Budi Riyanto

Фильмы

Pamali
Art Direction
Due to the economic crisis he experienced, Jaka Sunarya was forced to sell the family heired house he had left 20 years ago. The house is not well maintained and is located deep in the interior of the village. Together with Rika, his wife who is pregnant, they enjoy the house as much as possible before potential buyers arrive. But successively they do things that are considered pamali without them knowing it. As a result, many oddities appeared while they were in the house. While cleaning up, Jaka finds his late mother's diary, which contains records from an unknown life, as well as the existence of spirits that threaten their lives.
Раньше, сейчас и потом
Gardener
Для Индонезии 1960-е годы были временем неудачных госпереворотов и расправ над коммунистами. Семью Наны они не обошли стороной - ее мужа похитили и увезли в лес. И хотя сама она после этого смогла избежать насильного брака, тогда этот инцидент стоил ее отцу жизни и довел саму Нану до нищеты. Несколько лет спустя она безбедно живет в качестве второй жены богатого сунданца. Но прошлое возвращается к ней во снах.
Yuni
Art Direction
In her last year of secondary school, a bright Indonesian student is determined to pursue her education and resist getting married, despite the expectations of her community.
6.9 Seconds
Art Direction
Adapted from the true story of Aries Susanti Rahayu, 2018 Asian Games rock climbing champion.
Mooncake Story
Art Direction
After a fateful meeting of a widow and a young entrepreneur with Alzheimer's, friendship between the two blossoms following the man's request to make traditional mooncakes.
The Robbers
Art Direction
When an aging king must choose an immediate successor, his decision divides two brothers and fills a kingdom with chaos, violence and betrayal.
Fishing Platform
Art Direction
After his mothers death, 12-year-old Jaya (Iqbal S. Manurung) is sent to his father, Johar (Didi Petet), who works as a supervisor on a jermal (a fishing platform perched on log stilts in the middle of the sea). Johar is shocked, never knowing he has a son, and rejects the boy as his kin. Fully aware he cant bring Jaya back to land due to a dark past, Johar is forced to accept the boy as a worker on the site. Faced with constant rejection from his father and relentless bullying by the other boys who work on the jermal, Jaya decides to take fate into his own hands. He gives up hope on being accepted and learns the skills and attitude needed to survive on the jermal. Jaya increasingly becomes like the other boys: a tough, rough survivor; while Johar is forced to gradually face and accept his past. Eventually, both Johar and Jaya learn that they are bound by their past, united by the space in which they move, and connected by the inescapable truth.
Under the Tree
Art Direction
Three women looking for answers of their life in Bali.
Of Love and Eggs
Art Direction
Set in and around a mosque in sprawling Jakarta, Indonesia, during the Muslim holiday of Lebaran, the interwoven stories of family, faith and romantic love in this humorous yet poignant film are revealed through the eyes of kids.
Birdman Tale
Art Direction
A Papuan boy meets a woman and becomes obsessed with wanting to kiss her. At the same time, his father is being hunted down because of his political activities.