Screenplay
Director
Screenplay
After the death of her dearest mother, her serious-minded father goes missing, leaving their only daughter Mitsuko. Six months later, it turns out that he is at Yuri's house, who is rumored to be an eccentric and is commonly known as Argentine hag.
Director
After the death of her dearest mother, her serious-minded father goes missing, leaving their only daughter Mitsuko. Six months later, it turns out that he is at Yuri's house, who is rumored to be an eccentric and is commonly known as Argentine hag.
Editor
Inako Natsui is a quiet, modern girl working in a laboratory and living a closed and somewhat monotonous life in a small town. From time to time she goes to nearby to visit her lonely mother Wakayama who has been a widow for the past seventeen years. The girl's relatives, particularly Aunt Sadako and Uncle Shuhei, the local mayor's deputy, plan to introduce her to a suitable young man, but Inako has no real desire to get married. She is more interested in the hot mineral springs from where she takes her laboratory specimens. This all changes when she meets Mr Tamamiza, a young divorced man who's been left with a little boy. Her relatives are decidedly against the match. The girl falls in love with the man without realizing that she will encounter a painful conflict between her family and providence, as unexpectedly as the spring which gushes out from the geological fold, driven to the surface by mysterious subterranean forces.
Director
Inako Natsui is a quiet, modern girl working in a laboratory and living a closed and somewhat monotonous life in a small town. From time to time she goes to nearby to visit her lonely mother Wakayama who has been a widow for the past seventeen years. The girl's relatives, particularly Aunt Sadako and Uncle Shuhei, the local mayor's deputy, plan to introduce her to a suitable young man, but Inako has no real desire to get married. She is more interested in the hot mineral springs from where she takes her laboratory specimens. This all changes when she meets Mr Tamamiza, a young divorced man who's been left with a little boy. Her relatives are decidedly against the match. The girl falls in love with the man without realizing that she will encounter a painful conflict between her family and providence, as unexpectedly as the spring which gushes out from the geological fold, driven to the surface by mysterious subterranean forces.
Screenplay
Inako Natsui is a quiet, modern girl working in a laboratory and living a closed and somewhat monotonous life in a small town. From time to time she goes to nearby to visit her lonely mother Wakayama who has been a widow for the past seventeen years. The girl's relatives, particularly Aunt Sadako and Uncle Shuhei, the local mayor's deputy, plan to introduce her to a suitable young man, but Inako has no real desire to get married. She is more interested in the hot mineral springs from where she takes her laboratory specimens. This all changes when she meets Mr Tamamiza, a young divorced man who's been left with a little boy. Her relatives are decidedly against the match. The girl falls in love with the man without realizing that she will encounter a painful conflict between her family and providence, as unexpectedly as the spring which gushes out from the geological fold, driven to the surface by mysterious subterranean forces.
Editor
Miharu Tamaki is about to move to Nagasaki due to his parents' divorce. As his final summer vacation in Tokyo draws to a close, he is drawn to an inscription on a high voltage tower reading "Musashino Line Tower 75". With his friend, he resolves to find Tower 1.
Director
Miharu Tamaki is about to move to Nagasaki due to his parents' divorce. As his final summer vacation in Tokyo draws to a close, he is drawn to an inscription on a high voltage tower reading "Musashino Line Tower 75". With his friend, he resolves to find Tower 1.
Screenplay
Director
Director of Photography
Read first, see later. Read, watch, then read? Get up! Comrade.
Script
Read first, see later. Read, watch, then read? Get up! Comrade.
Director
Read first, see later. Read, watch, then read? Get up! Comrade.
