Francisco Barreiro

Alan and his father Alberto flee from the painful loss of his mother. While hiding in a secluded housing unit, Alan discovers hidden messages from his uncle that lead him to believe that his father is a werewolf. His life and his neighbors’ lives are in danger. Alan decides to do something once for all. Destroying the beast does not seem a far-fetched plan in the violent reality he lives day by day.

A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.

With a keen sense of how to deploy omens that herald change, Alejandra Márquez Abella portrays a period of epochal change in rural Mexico – as seen by those who are usually restricted to the role of passive supporting actor.

A couple of teenage factory workers spend their afternoons consuming chemical substances in a self-constructed shack. The ecstatic trips and the visions they experiment make them forget for a moment about their noisy industrial city life. But when Alexandra disappears right before his eyes, Lucas must deal with a corrupted system. His visions decay, just like the monster that imprisons them.

Луиза и Габино навещают своих пожилых родителей в глухом шахтёрском городке на севере Мексики. В доме царит напряжённая атмосфера — совершенно очевидно, что ни один из присутствующих не горит желанием находиться на этом "празднике жизни". Пытаясь отвлечься от семейных прений, Габино воображает параллельную реальность с полицейскими, бандитами и роковыми красотками, где каждому члену семьи уготована собственная роль...

A young girl who goes on a journey to find the lake of Texcoco.

A young girl who goes on a journey to find the lake of Texcoco.

Internet as a victim facilitator for sexual slavery underage hitmen, infant labor workers under inhuman conditions, dysfunctional shelters, collateral victims and distraught families are some of the topics engaged by The Wild Dance

The space will be witness of dreams, hopes, disappointments and dramatic destinies of its residents, delivering an intimate human history of Mexico through the decades. La Habitación will reunite eight directors that will expose the reality of each historical period resulting in a profound and inspiring portrait of modern Mexico.

The space will be witness of dreams, hopes, disappointments and dramatic destinies of its residents, delivering an intimate human history of Mexico through the decades. La Habitación will reunite eight directors that will expose the reality of each historical period resulting in a profound and inspiring portrait of modern Mexico.

В этой новой антологии девять мексиканских режиссеров собираются вместе, чтобы рассказать истории о самых жестоких, безжалостных и причудливых мексиканских традициях и легендах.

A shy and feeble architect is victim of a violent and abusing surrounding. The pressure builds up until he is pushed to the limit of his own humanity.

When Sonia receives the news that her husband’s cancer has progressed to a critical stage, she races to secure the insurance company’s approval for the care that can help him.

Бесстрашная опытная фотожурналистка Эйвери ради очередной порции великолепных фотографий отправляется в опасное путешествие по джунглям Колумбии под руководством местного гида Гильермо и его группы миссионеров.

Minotaur takes place in a home of books, of readers, of artists. It’s also a home of soft light, of eternal afternoons, of sleepiness, of dreams. The home is impermeable to the world. Mexico is on fire, but the characters of Minotaur sleep soundly.

Aram is a wearied accountant with an unbearably dull existence. With a nagging wife who berates him for not being assertive enough, and a measly paycheck, he quietly suffers while awaiting a long-deserved promotion. But there's more to Aram than his mild-mannered demeanor lets on: he has been secretly devising a scheme to finally get what he feels he is owed. One day he asserts his power menacingly when he kidnaps a schoolgirl and keeps her tied up in an abandoned warehouse. What seems like the perfect plan soon unravels into his worst nightmare, and his carefully constructed scheme comes crashing down piece by bloody piece.

Antonio and Bertha are an elderly couple, about 90 years old who find themselves in trouble when social security pensions are suspended due to a financial and social crisis in the country where they live. Given the fact that their children have not visited them in many years they are confronted with the need to survive alone. The couple is forced to sell their belongings and sustain themselves selling food on the street orstealing. The lives of the two elderly people change when their son Jonas and grandson Paco, absent from their lives for over a decade, appear unexpectedly once again.

26 способов умереть – ровно столько, сколько букв в английском алфавите. Фильм «Азбука смерти 2» – новый взнос в копилку ужасов, где уже есть страшные истории от первого фильма. Новые 26 кинорежиссеров и очередные 26 случаев экранизированных ими жутких смертей – фильм снят для тех, у кого крепкие нервы. Словно детская азбука, буква за буквой триллер листает страницы энциклопедии ужаса, и будьте готовы к тому, что ваш самый страшный сон по сравнению с тем, что разворачивается на экране, покажется вам детской сказкой...

A quintet is an omnibus feature told from the perspective of five international up and coming filmmakers who are searching to find identity in the modern world. The five segments are : "Polaroid" by Roberto Cuzzillo; "Friend Request" by Elie Lamah; "The Cuddle Workshop" by Mauro Mueller; "The House in the Envelope" by Sanela Salketic; and "The Tourist" by Ariel Shaban.

Potosi, a rural town in Latin America, is the crossfire of the ravaging that has devastated the north of the country. An accident along a deserted road connects three stories, an 82 year old goat herder that has not shot his gun in 40 years, a woman who is a victim of domestic violence and a humble peasant living on guard to protect his family from the country’s war against organized crime.

Allie moves to Texas and embraces the slower pace of life and gun culture. She tries to maintain healthy relationships as the weapons she uses to protect herself lead her to a paranoid withdrawal from life.

Пара детей, сын и дочь, которым не исполнилось и десяти лет, необъяснимо появляются после того, как пропали на ночь в пустынной, пронизанной пещерами горной местности. Их отсутствующий вид и странное поведение вскоре приводят родителей к подозрению: что-то плохое стряслось с детьми, когда они потерялись и были одни. Но услышав зловещую местную легенду... обеспокоенная мать и отец теперь начинают понимать, что их дети возможно стали жертвой чего-то нечеловеческого - и что эта тёмное, неудержимое зло теперь вернулось домой с ними.

Голод — не тетка? Как бы не так! Семья юного Альфредо голодает, потому как главный добытчик, отец семейства, неожиданно скончался. И на мальчишку сваливается тяжелая ответственность: теперь он должен прокормить свою мать и еще двух детей. Ах да, фишка в том, что все они — каннибалы…

An itinerant mover works from the streets of Mexico City with his partner and lives with his beleaguered mother. A heightened tension within the home – by the absent older brother and unmentioned father. Gabino's casual pursuit of a career is interrupted by a series of intense and almost satirically telenovela-esque domestic vignettes.

Gabino, Luisa and Paco share a small apartment in Mexico City. With no money and nothing to do they decice to leave the city.