César Charlone
Birth : 1958-04-19, Montevideo, Uruguay
History
From Wikipedia, the free encyclopedia.
César Charlone (born 1958) is an Uruguayan-born Brazilian film director, screenwriter, actor and cinematographer. He was born in Montevideo, but settled in Brazil, his current homeland. In 2003, he was nominated for the Academy Award for Best Cinematography for his work on the highly acclaimed film City of God. On 2007, he directed his first feature film, The Pope's Toilet, which was selected by Uruguay as its official submission for the 80th Academy Award for Best Foreign Language Film. A year earlier, he was invited to join the Academy of Motion Picture Arts and Sciences.
Description above from the Wikipedia article César Charlone (cinematographer), licensed under CC-BY-SA, full list of contributors on Wikipedia.
Director of Photography
A writer who pins hopes on a free-spirited 25-year-old he meets in Montevideo to get through his midlife crisis. But his day turns out to be the most unexpected and transformative day of his life.
Director
Director of Photography
Mario Benedetti and Luz López met when they were teenagers, he became a writer and she became a public servant. Together they shared life, exile, failures, success, friends and love. Sixty years and eighty books later, Luz suffers from Alzheimer's, forgets all of her past, and finally she forgets Mario just before she died. The film reconstructs this memory with an eye set on the author and the love that bound them together.
Cinematography
The film narrates, from an intimate point of view, the daily life of President Dilma Rousseff in her official residence, the Palácio do Alvorada, while awaiting the verdict of the impeachment process. Portraying the hallways of the palace, designed by Oscar Niemeyer, we see the coming and going of political meetings, the daily routine of the kitchen, the exchange of guards, whispers and phone calls. We feel the growing tension of officials, advisers and former ministers.
Director of Photography
Frustrated with the direction of the church, Cardinal Bergoglio requests permission to retire in 2012 from Pope Benedict. Instead, facing scandal and self-doubt, the introspective Pope Benedict summons his harshest critic and future successor to Rome to reveal a secret that would shake the foundations of the Catholic Church.
Cinematography
Award-winning filmmaker, Marina Willer (Cartas da Mãe), creates an impressionistic visual essay as she traces her father’s family journey as one of only twelve Jewish families to survive the Nazi occupation of Prague during World War II. Photographed by Academy Award® nominee César Charlone (City of God), the film travels from war-torn Eastern Europe to the color and light of South America and is told through the voice of Willer’s father Alfred (as narrated by Tim Pigott-Smith, Quantum of Solace), who witnessed bureaucratic nightmares, transportations and suicides but survived to build a post-war life as an architect in Brazil. As the world struggles with the current refugee crisis, RED TREES is a timely look at a family besieged by war who finds peace across an ocean.
Director of Photography
The true story of pilot Barry Seal, who transported contraband for the CIA and the Medellin cartel in the 1980s.
Director of Photography
A documentary focused on infectious disease outbreaks.
Director
The third episode of the Cities of Love franchise, Rio, I Love You is an anthology, created by 10 visionary directors from across the globe. The story line of each segment focuses on an encounter of love in a different neighborhood of the city, demonstrating the distinctive qualities and character of that location. The film serves to bridge gaps between cultures, educating and entertaining the audience, while celebrating unique and universal expressions of love.
Cinematography
In 1884, the famous painter Juan Manuel Blanes, from Uruguay, is asked to create a portrait of José Artigas. There is only one drawing of his face, done in his old age so Blanes must imagine what he looked like by reading up on his ideas and learning about his life.
Producer
In 1884, the famous painter Juan Manuel Blanes, from Uruguay, is asked to create a portrait of José Artigas. There is only one drawing of his face, done in his old age so Blanes must imagine what he looked like by reading up on his ideas and learning about his life.
Writer
In 1884, the famous painter Juan Manuel Blanes, from Uruguay, is asked to create a portrait of José Artigas. There is only one drawing of his face, done in his old age so Blanes must imagine what he looked like by reading up on his ideas and learning about his life.
Director
In 1884, the famous painter Juan Manuel Blanes, from Uruguay, is asked to create a portrait of José Artigas. There is only one drawing of his face, done in his old age so Blanes must imagine what he looked like by reading up on his ideas and learning about his life.
Director of Photography
At the end of a tough workweek an assistant congressman and his friend go to an abandoned room in the Capitol building to relax and smoke a joint. While trying to unwind the assistant congressman complains about his job. He is doing all he can to cover up his boss' scandalous sex affair but nothing seems to be working. "Things can't get any worse", he proclaims. . . but they do!
At the end of a tough workweek an assistant congressman and his friend go to an abandoned room in the Capitol building to relax and smoke a joint. While trying to unwind the assistant congressman complains about his job. He is doing all he can to cover up his boss' scandalous sex affair but nothing seems to be working. "Things can't get any worse", he proclaims. . . but they do!
Director of Photography
When a sudden plague of blindness devastates a city, a small group of the afflicted band together to triumphantly overcome the horrific conditions of their imposed quarantine.
Camera Operator
One of the most astonishing and inspiring survival tales of all time. On October 13, 1972, a young rugby team from Montevideo, Uruguay, boarded a plane for a match in Chile—and then vanished into thin air. Two days before Christmas, 16 of the 45 passengers miraculously resurfaced. They had managed to survive for 72 days after their plane crashed on a remote Andean glacier. Thirty-five years later, the survivors returned to the crash site—known as the Valley of Tears—to recount their harrowing story of defiant endurance and indestructible friendship.
Director of Photography
One of the most astonishing and inspiring survival tales of all time. On October 13, 1972, a young rugby team from Montevideo, Uruguay, boarded a plane for a match in Chile—and then vanished into thin air. Two days before Christmas, 16 of the 45 passengers miraculously resurfaced. They had managed to survive for 72 days after their plane crashed on a remote Andean glacier. Thirty-five years later, the survivors returned to the crash site—known as the Valley of Tears—to recount their harrowing story of defiant endurance and indestructible friendship.
Director of Photography
In 1998, a small South American village is in a flurry over the Pope's upcoming visit for the business opportunities that it will provide. While most of the residents plan to sell food at the parade, a smuggler family man decides to build a pay toilet.
Screenplay
In 1998, a small South American village is in a flurry over the Pope's upcoming visit for the business opportunities that it will provide. While most of the residents plan to sell food at the parade, a smuggler family man decides to build a pay toilet.
Director
In 1998, a small South American village is in a flurry over the Pope's upcoming visit for the business opportunities that it will provide. While most of the residents plan to sell food at the parade, a smuggler family man decides to build a pay toilet.
Director of Photography
Justin Quayle is a low-level British diplomat who has always gone about his work very quietly, not causing any problems. But after his radical wife Tessa is killed he becomes determined to find out why, thrusting himself into the middle of a very dangerous conspiracy.
Camera Operator
Jaded ex-CIA operative John Creasy reluctantly accepts a job as the bodyguard for a 10-year-old girl in Mexico City. They clash at first, but eventually bond, and when she's kidnapped he's consumed by fury and will stop at nothing to save her life.
Director of Photography
In the slums of Rio, two kids' paths diverge as one struggles to become a photographer and the other a kingpin.
Director of Photography
Two young boys, Laranjinha and Acerola, living in Cidade de Deus, one of the most violent neighborhoods in Rio de Janeiro, need some money to go to a concert. The "easiest" (and most dangerous) way to get it is working for some drug-dealers.
Director of Photography
Inspired by the life of the french-born photographer and ethnographer, Pierre Verger, the movie follows his journey between Bahia, Brazil and Benin, Oriental Africa, showing places and people he met and his life study project: the Candomblé culture.
Cinematography
Two children flee together with a grown up from a slum in Rio because this older person has had problems with the local drug lord. They end up in the house where a rich American lives with his daughter.
Cinematography
After diving into a shallow lake, a college student becomes tetraplegic. In his wheel chair, he remembers the important facts of his life as an adolescent.
Cinematography
A documentary about torture and Brazilian police.
Director of Photography
Biography of Brazilian congressman Tenório Cavalcanti, who used to appear in public carrying a machine-gun, and wearing a black cloak.
Camera Operator
Raul and Saul work at the same office. Raul, outgoing and good-natured comes from a broken marriage. Saul is shy, with a critical and bitter disposition. He comes from a broken engagement, and a failed suicide attempt. In spite of their differences, they become quite good friends. But their colleagues begin to wonder whether there's something beyond friendship between them.
Camera Operator
Director of Photography
...discussion of leftist attitudes towards democracy and popular movements; in parallel, a discussion about the role of militant cinema in relation to real political struggles.
