Pedro Luque
Рождение : 1980-11-20, Montevideo, Uruguay
История
Pedro Luque, originally from Uruguay, made a grand entrance in 2016 as the cinematographer for the runaway horror hit Don't Breathe, directed by Fede Alvarez for Sony Pictures' Screen Gems. The film was nominated for a Critics' Choice Award for Best Sci-Fi Horror Movie. Upon its release, Peter Travers, writing for Rolling Stone magazine, noted Luque. "What makes this so memorably nerve-frying is the way Alvarez and cinematographer Pedro Luque use night-vision and every trick in the book and ones not invented yet to trap us in their vise."
Luque went on to shoot the 2018 modern gothic psychological thriller movie Look Away, for director Assaf Bernstein (the critically-acclaimed director of Netflix's massive hit series, Fauda, 2015); the 2018 science fiction film Extinction for director Ben Young for Good Universe; the 2019 remake of the horror film Jacob's Ladder for director David Rosenthal; and the 2021 sequel Don't Breathe 2. Luque also served as DP on 2018's The Girl in the Spider's Web for Sony Pictures, starring Claire Foy, and on 2020's Antebellum for Lionsgate.
Luque recently wrapped La Sociedad de la Nieve for Netflix. Based in Los Angeles, he lives with his wife and two kids and speaks both English and Spanish fluently.
Director of Photography
1972 год. Уругвайский самолет терпит крушение в самом сердце Анд, и выжившим приходится надеяться только друг на друга. Оказавшись в ловушке в одном из самых недоступных мест на планете, они вынуждены прибегать к крайним мерам, чтобы остаться в живых.
Director of Photography
Марго не знает никого из родни, так как мать бросила её ещё младенцем. Поэтому когда внезапно обнаруживается её кровный родственник, девушка в компании приятелей-документалистов отправляется снимать фильм про общину амишей, откуда, как выяснилось, она родом. Те принимают гостей и даже разрешают им использовать внутри коммуны камеры, но настрого запрещают ходить в лес. Вскоре ребята замечают, что от них что-то скрывают, а в общине происходит нечто странное.
Director of Photography
Спустя несколько лет после кровавого вторжения Норман обрел покой и утешение, но оказалось, что от прошлых грехов так просто не убежишь.
Director of Photography
Известная писательница Вероника Хенли оказывается в ловушке ужасающей реальности и должна раскрыть безумную тайну, пока не стало слишком поздно.
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After losing his brother in combat, Jacob Singer returns home from Afghanistan -- only to be pulled into a mind-twisting state of paranoia. Singer soon realizes that his sibling is alive but life is not what it seems.
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Юный хакер Лисбет Саландер и журналист Микаэль Блумквист оказываются втянуты в историю с участием шпионов, киберпреступников и коррумпированных чиновников.
Director of Photography
18-летняя старшеклассница Мария нелюбима родителями и отвергнута сверстниками. Будучи изгоем, она доверяет все свои секреты и переживания своему отражению в зеркале, своему воображаемому злому близнецу, который поддерживает, поощряет и знает все ее тайны. Однажды она меняется местами со своим двойником, который начинает воплощать самые дикие и необузданные желания.
Director of Photography
История мужчины, которому после серии кошмарных снов о потере собственной семьи вскоре приходится в реальной жизни бороться за её выживание во время инопланетного вторжения.
Director of Photography
Unaware of its terrible history, a young couple purchases their dream home. But it soon becomes clear that they may not be alone in the house... and that someone -- or something -- is determined to drive them out.
Director of Photography
На Диану в собственном доме напали двое мужчин и изнасиловали. Но она решает не обращаться в полицию и не рассказывать о случившемся мужу, просто прибирается дома и делает вид, как будто ничего не произошло. А её муж Марио немного необычный человек — он обладает целым набором фобий.
Director of Photography
Грабители забираются в дом одинокого слепого старика с целью украсть огромную сумму, которая, по слухам, спрятана где-то внутри. Казалось бы — что может быть проще, чем вынести деньги из дома практического беспомощного человека. Но они жестоко ошибаются: преследуемый становится преследователем. И тайна, которую он хранит, гораздо страшнее, чем обычные пенсионные накопления.
Director of Photography
26 способов умереть – ровно столько, сколько букв в английском алфавите. Фильм «Азбука смерти 2» – новый взнос в копилку ужасов, где уже есть страшные истории от первого фильма.
Новые 26 кинорежиссеров и очередные 26 случаев экранизированных ими жутких смертей – фильм снят для тех, у кого крепкие нервы. Словно детская азбука, буква за буквой триллер листает страницы энциклопедии ужаса, и будьте готовы к тому, что ваш самый страшный сон по сравнению с тем, что разворачивается на экране, покажется вам детской сказкой...
Cinematography
After living through some tragic events, a rock band composed of twenty-year-olds immerse itself in a conceptual project that winds-up becoming a three track album that deals largely with their guilts, fears and traumas.
Director of Photography
Andres and Elias get together one evening for their last summer joint. On his way home, Elias finds a hidden case containing 5 different types of drugs. The next morning, Elias calls Andres to catch up on his discovery. He tells him he wants to gather round with some friends to perform an experiment: each should take a different drug and see what happens. The experiment takes a sudden turn when Andres girlfriend calls him to say her grandma has died.
Additional Photography
Главный герой отвозит свою младшую сестру в лесной домик для того, чтобы помочь ей избавиться от наркотической зависимости. Оказавшись без «дури», девушка буквально сходит с ума, из-за чего становится невозможно определить, почему она ведет себя именно так: из-за ломки или же благодаря деятельности обитателей «Книги мертвых». Особенно после того, как один из ее приятелей прочел вслух отрывок из этой самой книги.
Director of Photography
The film provides a look at the 1980 Mundialito, an international friendly soccer tournament organized by the Uruguayan Soccer Association, which brought together the World Cup-winning national teams and the Netherlands, and was organized in Uruguay during an unconventional political situation.
Cinematography
Laura and her father Wilson arrive at a cottage off the beaten path in order to repair it since its owner will soon put the house on sale. They will spend the night there in order to start the repairs the following morning. Everything seems to go on smoothly until Laura hears a sound that comes from outside and gets louder and louder in the upper floor of the house. Wilson goes up to see what is going on while she remains downstairs on her own waiting for her father to come down. The plot is based on a true story that occurred in the 1940s in a small village in Uruguay. La casa muda focuses on the last seventy eight minutes, second by second, as Laura tries to leave the house unharmed and discovers the dark secret it hides.
Director of Photography
Это история о маленькой девочке — Наталии, которая мечтает стать звездой, и горит желанием выбраться из своего маленького городка Такуарембо в большой город, на пути к своей мечте — выиграть местный конкурс красоты. Спустя года мы видим суровую реальность: она работает в Буэнос-Айресе туристическим гидом в парке с религиозной тематикой.
Guy in the Car
Giant robots appear out of the mist and attack the city of Montevideo, Uruguay.
Director of Photography
Giant robots appear out of the mist and attack the city of Montevideo, Uruguay.
Director of Photography
A rural worker suffers an accident and understands that in a few minutes he is going to die. In absolute solitude and surrounded by a natural environment indifferent to his tragedy, he will face, without drama, the fact that these are his last minutes of life and nothing he can do to modify that destiny. Based on a story by Horacio Quiroga.
Camera Operator
The Silva family is pioneer and a role model within the community; it shows values and the goal to not let the candombe tradition fade away. Not only do they have an internal hierarchy, but also in his neighbourhood, Waldemar “Cachila” Silva is a respected leader. Cachila decide to pass on his legacy to his sons Matias and Wellington, who should now lead the family business, afro descendants playing candombe, a drum rhythm for the carnival contest and keep the privilege place obtained by the family. Patriarchy, hierarchy and cultural traditions are the concepts that drive this documentary about the life of a man of African descent and a dysfunctional family trying to perpetuate its power, which is crucial for the future of a culture.
Director of Photography
The Silva family is pioneer and a role model within the community; it shows values and the goal to not let the candombe tradition fade away. Not only do they have an internal hierarchy, but also in his neighbourhood, Waldemar “Cachila” Silva is a respected leader. Cachila decide to pass on his legacy to his sons Matias and Wellington, who should now lead the family business, afro descendants playing candombe, a drum rhythm for the carnival contest and keep the privilege place obtained by the family. Patriarchy, hierarchy and cultural traditions are the concepts that drive this documentary about the life of a man of African descent and a dysfunctional family trying to perpetuate its power, which is crucial for the future of a culture.
Director of Photography
Through the memories and confessions of some of the most important names in Uruguayan music, the film brings back to life the stories of the songs that defined a country and that, in some cases, helped change history.
Director of Photography
A box with no addressee or sender arrives at an office awakening the desire of the employees to get a hold of it.
Camera Operator
This is the story of a group of veteran musicians joined by two young artists to perform together after more than 20 years of inactivity in the Uruguayan carnival scene. In addition to demonstrating their talent, this film provides a look at their personal lives, lives that have always revolved around the magic of the carnival (Which lasts just a month per year), but that inevitably must make room for their daily life, far from show business and public recognition.
Director of Photography
This is the story of a group of veteran musicians joined by two young artists to perform together after more than 20 years of inactivity in the Uruguayan carnival scene. In addition to demonstrating their talent, this film provides a look at their personal lives, lives that have always revolved around the magic of the carnival (Which lasts just a month per year), but that inevitably must make room for their daily life, far from show business and public recognition.
Camera Operator
One is a former police officer, bodyguard and hairdresser. Currently retired, he takes care of his extravagant and almost hundred-year-old illiterate mother. He writes poems and hopes to see them published one day. The other, a declared womanizer, workaholic, and leftist, was imprisoned during the dictatorship, runs a small grocery shop, and controls the life of his young second wife. Both were born in the Uruguayan hinterland during the Second World War, and share the same name as well as the fact that neither has wished to change it. The film is a tragicomic portrait of a country whose cultural diversity, its peculiar history and the character of its inhabitants allow the existence of exceptional and remarkable persons that depict a live picture of Uruguay, with its plurality and contradictions, its small and large history, without departing a single moment from irony or reflection.
Director of Photography
One is a former police officer, bodyguard and hairdresser. Currently retired, he takes care of his extravagant and almost hundred-year-old illiterate mother. He writes poems and hopes to see them published one day. The other, a declared womanizer, workaholic, and leftist, was imprisoned during the dictatorship, runs a small grocery shop, and controls the life of his young second wife. Both were born in the Uruguayan hinterland during the Second World War, and share the same name as well as the fact that neither has wished to change it. The film is a tragicomic portrait of a country whose cultural diversity, its peculiar history and the character of its inhabitants allow the existence of exceptional and remarkable persons that depict a live picture of Uruguay, with its plurality and contradictions, its small and large history, without departing a single moment from irony or reflection.
Director of Photography
A strange character looks for metals at the beach.
Director of Photography
An exploration of the passionate dramas experienced by people who spend too much time lying at the beach.
Director of Photography
A laboratory rat which was sacrificed with scientific purposes comes back to life. The rodent claims for revenge but in its search for the culprits, it is manipulated by the members of a love triangle to solve their problems.
Director of Photography
The documentary looks in the life and work of Mario Benedetti, especially in his poetic work, the keys to an illustrious Montevideo. A man who has had to live several exiles and has received all the awards that this world can give. But above all, the affection of an unconditional, massive and faithful audience that follows him everywhere and pampers him every day with their applause and reading. A sad childhood, a youth full of work and reading, and a maturity full of commitments marked Benedetti. His work testifies the history, that which only artists can tell.
Camera Operator
At the time of the dictatorship in Uruguay, the University was one of the main centres of repression and a channel for the dissemination of state ideology. The institution's freedoms and rights that had been won through the process of autonomy and co-government were revoked. This documentary shows us university students during that period, their activist strategies, their struggles for participation, and the long road they travelled before finally playing an important role in the transition to democracy.
Director of Photography
At the time of the dictatorship in Uruguay, the University was one of the main centres of repression and a channel for the dissemination of state ideology. The institution's freedoms and rights that had been won through the process of autonomy and co-government were revoked. This documentary shows us university students during that period, their activist strategies, their struggles for participation, and the long road they travelled before finally playing an important role in the transition to democracy.
