Armand Marco

Фильмы

Girls from a Good Family
Director of Photography
Three well-educated North African women cope with sexual stereotyping in modern Tunisia. Amina a married Muslim woman living in Tunis with her two daughters. Even though she is allowed certain freedoms as a Muslim woman this is curtailed when she meets her old friend from school Aida.
The Man by the Shore
Director of Photography
Early 1960s Haiti during 'Papa Doc' Duvalier's dictatorship seen through the eyes of a young girl whose family has suffered heavily.
It Could Be Worse
Director of Photography
A macho junk shopkeeper, a lunar lawyer and a storekeeper meet by pure chance and develop the century's hold-up.
Routes of Exile: A Moroccan Jewish Odyssey
Cinematography
Beginning with a history of two thousand years of Jewish life in Morocco, the movie incorporates extensive archival footage, as well as interviews with: artists, scholars, journalists, merchants, workers, and artisans in Morocco, Israel, France, and Canada.
The Virgin of Pessac
Cinematography
In 1979, under the presidency of the city mayor, the people of Pessac elect a virtuous and gracious maiden from amongst the residents, following a tradition that comes from times immemorial.
Here and Elsewhere
Director of Photography
Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.
George Who?
Director of Photography
The film depitcs the life of the French author George Sand.
Все в порядке
Director of Photography
События фильма разворачиваются в 1972 г. В центре сюжета— забастовка на колбасной фабрике, свидетелями которой становятся американская журналистка и ее муж, некогда популярный режиссер «новой волны». Используя многообразные приемы отстранения, Годар и Горен вскрывают структуры общества, кино, любви и революции, схематично описывая логику классовой борьбы во Франции после майских событий 1968 г.
Un film
Cinematography
This autobiographical film portrays a regression to life in the womb and represents three psychic states.
Les gauloises bleues
Camera Operator
The harsh life of a troubled young man provides the basis of this grim French tragedy that begins when the fellow stops into a shop to buy a pack of the title cigarettes. There he meets a pretty shop girl with whom he falls in love and eventually marries. It was a foolish choice, for the two cannot get along and constantly fight. Things get worse when the husband resumes his criminal activities and gets caught. The two are about to divorce when the woman gets pregnant. The time comes for their baby to be born and while sitting in the waiting room, the husband reflects upon his past activities, which are revealed via flashback.
Lamiel
First Assistant Camera
Lamiel (Anna Karina) is a poor orphan girl who climbs her way to the social elite in this 19th-century costume drama. A doctor (Michel Bouquet) lives vicariously through Anna as he oversees the progress of his female protégé. Lamiel finds love with a young thief who steals into her bedroom after her marriage to a penniless count (Jean-Clause Brialy), and the two experience a romantic rendezvous of forbidden love after Lamiel goes from being a poor peasant woman to living a life of comparative luxury.