César Charlone

César Charlone

Рождение : 1958-04-19, Montevideo, Uruguay

История

From Wikipedia, the free encyclopedia. César Charlone (born 1958) is an Uruguayan-born Brazilian film director, screenwriter, actor and cinematographer. He was born in Montevideo, but settled in Brazil, his current homeland. In 2003, he was nominated for the Academy Award for Best Cinematography for his work on the highly acclaimed film City of God. On 2007, he directed his first feature film, The Pope's Toilet, which was selected by Uruguay as its official submission for the 80th Academy Award for Best Foreign Language Film. A year earlier, he was invited to join the Academy of Motion Picture Arts and Sciences. Description above from the Wikipedia article César Charlone (cinematographer), licensed under CC-BY-SA, full list of contributors on Wikipedia. ​

Профиль

César Charlone

Фильмы

La uruguaya
Director of Photography
A writer who pins hopes on a free-spirited 25-year-old he meets in Montevideo to get through his midlife crisis. But his day turns out to be the most unexpected and transformative day of his life.
Partido: Os Bastidores da Eleição que Fragmentou o Brasil
Director
Benedetti, 60 años con Luz
Director of Photography
Mario Benedetti and Luz López met when they were teenagers, he became a writer and she became a public servant. Together they shared life, exile, failures, success, friends and love. Sixty years and eighty books later, Luz suffers from Alzheimer's, forgets all of her past, and finally she forgets Mario just before she died. The film reconstructs this memory with an eye set on the author and the love that bound them together.
Alvorada
Cinematography
The film narrates, from an intimate point of view, the daily life of President Dilma Rousseff in her official residence, the Palácio do Alvorada, while awaiting the verdict of the impeachment process. Portraying the hallways of the palace, designed by Oscar Niemeyer, we see the coming and going of political meetings, the daily routine of the kitchen, the exchange of guards, whispers and phone calls. We feel the growing tension of officials, advisers and former ministers.
Папы
Director of Photography
В переломный момент в истории Католической церкви папа Бенедикт XVI завязывает дружбу с будущим папой Франциском. Основано на реальных событиях.
Red Trees
Cinematography
Award-winning filmmaker, Marina Willer (Cartas da Mãe), creates an impressionistic visual essay as she traces her father’s family journey as one of only twelve Jewish families to survive the Nazi occupation of Prague during World War II. Photographed by Academy Award® nominee César Charlone (City of God), the film travels from war-torn Eastern Europe to the color and light of South America and is told through the voice of Willer’s father Alfred (as narrated by Tim Pigott-Smith, Quantum of Solace), who witnessed bureaucratic nightmares, transportations and suicides but survived to build a post-war life as an architect in Brazil. As the world struggles with the current refugee crisis, RED TREES is a timely look at a family besieged by war who finds peace across an ocean.
Сделано в Америке
Director of Photography
Он был самым юным пилотом Боинга 747 в США, а уже через несколько лет стал одним из богатейших людей в Америке. Его стиль жизни был столь же экстремальным, как и его бизнес. Закрытые приемы, роскошные блондинки, крутые тачки и рисковые сделки. Он обладал талантом делать деньги из воздуха.
Unseen Enemy
Director of Photography
A documentary focused on infectious disease outbreaks.
Рио, я люблю тебя
Director
Фильм рассказывает об одном из самых удивительных городов Южной Америки — Рио-де-Жанейро. Режиссеры из разных стран сняли десять коротких историй, которые рассказывают о любви. Каждый эпизод посвящен одному из районов города, которые обладают своими неподражаемыми колоритами.
The Story of Artigas
Cinematography
In 1884, the famous painter Juan Manuel Blanes, from Uruguay, is asked to create a portrait of José Artigas. There is only one drawing of his face, done in his old age so Blanes must imagine what he looked like by reading up on his ideas and learning about his life.
The Story of Artigas
Producer
In 1884, the famous painter Juan Manuel Blanes, from Uruguay, is asked to create a portrait of José Artigas. There is only one drawing of his face, done in his old age so Blanes must imagine what he looked like by reading up on his ideas and learning about his life.
The Story of Artigas
Writer
In 1884, the famous painter Juan Manuel Blanes, from Uruguay, is asked to create a portrait of José Artigas. There is only one drawing of his face, done in his old age so Blanes must imagine what he looked like by reading up on his ideas and learning about his life.
The Story of Artigas
Director
In 1884, the famous painter Juan Manuel Blanes, from Uruguay, is asked to create a portrait of José Artigas. There is only one drawing of his face, done in his old age so Blanes must imagine what he looked like by reading up on his ideas and learning about his life.
Blackout
Director of Photography
At the end of a tough workweek an assistant congressman and his friend go to an abandoned room in the Capitol building to relax and smoke a joint. While trying to unwind the assistant congressman complains about his job. He is doing all he can to cover up his boss' scandalous sex affair but nothing seems to be working. "Things can't get any worse", he proclaims. . . but they do!
Blackout
At the end of a tough workweek an assistant congressman and his friend go to an abandoned room in the Capitol building to relax and smoke a joint. While trying to unwind the assistant congressman complains about his job. He is doing all he can to cover up his boss' scandalous sex affair but nothing seems to be working. "Things can't get any worse", he proclaims. . . but they do!
Слепота
Director of Photography
Место действия фильма — огромный мегаполис, у которого нет названия. Именно здесь начинается странная эпидемия… эпидемия слепоты. Жители города теряют зрение один за другим и, это ставит целый мегаполис на грань жизни и смерти. Лишь одна женщина по неизвестной причине осталась видеть. Сможет ли она стать проводником для других?
Stranded: I've Come from a Plane That Crashed on the Mountains
Camera Operator
One of the most astonishing and inspiring survival tales of all time. On October 13, 1972, a young rugby team from Montevideo, Uruguay, boarded a plane for a match in Chile—and then vanished into thin air. Two days before Christmas, 16 of the 45 passengers miraculously resurfaced. They had managed to survive for 72 days after their plane crashed on a remote Andean glacier. Thirty-five years later, the survivors returned to the crash site—known as the Valley of Tears—to recount their harrowing story of defiant endurance and indestructible friendship.
Stranded: I've Come from a Plane That Crashed on the Mountains
Director of Photography
One of the most astonishing and inspiring survival tales of all time. On October 13, 1972, a young rugby team from Montevideo, Uruguay, boarded a plane for a match in Chile—and then vanished into thin air. Two days before Christmas, 16 of the 45 passengers miraculously resurfaced. They had managed to survive for 72 days after their plane crashed on a remote Andean glacier. Thirty-five years later, the survivors returned to the crash site—known as the Valley of Tears—to recount their harrowing story of defiant endurance and indestructible friendship.
The Pope's Toilet
Director of Photography
In 1998, a small South American village is in a flurry over the Pope's upcoming visit for the business opportunities that it will provide. While most of the residents plan to sell food at the parade, a smuggler family man decides to build a pay toilet.
The Pope's Toilet
Screenplay
In 1998, a small South American village is in a flurry over the Pope's upcoming visit for the business opportunities that it will provide. While most of the residents plan to sell food at the parade, a smuggler family man decides to build a pay toilet.
The Pope's Toilet
Director
In 1998, a small South American village is in a flurry over the Pope's upcoming visit for the business opportunities that it will provide. While most of the residents plan to sell food at the parade, a smuggler family man decides to build a pay toilet.
Преданный садовник
Director of Photography
Молодая пара — Джастин и Тесс Куэйл — участвуют в британской дипломатической миссии в Кении. Все идет своим чередом до того момента, как Тесс находят мертвой. Рядом с телом девушки обнаруживают труп туземца, что бросает серьезную тень на ее репутацию и дает пищу для разного рода обидных толков. В надежде найти убийцу и восстановить доброе имя любимой жены, Джастин покидает пределы экзотической Кении и отправляется в Лондон. В ходе своего расследования молодой человек раскрывает опасный заговор, который ставит под угрозу тысячи жизней. Но причина гибели его супруги по-прежнему окутана плотной завесой тайны…
Гнев
Camera Operator
Состоятельные жители Мехико в панике: всего за шесть дней в городе пропали 24 человека! Бывшего агента ЦРУ Джона Кризи нанимают телохранителем девятилетней дочери промышленника Сэмюэля Рамоса, Питы Рамос. Поначалу Кризи с трудом терпит соседство не по годам развитой девочки.Но со временем они становятся друзьями. Кризи вновь почувствовал вкус к жизни, но все рушится, когда Питу похищают. Кризи клянется убить любого, кто втянут в похищение Питы. Теперь его никто не остановит…
Город бога
Director of Photography
60-е годы XX века. «Город Бога» — квартал в Рио-де-Жанейро, где живут главные герои — 8-летний Ракета, мечтающий стать фотографом, и его одногодок Дадинью. Дадинью принимает участие в вооруженном ограблении, организованном живущим по соседству гангстером Кабалейрой; с согласия Кабалейры он совершает свое первое убийство. 70-е годы. Ракета постоянно балансирует между мелкими правонарушениями и честной жизнью. На счету у Дадинью уже несколько убийств. Он возглавляет банду, которой управляет, используя хитрость и хладнокровное предательство. Поняв, что настоящая власть и большие деньги может дать только контроль над торговлей наркотиками в их квартале, он безжалостно идет к своей цели. 80-е годы. Ракета наконец получает фотоаппарат и осуществляет свою детскую мечту. Мечта Дадинью тоже сбылась: в 18 лет он стал самым крутым торговцем наркотиками в Рио.
Palace II
Director of Photography
Two young boys, Laranjinha and Acerola, living in Cidade de Deus, one of the most violent neighborhoods in Rio de Janeiro, need some money to go to a concert. The "easiest" (and most dangerous) way to get it is working for some drug-dealers.
Pierre Fatumbi Verger: Messenger Between Two Worlds
Director of Photography
Inspired by the life of the french-born photographer and ethnographer, Pierre Verger, the movie follows his journey between Bahia, Brazil and Benin, Oriental Africa, showing places and people he met and his life study project: the Candomblé culture.
How Angels are Born
Cinematography
Two children flee together with a grown up from a slum in Rio because this older person has had problems with the local drug lord. They end up in the house where a rich American lives with his daughter.
Feliz Ano Velho
Cinematography
After diving into a shallow lake, a college student becomes tetraplegic. In his wheel chair, he remembers the important facts of his life as an adolescent.
A Humilhação e a Dor
Cinematography
A documentary about torture and Brazilian police.
The Man in the Black Cape
Director of Photography
Biography of Brazilian congressman Tenório Cavalcanti, who used to appear in public carrying a machine-gun, and wearing a black cloak.
Aqueles Dois
Camera Operator
Raul and Saul work at the same office. Raul, outgoing and good-natured comes from a broken marriage. Saul is shy, with a critical and bitter disposition. He comes from a broken engagement, and a failed suicide attempt. In spite of their differences, they become quite good friends. But their colleagues begin to wonder whether there's something beyond friendship between them.
Em Nome da Segurança Nacional
Camera Operator
Nada Será como Antes, Nada?
Director of Photography
...discussion of leftist attitudes towards democracy and popular movements; in parallel, a discussion about the role of militant cinema in relation to real political struggles.