Samuel Doux

Who is this Karim D. ? The new young writer whom the media can't get enough of? Or his alias, Arthur Rambo, the author of old hate-fuellled messages which are dredged up, one day, from social media websites?

In the wake of his wife’s death, Simon tries to make a fresh start by moving with his son Camille to Dubai. In that extraordinary city, Camille manages to forget, let go, and begin a new life. But for Simon, it’s not so easy. He begins to feel an alarming presence in their home - someone quietly, patiently lurking in the shadows. Could it really be his double? Simon slowly succumbs to anxiety and thinks he is going mad. But he’s not the only one to feel threatened this way. It seems to be happening to all people in Dubai who refuse to cut off all ties to their past.

In the wake of his wife’s death, Simon tries to make a fresh start by moving with his son Camille to Dubai. In that extraordinary city, Camille manages to forget, let go, and begin a new life. But for Simon, it’s not so easy. He begins to feel an alarming presence in their home - someone quietly, patiently lurking in the shadows. Could it really be his double? Simon slowly succumbs to anxiety and thinks he is going mad. But he’s not the only one to feel threatened this way. It seems to be happening to all people in Dubai who refuse to cut off all ties to their past.

Празднование дня рождения Андреа прерывается появлением её непредсказуемой дочери.

Томас — наркоман. Чтобы покончить с этой пагубной зависимостью, он присоединяется к сообществу бывших наркоманов, которые изолированно живут в горах и молятся ради окончательного излечения.

Isabelle Adjani is Carole Matthieu – a workplace physician employed in a call centre who has become emotionally involved in the suffering of her humiliated co-workers.

С тех пор как ее уволили, Констанс находится в невыносимой финансовой ситуации. Когда она узнает, что агентство недвижимости, где она начала свою трудовую деятельность, принимает на работу новых работников, она покидает Париж и отправляется в небольшой городок, где она провела свою молодость. Но рабочее место достается молодой двадцатилетней женщине по имени Одри. Мир Констанс рушится. С этого момента она будет одержима лишь одной целью: уничтожить Одри, чтобы заполучить свою работу обратно.

Directed by French Director Christian Faure and released in 2014, The Law brilliantly traces three days, in late Fall 1974, of stormy debate in the French National Assembly, around a bill which would make "voluntary termination of pregnancy" legal. Behind this bill stands a lone woman brilliantly played by a remarkable Emmanuelle Devos (also in The Other Son): Simone Veil the Minister of Health in the Jacques Chirac government during the presidency of Valéry Giscard d'Estaing. During these three days of violent debate Veil, a Jew and Holocaust survivor, is spared nothing: political negotiations, solitude, sparring arguments, insults and violence to her family. In spite of all of this, Veil never wavers.

To fight against the introduction of automatic checkouts that threaten their jobs, staff members at Hard Discounts secretly create their own "Alternative Discount" outlet by salvaging products that would otherwise have been wasted.

A young woman invents the love she does not get and she needs. She has always done that, since childhood. It has become a disease. When Nicolas leaves her she refuses to believe it. He will love her anyway, it is needed, she needs it.

In a loveless relationship, Zoé ditches her faceless boyfriend in a cheap motel room and sets off north without a penny to her name. She hitch-hikes, pilfers a meal from a gas station, encounters strangers who could be her next ride or a passing glimpse, ambling toward some unknown destination. At the end of her pilgrimage, Zoé reaches the English Channel; on the ferry a woman mysteriously disappears. A new coat gives Zoé a new identity, but even in a new country she's not quite sure she's escaped herself.

Talks about the iconographical sources that Walt Disney and his studio's designers drew on to create the films that are incontestably among the masterpieces of animation.

Talks about the iconographical sources that Walt Disney and his studio's designers drew on to create the films that are incontestably among the masterpieces of animation.