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Сочельник испорчен террористическим актом в городе Клермон-Ферран. Когда город погружается в панику, Медерик лет тридцати с небольшим влюбляется в пожилую проститутку Айседору.
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В 40 лет Фредерику внезапно захотелось ребенка. Клер никогда не хотела иметь детей, и они оба были согласны с этим решением. Он совершает непростительный поступок: втайне от нее делает ее беременной. Клер превращается в кита, а Фредерик становится сентиментальным.
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После несчастного случая Люси пытается вернуться к танцам и встречает Венсана — талантливого брейкдансера, который бежит от своего прошлого.
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Режиссер Лео ищет натуру для съемок нового фильма в южной части Франции. Во время одной из экспедиций его соблазняет Мари — свободная и легкая на подъем пастушка. Девять месяцев спустя на свет появляется их ребенок. Мари страдает от послеродовой депрессии, Лео то появляется, то исчезает, и однажды Мари бросает их обоих. Лео оказывается один с ребенком на руках. Ситуация не из легких, но в глубине души Лео счастлив. Его ждет череда неожиданных и необычных знакомств и мучительные поиски вдохновения для нового фильма.
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Gaby mustn’t be left alone at night. Yet that’s exactly what her boyfriend Vincent does, to test her love for him. She struggles against her natural instincts and quickly exhausts the patience of the local guys. But Gaby decides to turn to castle warden Nicolas, an expert in loneliness, for help.
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Лето, укромное местечко на берегу озера, куда мужчины приходят в поисках партнеров. Франк влюбляется в Мишеля — красивого, мощного и смертельно опасного человека. Франк все это знает, но хочет пережить эту страсть.
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Three female friends recall their misadventures (more sexual than cinematical) attending the Locarno Film Festival.
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Michel suffers from a strange pathology. A perfectly old-fashioned and rare type of racism: the hatred of Englishmen. This obsessional fault, led him to create an association (which the only members are, except himself, his brother and a friend) and to lead commando operations (covering of English terms with stickers, and street hawking of a violently anti-British review).
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Sylvain, a young man, devotes his life to small, local movie theater destined to be shut down. He lives in the theater's basement and is the theater programer, projectionist, and ticket seller. Each night, after the last screening, he leaves the building to carry out a ritual killing.
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Ricky has a dream: to make Staff Benda Bilili the best band in Congo Kinshasa. Roger, a street child, more than ever wants to join these stars of the ghetto, who get around in customized tricycles. Together, they must avoid the pitfalls of the street, stay united and find the force to hope in music. For six years, from the first rehearsals to their triumph in international festivals, BENDA BILILI! (“beyond appearances”) is the story of this dream come reality.
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A documentary investigation of the world of French agriculture today through various testimonials. A world that manages to resist the upheavals that it faces – economic, scientific, social – and which continues, for better or for worse, to maintain the link between generations.
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A documentary investigation of the world of French agriculture today through various testimonials. A world that manages to resist the upheavals that it faces – economic, scientific, social – and which continues, for better or for worse, to maintain the link between generations.
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The first part in a new series of films produced by Musée d'Orsay, 'Flight of the Red Balloon' tells the story of a French family as seen through the eyes of a Chinese student. The film was shot in August and September 2006 on location in Paris. This is Hou Hsiao-Hsien's first Western film. It is based on the classic French short The Red Balloon directed by Albert Lamorisse.
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It’s summer and the beginning of the long vacation period for eleven-year-old Martin, who lives on a farm, and, at a loss, observes his family’s disintegration : his mother lives locked-up in her room ; his older brother, who he adores, drowns himself in drink ; and his father, dominated by Martin’s grandmother, is a helpless onlooker to the family’s collapse. Although Mistigri, his cat, and Malika, the Moroccan maid, afford him some comfort, Martin is determined to put an end to this confusion.
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In a bar in Santiago, two old men talk over their past. This is a strange discussion. In fact, they talk of themselves as if they were dead. We don't know what is true or false, what is dream or reality.
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An experimental four-part 2002 Franco-Chilean digital video series written and directed by Raúl Ruiz. The first part won a FIPRESCI Award at the Montreal World Film Festival in 2002 "for the director's personal exploration into his homeland, using DV in a rigorous yet playful manner".
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The original television version of 'Where Does Your Hidden Smile Lie?'
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