Director of Photography
Three well-educated North African women cope with sexual stereotyping in modern Tunisia.
Amina a married Muslim woman living in Tunis with her two daughters. Even though she is allowed certain freedoms as a Muslim woman this is curtailed when she meets her old friend from school Aida.
Director of Photography
Early 1960s Haiti during 'Papa Doc' Duvalier's dictatorship seen through the eyes of a young girl whose family has suffered heavily.
Director of Photography
A macho junk shopkeeper, a lunar lawyer and a storekeeper meet by pure chance and develop the century's hold-up.
Cinematography
Beginning with a history of two thousand years of Jewish life in Morocco, the movie incorporates extensive archival footage, as well as interviews with: artists, scholars, journalists, merchants, workers, and artisans in Morocco, Israel, France, and Canada.
Cinematography
In 1979, under the presidency of the city mayor, the people of Pessac elect a virtuous and gracious maiden from amongst the residents, following a tradition that comes from times immemorial.
Director of Photography
팔레스타인 혁명에 대한 지가 베르토프 그룹의 미완결된 기록화면과 그에 대한 정치적 담론을 담고 있는 영화. 팔레스타인 저항군의 뉴스를 담은 TV뉴스를 바라보는 프랑스의 가정(여기)과 전쟁의 강을 건너는 ‘다른 곳’의 경계를 무너뜨리려는 날카로운 자기성찰의 목소리와 함께 68혁명 이후 유럽 급진주의의 실패에 대한 반성을 담고 있다. (2018년 한국시네마테크협의회 - 1968+50 새로운 세상, 새로운 영화)
Director of Photography
The film depitcs the life of the French author George Sand.
Director of Photography
누벨바그 영화의 시나리오 작가인 쟈크(이브 몽탕)와 미국 방송국의 특파원인 수잔(제인 폰다)을 통해 프랑스 지식인들의 사상적 혼란을 반영한 작품. 두 사람의 러브 스토리를 통해 노동계급과 지식인 계급, 그리고 당시 영화의 상업성에 대해 논한다. 혁명에서의 지식인의 기능, 매체에서의 스타의 기능, 신문 및 잡지의 스틸 사진의 기호학 등을 엿볼 수 있다.
Cinematography
This autobiographical film portrays a regression to life in the womb and represents three psychic states.
Camera Operator
The harsh life of a troubled young man provides the basis of this grim French tragedy that begins when the fellow stops into a shop to buy a pack of the title cigarettes. There he meets a pretty shop girl with whom he falls in love and eventually marries. It was a foolish choice, for the two cannot get along and constantly fight. Things get worse when the husband resumes his criminal activities and gets caught. The two are about to divorce when the woman gets pregnant. The time comes for their baby to be born and while sitting in the waiting room, the husband reflects upon his past activities, which are revealed via flashback.
First Assistant Camera
Lamiel (Anna Karina) is a poor orphan girl who climbs her way to the social elite in this 19th-century costume drama. A doctor (Michel Bouquet) lives vicariously through Anna as he oversees the progress of his female protégé. Lamiel finds love with a young thief who steals into her bedroom after her marriage to a penniless count (Jean-Clause Brialy), and the two experience a romantic rendezvous of forbidden love after Lamiel goes from being a poor peasant woman to living a life of comparative luxury.
