Anne-Louise Trividic

Marion faces Paris at night with a feeling of vulnerability linked to the loss of her sister. She crosses paths with Alex. Their encounter will evolve at the rhythm of their wanderings through the city, like a journey through the night.

A Flower in the Mouth is a film diptych about time running out and how to live through the days that remain. The first act, filmed as an observational documentary in the world’s largest flower market, follows millions of bouquets transiting through a cavernous refrigerated hangar to be sold at auction, an industrial process at once both beautiful and terrifying. The film transitions to fiction in a second act freely adapted from a Pirandello play. A man with a flower-shaped tumour on his lip accosts a traveller in an all-night café. Their seemingly mundane conversation becomes a metaphysical monologue as the man, feeling death approach, clings to life by scrupulously observing its activity, watching reality in every detail, as if to fill the gap between himself and the rest of the world.

Mavie is 27 years old and has just moved to the French capital from the provinces. She dreams of a future as a writer but is plagued by doubt and uncertainty. 76-year-old misanthrope Georges runs a bookshop in Paris – or has he merely been forced to take refuge there to escape his past? These are two peculiar creatures indeed. Georges is cynical and no longer expects much from life, while Mavie is still brimming with expectation. Yet something magical happens between them, until Georges' dark secret suddenly catches up with him – and Mavie is caught up in something very different...

Gaby mustn’t be left alone at night. Yet that’s exactly what her boyfriend Vincent does, to test her love for him. She struggles against her natural instincts and quickly exhausts the patience of the local guys. But Gaby decides to turn to castle warden Nicolas, an expert in loneliness, for help.

Melody, 28 years old, a confused child born under the name X, decides to rent out her body in order to get the money she needs to realize her dream: opening a hair-dressing salon. To do so, she accepts to carry the child of Emily, a rich English woman 48 years old who can no longer have children. To make sure everything goes well and keep an eye on her future child, Emily decides to welcome Melody into her home and stay by her side throughout the pregnancy. Although they first appear to come from completely different worlds, the two women end up adopting each other: Melody finds in Emily the mother she never had, and Emily sees in Melody the daughter she always wanted to have. Evidently, the bonds that emerge during this double maternity create all sorts of doubts and questions.

Мистический триллер «Монах» — экранизация классического готического романа Мэтью Льюиса, повествующего о взлетах и падениях уважаемого испанского монаха-капуцина Амбросио, который впервые увидел свет еще в 1796 году. Действие фильма разворачивается в XVIII веке. Притворившись юной послушницей, ведьма Матильда совращает Амбросио, и это становится известно суду Инквизиции. Желание избегнуть страшных мучений и казни толкает капуцина на сговор с Дьяволом, но и здесь его поджидает обман…

35-летний Даниэль живет занятой, но одинокой жизнью, остроту которой придают противоречивые отношения с Соней, любовь к которой смешиваются в нем с отвращением. Однажды в его квартире случайно появляется таинственный незнакомец. Но то, что Даниэль вначале принимает за случайность, повторяется снова и снова...

In 1988, after much cunning political maneuvering, Loïk Le Floch-Prigent and Alfred Sirven become the chief executives at Elf. They discover a company that runs on kickbacks: in exchange for the oil rights, Elf makes handsome but discreet payoffs to the leaders of African nations. With the tacit complicity of President Mitterrand, and with eventual political and personal interests in mind, the new management takes charge of the slush fund. Within months, Sirven, Le Floch-Prigent and his wife Fatima Belaïd fill their pockets with more than they could ever have imagined.

Twenty-year-old Eugène is somewhat aimless and has not been doing well in university. He is staying in a small village for the summer. He awkwardly seduces Pierre, a slightly older man who is working for Mathilde as caretaker for the season. Pierre is initially open to the relationship, but quickly becomes reluctant to become too involved.

Wealthy but arrogant writer Jean Hervey comes home one day to find that his wife, Gabrielle, has left him for another man. Realizing her mistake, Gabrielle returns, and the pair begin a merciless analysis of their marriage as the relationship comes undone.

Thomas has been estranged from his brother Luc for several years, due in part to his difficulties in dealing with Luc's homosexuality. But when Thomas is diagnosed with a rare blood disease, which is difficult to treat and impossible to cure, he decides he wants to bring Luc back into his life. The brothers soon become inseparable, and their new relationship begins to alienate their significant others.

Фанэтт до сих пор помнит студенческую юность, когда она впервые влюбилась в прекрасного Филиппа. Накануне поездки в Нью-Йорк, где ей предстоит закончить свою новую книгу, Фанэтт получает таинственную записку, в которой Филипп назначает ей свидание на крыше Эмпайр Стэйт Билдинг. Через мгновение строки послания смывает дождь. Что это — сон или реальность? Невероятное событие превращает зрелую женщину во влюбленную студентку, которая, забыв обо всём, устремляется навстречу своей судьбе и незабываемым романтическим приключениям…

Наши дни. Грязный квартал Лондона. Она приходит к Нему каждую неделю по средам, поздно вечером только ради секса — быстрого, отчаянного и безнадежного. Оба уже не так молоды. Они занимаются этим, почти не разговаривая, в течении целого часа, а иногда и более. Потом Она уходит, не обещая, что придет опять в следующую среду, да Он и не спрашивает Ее об этом. Однако в тот же час ровно через неделю Она приходит снова и, не заходя в дом, сразу направляется в полуподвал, где Он, просто бросил на пол затасканный ковер и пару одеял. Но однажды в среду Она не приходит в условленный час, и Он задается вопросом, что Он вообще знает о своей безмолвной партнерше? Кто Она? Чем занимается? Где живет? Есть ли у Нее семья? И когда через неделю Она все-таки появляется, он начинает незаметно следовать за Ней…

Disgusted by life and uninterested in earthly subjects, Lovecraft intentionally avoided reality when writing, veering into the unknown and inspiring the fear that lurks in nightmares. But, how do you portray the indefinable mythology that gave birth to Dragon, or the mysterious Cthulhu, or the uniquely strange Necronomicon? Directors Patrick Mario Bernard and Pierre Trividic asked themselves this question before responding with this unorthodox documentary that re-creates the atmosphere of claustrophobia, anxiety, and madness of Lovecraft s life and work.

Ten young people ( boys and girls) at the age at which all is possible. They meet, they love, they choose. The film comes and goes between all those people, revealing their anguish, their dreams, depicting the portrait of a generation of the '90s which has both the fury and the fear of life.