Marat Descartes

Two friends go their separate ways at age 17, affected by the troubling teenage conflicts in the small and conservative city of Coti das Fuças, in the countryside of Brazil. Levi, a poet, tired of being mistreated, sticks to the friends’ plan of moving to a big city. Elias, opressed by a violent father, gives up on the idea of leaving. At age 50, Levi comes back to reunite with his friend during a funeral, when their memories are relived before the last goodbye. Inspired by the theater play Aldeotas, by Gero Camilo.

Karen sings and plays the trumpet in a vigorous rock band in Brasilia, but no one there is interested in it. At 27, she has lost hope in the city her grandfather helped to build. She follows in the footsteps of her ex-partner in the band, Artur, and tries her luck in Berlin.

A group of scientists digs on land within the Amazon in search of fertile black earth, used for agricultural purposes. As they approach the site of the Kawa Indians, they notice that the land acquires energetic and sensory powers.

The passing of the years is merciless for everyone. In the film, seven seemingly ordinary characters lead their lives seeking, each one, what they believe brings personal satisfaction. But, even with different and distant lives, they come closer by the way they guide their existence based on worldly concerns.

Dear Mom centers on the conflictive relationship between Heloisa, a recently divorced doctor, and her mother Ruth. Heloisa blames Ruth for her bad relationship with her own daughter, her failed marriage, and even her unsuccessful career. It’s a conflict that worsens when Ruth, after being diagnosed with cancer, finds out that Heloisa has fallen in love with Leda, a painter she met at the hospital where she works. The new relationship is not well accepted by her family, let alone by Ruth, which worsens the friction between them.

In lawless badlands, reclusive Cabeleira sets out to discover the fate of his gunman father and grows to be a feared assassin himself.

Богатая и одинокая женщина Ана нанимает помощницу по хозяйству и потенциальную няню для будущего ребёнка. Между женщинами возникает крепкая дружба, и даже больше, но ещё нерожденный младенец оказывает сильное влияние на состояние Аны.

Nalu lives with Ruben, her father, in a small country town near the Brazilian border with Uruguay. When Ruben realizes that his daughter is becoming a woman, an ambiguous closeness begins to develop between them.

One day, Eduardo arrives at his house and discovers that Julia, his wife, tried to commit suicide. She left her husband and two children without saying goodbye. After some time, she comes back home. He tries everything to set her straight, but the impossibility of knowing her fully grieves him. The shadow of the suicide and the inevitable ghost of a new chance hover over their heads. Eduardo insists on understanding his wife, but an increasing jealousy and an unexpected discovery of her past torture him. He does not realize that, most of the time, the search for control easily becomes an obsession.

Узнав правду о том, что женщина, которую он считал своей матерью, на самом деле украла его, когда он был маленьким ребенком, Пьер (он же Фелипе) вынужден иметь дело с последствиями действий этой матери, а также попытаться наладить отношения со своей биологической семьей.

A separated couple still share the same roof as a seemingly conventional family. The balance is broken with the arrival of the new ex-husband's girlfriend, highlighting the neuroses of the family's routine.

After losing his job and the end of his marriage, Júnior returns to his father's house. But that is not his childhood house anymore. His old room has been rented by a young woman and the place feels unwelcome and oppressive. Júnior develops and obsession for his family history, as strange things start happening in the house.

На дворе 19 век. Всю Бразилию будоражит, точатся кровопролитная война между Испанией и Португалией. В центре сюжета история двух семей: Амарал и Терра Камбара. Между ними тоже сильное напряжение. Многолетняя вражда окутавшая их сердца не дает им спокойно ужиться друг с другом. Не видя другого выхода они яростно сражаются свои права, и преодолевают трудности возникшие по пути.

Pedro has taken the road and he does not know where he is going. Lucas does not know it either. After meeting at a roadside café, they travel through the Brazilian Savannah seeking for a violent dose of anything.

Produced for TV Cultura within the project Telefilmes IV: Music and City, this made-for-TV film follows the story of Erica, a 14-year-old teenager growing up in Brazil, who has to learn how to deal with her British mother who is going off the rails. Living amidst an anxiety that switches between fear and love for her mother, Erica tries to find her way in a ship that seems to be sinking rapidly. It is in this moment that she picks up a guitar, and in her relationship with it, finds a way to re-shape her reality.

Guto, aspiring actor, dreams of hitting the big-time in São Paulo. He takes classes, rehearses, works out, auditions. He knows his big chance could find him anyplace, at any moment. His idol and role model is Zeca, an old-school TV comedian who—even on his last legs— still lives on in the hearts of a generation. When their paths intersect, Guto’s luck begins to change. But is that really possible?

Что если, в стране произвол? Что если, он убил людей и остался безнаказанным? Что если он чертовски умен и решает поиграть в супергероя и параллельно сорвать куш? Что если все спланировано до мельчайших деталей? Но... В этом бразильском боевике есть все, чтобы заинтересовать зрителей, увлечь и не отпускать их до самого конца. Убийства, взрывы, красивые женщины, сильные мужчины, чувственная эротика, ошеломляющие спецэффекты, … и, конечно же, Любовь, способная преодолеть все преграды.

Three desperate stories about working life in São Paulo.

With her husband having lost his job, Helena opens her own grocery store, but is soon plagued by strange occurrences.

A sensitive drama located in São Paulo, Brazil, about a young doctor who gets involved with two men and a homeless community at the same time.

Бейби – не просто заядлая, но страстная курильщица; Пикассо мог бы нарисовать с нее никотиновый аналог «Любительницы абсента». Она одинока, однако появление на этаже нового, весьма колоритного соседа-ровесника, становится поводом для обоснованных любовных воздыханий. Впрочем, это – центральная, но единственная линия бразильской кинопанорамы, жанр которой формулируется так: «маленькие комедии большого дома».

Valter's life turns upside-down when a gang of smalltime criminals move in next door. Valter's wife Iara wants something to be done about their new neighbors whos nigthtly activities does not allow them to sleep. Valter just wants to be left alone.

Clarisse notices a small green leaf growing out of her right arm.