Yang Jeong-won

On the day Dong-geun is released from prison, Director Yoon of the financial investment company introduces him to meet the CEO of Butter Cream Bread Entertainment. Butter(CEO) tells Dong-geun that his artists are naive and easy to rip off, and that there is a small “culture and arts fund” that he can use for his benefit. Dong-geun accepts Butter's suggestion and meets ‘What's Up’, one of Butter’s new artists. As it turns out, Dong-geun is a bizarre musician who sang 'Woman in the Rain' under the name of DG in the past. Dong-geun begins to have a heart for ‘What's Up’ and slowly regains the passion he had as DG in the past. Dong-geun finally decides to help 'What's Up'.

On the day Dong-geun is released from prison, Director Yoon of the financial investment company introduces him to meet the CEO of Butter Cream Bread Entertainment. Butter(CEO) tells Dong-geun that his artists are naive and easy to rip off, and that there is a small “culture and arts fund” that he can use for his benefit. Dong-geun accepts Butter's suggestion and meets ‘What's Up’, one of Butter’s new artists. As it turns out, Dong-geun is a bizarre musician who sang 'Woman in the Rain' under the name of DG in the past. Dong-geun begins to have a heart for ‘What's Up’ and slowly regains the passion he had as DG in the past. Dong-geun finally decides to help 'What's Up'.

When the police refuse to investigate their daughter’s alleged suicide, two computer-illiterate parents decide to design a protest banner. Based on the infamous Miryang case in South Korea which shocked the nation in 2004 and continues to fuel public outrage even today.

After school, high school student Sanghyun heads to his blind friend Jeongwoo’s house. When Sanghyun arrives, Jeongwoo asks him what scene from the movie is showing on TV. Sanghyun nonchalantly responds, “They are just standing.” The world that is natural for Sanghyun is no longer natural for visually impaired Jeongwoo. Sanghyun starts making notes for Jeongwoo who says his past is like a dream. On the last page, one can finally understand the two human beings.

Yeonju studied for the teaching certification exam for five years after failing it four times.

A priest (Park Hyukkwon) with financial difficulties has to find money for his mother-in-law’s surgery. Once a faithful believer, the priest is tempted to commit a crime, while his wife (Ryu Hyunkyung) meets a wealthy old friend who makes an insulting proposal.

Полицейскую со стажем Ён-су переводят на отдаленный остров. Женщина находится в процессе развода и ничего не говорит об этом дочери-подростку. Председатель общины борется за госсубсидии, поэтому ему очень важен имидж острова, но Ён-су замечает, что местные парни слишком фривольно ведут себя с единственной молодой женщиной в округе.

Young-ju lives with her little brother after losing her parents in a traffic accident. She would even give up her studies to care for her brother. But as life gets more difficult, Young-ju decides to visit the perpetrator in the accident that killed her parents.

Feng Zhengjie is suffering from a lack of inspiration that keeps him from both painting and falling asleep at night. One night, wide awake as always, he sees a woman slide by in front of him. She is faint, indistinct, and both nearby and unreachable all at once. She hovers around him, and appears wherever he goes; the bar, on the street, a coffee shop. He is no longer certain whether the woman is in his head, or whether he is the one in the woman’s head. Soon, his time starts flowing backwards. As more time passes, Feng Zhengjie falls deep into his inner world, and the boundaries between dream and reality fall apart. When he closes his eyes, he hears the everyday sounds of modern civilization. When he opens them, he again sees a dense forest, and wakes with the wind of nature. He is young again. He wanders aimlessly, until he comes face to face with the woman he was haunted by.

When the currency crisis swept Asia in 1997, Korea necessarily held hands of the IMF(Int’l Monetary Fund), but they asked tremendous change like restructuring and financial market opening in return. Then speculative capitals like Lone Star took over Korean companies and banks with legal and illegal methods and made huge profits in process of selling out them. After a long time, Korea is startlingly becoming like them.

In April 2014, the entire nation of South Korea watched on television live as The Sewol capsized off the coast of Jindo. The tragedy left life-long wounds in the hearts of people whose family and friends had been among the 304 passengers killed. The majority of the victims were high school students on a school trip. Their parents were not even given the luxury of grieving, as they had to camp out in front of the Parliament, City Hall and the Presidential House, asking for only one thing - to know the truth about why their children had been left to die. But after more than a year, that truth has yet to be brought to light. This film is a documentation of the year-long struggle and painful soul-searching of people destined to be labelled as 'bereaved families' for the rest of their lives, as they come face to face with the naked face of their cruel country.

No pain, no gain. This is the motto of the Yoo family: the father is a successful doctor, the mother supervises their daughter's scholastic performance from the vantage point of their beautiful home. Then cracks appear in the facade which soon deepen and spread. In particular, the father seems to be losing control - he is suddenly faced with a sexual harassment lawsuit and an absurd running battle with a taxi driver.

You earn as much as you work, and you live off that money. This simple proposition has always been a problem for Jung-cheol. At the soybean paste factory he went to work for in the bitter winter, he dreams of travelling to warm Philippines in spring - as long as he survives the winter making his portion of the soybean paste that he promised the boss. But the more he struggles to live, the worse it gets. And soon, the fermentation room turns musty with the black mold spreading from the thousands of ferment boiled soybean lumps.

I have been pretty satisfied with my life before I got on the bus. When I do in June 2011, my whole life turns upside down. I am just a regular passenger at first. Like other people I was sorry, and felt obliged to help and care for other passengers. Then I begin to film these common heroes with my camera. Those who speak about hope, who provide it and get on the bus, Ms. Kim Jin-suk, and other crane laborers who risk their safety while demonstrating for their rights on high. She, while stationed insecurely on high, begins interacting with the world through Twitter and makes friends. Then I realize I really love her. Will we have her back safely?