Nichetti has to break into the film to try to sort everything out.
Self / Antonio Piermattei
Director Maurizio Nichetti is invited on TV to introduce a screening of his neo-realist classic 'The Icicle Thief'. He is horrified to discover that his black-and-white tale of life in poverty is constantly interrupted by garish color commercials, and even more horrified when a power cut in the studio causes film and commercials to mix up – a glamorous model finds herself in the arms of an unemployed pauper, while his wife finds herself in consumers' heaven. Nichetti has to break into the film to try to sort everything out.
Director
Director Maurizio Nichetti is invited on TV to introduce a screening of his neo-realist classic 'The Icicle Thief'. He is horrified to discover that his black-and-white tale of life in poverty is constantly interrupted by garish color commercials, and even more horrified when a power cut in the studio causes film and commercials to mix up – a glamorous model finds herself in the arms of an unemployed pauper, while his wife finds herself in consumers' heaven. Nichetti has to break into the film to try to sort everything out.
Screenplay
Director
Bertoldino
En la Verona del siglo XII, el campesino Bertoldo (Tognazzi) dispensa agudas burlas y sabios consejos al rey Alboino (Arena), al tiempo que sonoros collejones al torpe de su hijo Bertoldino (Nichetti).
Atlante
Bradamante, una mujer que lleva una invencible armadura, está viajando por el campo en el momento de las Cruzadas. Después de terminar en medio de una red de enredos románticos y culturales, se encuentra enamorada de un príncipe Moro, mientras que uno de los caballeros cristianos se ha enamorado de una princesa Mora. Otros, sin embargo, están en contra del romance intercultural, y el amor de Bradamante pronto se ve forzado a un duelo a muerte. ¿Estará ella alguna vez con su verdadero amor? Escrito por Jean-Marc Rocher
Story
Aliens send a hypnotic signal through a TV channel, and the signal makes people dance and makes them forget their fears.
Screenplay
Aliens send a hypnotic signal through a TV channel, and the signal makes people dance and makes them forget their fears.
Maurizio
Aliens send a hypnotic signal through a TV channel, and the signal makes people dance and makes them forget their fears.
Director
Aliens send a hypnotic signal through a TV channel, and the signal makes people dance and makes them forget their fears.
Himself
The fake report about Troisi's death, with the direction of Troisi himself with Lello Arena and Anna Pavignano. A long of list people greet the comediam, from Gianni Boncompagni to Maria Giovanna Elmi. There is also Benigni, hidden behind a window, and Arena, his guardian angel.
Maurizio
Writer
Director
The teacher
Expect the unexpected in this unusual short that combines live action and animation.
Colombo
Misadventures of Colombo, an engineer in Milano. He is the only winner of an admission test for a job, and just for this reason he isn't hired. So he becomes a barman, and he discovers a special formula that turns simple water into the "Immortality drink". He is robbed of the magic water copyright. So he tries to set up a theatrical company, but the first show is a fiasco. Since finding a normal job seems a mission impossible, he tries to set the sentimental side of his life. He targets the most beautiful girl of his building, and for her he builds a robot able to dance like Tony Manero (John Travolta's character in Saturday Night Fever (1977)). The robot gets drunk (!). It is another fiasco. So he targets an ugly girl and finally with her succeeds to live his surreal world for ever.
Screenplay
Misadventures of Colombo, an engineer in Milano. He is the only winner of an admission test for a job, and just for this reason he isn't hired. So he becomes a barman, and he discovers a special formula that turns simple water into the "Immortality drink". He is robbed of the magic water copyright. So he tries to set up a theatrical company, but the first show is a fiasco. Since finding a normal job seems a mission impossible, he tries to set the sentimental side of his life. He targets the most beautiful girl of his building, and for her he builds a robot able to dance like Tony Manero (John Travolta's character in Saturday Night Fever (1977)). The robot gets drunk (!). It is another fiasco. So he targets an ugly girl and finally with her succeeds to live his surreal world for ever.
Director
Misadventures of Colombo, an engineer in Milano. He is the only winner of an admission test for a job, and just for this reason he isn't hired. So he becomes a barman, and he discovers a special formula that turns simple water into the "Immortality drink". He is robbed of the magic water copyright. So he tries to set up a theatrical company, but the first show is a fiasco. Since finding a normal job seems a mission impossible, he tries to set the sentimental side of his life. He targets the most beautiful girl of his building, and for her he builds a robot able to dance like Tony Manero (John Travolta's character in Saturday Night Fever (1977)). The robot gets drunk (!). It is another fiasco. So he targets an ugly girl and finally with her succeeds to live his surreal world for ever.
Writer
Película escrita, dirigida y dibujada por el italiano Bruno Bozzetto en el año 1977. Cuenta, en imágenes “reales” con estética muy surreallista, la historia de una extravagante orquesta formada exclusivamente por ancianas. Va intercalando además fragmentos de dibujos animados con distintas historias, sin relación entre sí, utilizando música de Debussy, Dvorak, Ravel, Sibelius, Vivaldi y Stravinsky.
Animator
Película escrita, dirigida y dibujada por el italiano Bruno Bozzetto en el año 1977. Cuenta, en imágenes “reales” con estética muy surreallista, la historia de una extravagante orquesta formada exclusivamente por ancianas. Va intercalando además fragmentos de dibujos animados con distintas historias, sin relación entre sí, utilizando música de Debussy, Dvorak, Ravel, Sibelius, Vivaldi y Stravinsky.
Screenplay
El señor Rossi vive una vida monótona. Deprimido, un día pide ayuda y aparece un hada llamada Sicura, que le concede un silbato que le da la posibilidad viajar en el tiempo y mundos fantásticos para poder encontrar la felicidad que está buscando.
The Photographer
An amateur photographer watches a beautiful woman emerge from a beach hut and disappear into the sea.
Writer
An amateur photographer watches a beautiful woman emerge from a beach hut and disappear into the sea.