Miyamoto Musashi: Showdown at Hannyazaka Heights (1962)
Genre : Action, Drama, History
Runtime : 1H 50M
Director : Tomu Uchida
Synopsis
The remake of Yoshikawa's novel continues with the second installment in which Takezo, soon to be Miyamoto Musashi, emerges from the Himeji Castle after three years of intense contemplation and philosophical study and starting on his epic quest to complete his skill in the Way.
Warlords Kagetora and Takeda each wish to prevent the other from gaining hegemony in feudal Japan. The two samurai leaders pursue one another across the countryside, engaging in massive battles of cavalry and infantry. Younger and less brutal, Kagetora must find the strength to be as brutal as his opponent, but at what cost?
[Period covered: 1637-1651] This is one of the most complicated plots of any of the Shinobi no Mono films! This film tells the story of Saizo’s son, Kirigakure Saisuke, who after seeing his father die at the Battle Of Shimabara, grows up to be an expert ninja. Before he dies, “Mist” Saizo tells his children Saisuke, and Yuri that they are not really brother and sister. She, in fact, is the daughter of the late lord Sanada Yukimura, and must be saved from the shogun’s forces. In the chess match of spy versus spy, can Saisuke defeat the shogun’s chief strategist, Matsudaira Izunokami at his own game? Showing many exciting ninja tactics, it is not to be missed.
A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food.
Afro Samurai avenged his father and found a life of peace. But the legendary master is forced back into the game by a beautiful and deadly woman from his past. The sparks of violence dropped along Afro’s bloody path now burn out of control – and nowhere are the flames of hatred more intense than in the eyes of Sio.
Kai—an outcast—joins Oishi, the leader of 47 outcast samurai. Together they seek vengeance upon the treacherous overlord who killed their master and banished their kind. To restore honour to their homeland, the warriors embark upon a quest that challenges them with a series of trials that would destroy ordinary warriors.
In 1868, after the Bakumatsu war ends, the ex-assassin Kenshin Himura traverses Japan with an inverted sword, to defend the needy without killing.
Nathan Algren is an American hired to instruct the Japanese army in the ways of modern warfare, which finds him learning to respect the samurai and the honorable principles that rule them. Pressed to destroy the samurai's way of life in the name of modernization and open trade, Algren decides to become an ultimate warrior himself and to fight for their right to exist.
Akira Kurosawa's lauded feudal epic presents the tale of a petty thief who is recruited to impersonate Shingen, an aging warlord, in order to avoid attacks by competing clans. When Shingen dies, his generals reluctantly agree to have the impostor take over as the powerful ruler. He soon begins to appreciate life as Shingen, but his commitment to the role is tested when he must lead his troops into battle against the forces of a rival warlord.
A bravado period action film set at the end of Japan's feudal era in which a group of unemployed samurai are enlisted to bring down a sadistic lord and prevent him from ascending to the throne and plunging the country into a war-torn future.
Brimming with action while incisively examining the nature of truth, "Rashomon" is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man's murder and the rape of his wife.
Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin’s resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.
A nameless ronin, or samurai with no master, enters a small village in feudal Japan where two rival businessmen are struggling for control of the local gambling trade. Taking the name Sanjuro Kuwabatake, the ronin convinces both silk merchant Tazaemon and sake merchant Tokuemon to hire him as a personal bodyguard, then artfully sets in motion a full-scale gang war between the two ambitious and unscrupulous men.
Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.
Blind traveler Zatoichi is a master swordsman and a masseur with a fondness for gambling on dice games. When he arrives in a village torn apart by warring gangs, he sets out to protect the townspeople.
In 16th century Japan, peasants Genjuro and Tobei sell their earthenware pots to a group of soldiers in a nearby village, in defiance of a local sage's warning against seeking to profit from warfare. Genjuro's pursuit of both riches and the mysterious Lady Wakasa, as well as Tobei's desire to become a samurai, run the risk of destroying both themselves and their wives, Miyagi and Ohama.
Toshiro Mifune swaggers and snarls to brilliant comic effect in Kurosawa's tightly paced, beautifully composed "Sanjuro." In this companion piece and sequel to "Yojimbo," jaded samurai Sanjuro helps an idealistic group of young warriors weed out their clan's evil influences, and in the process turns their image of a proper samurai on its ear.
In the third film of the Lone Wolf and Cub series, Ogami Itto volunteers to be tortured by Yakuza to save a prostitute and is hired by their leader to kill an evil chamberlain.
In this first film of the Lone Wolf and Cub series, adapted from the manga by Kazuo Koike, we are told the story of the Lone Wolf and Cub's origin. Ogami Itto, the official Shogunate executioner, has been framed for disloyalty to the Shogunate by the Yagyu clan, against whom he now is waging a one-man war, along with his infant son, Daigoro.
Wolverine faces his ultimate nemesis - and tests of his physical, emotional, and mortal limits - in a life-changing voyage to modern-day Japan.
In Japan, gonzo filmmakers hatch a three-pronged plan to save an actress's career, end a yakuza war and make a hit movie.
The fifth and final installment with the build up of the epic battle between Sasaki Kojiro and Miyamoto Musashi. With all the familiar characters making appearances: Otsu (Musashi's great love), Akemi, Matahachi (his former fellow soldier), old lady Osugi (still doggedly trying to defeat Musashi), and even the return of Priest Takuan (the man responsible for his journey towards enlightenment). But most of all, the boastful, long-haired and long-sworded Sasaki Kojiro.
In this first episode, we are introduced to Takezo, what Musashi used to be before he became the man of legend. His beginning are not exactly auspicious. He sides with the Toyotomi at Sekigahara, and as a result finds himself on the losing side of the historic battle. He and his friend Matahachi manage to escape the slaughter although the latter is wounded in his leg. They stumble across the young Akemi who makes her living with her mother Oko by robbing corpses of their armor and anything else they can sell. Oko takes it into her head to seduce Matahachi, which she does first by skillfully sucking the gangrene from his blood, and then just by sucking.
In the third installment of Yoshikawa's novel Musashi, things continue from the 2nd film at the end of battle, where Miyamoto continues on a mission of learning; with the introduction of his arch-rival Sasaki Kojiro; and lastly the large cast of characters rendezvouses for a fateful finale.
In the fourth installment, Musashi's potentially greatest opponent Kojiro jumps in and out of the story at the oddest and most coincidental moments. As his great love Otsu has succumbed to madness. Musashi then sets off to beat the functionaries of a treacherous clan in an arranged duel. 73 against one. Boastful Kojiro watches, secure in the knowledge that only he is a worthy opponent.
A self-absorbed young actor humiliates an elderly Noh performer, who then commits suicide. His act of cruelty compels his father to disown him, leading the once promising actor to a life on the streets. But his desire to win back the respect of his father and the affection of the dead actor's daughter pushes him toward a more noble existence. Naruse employed a delicately structured mise-en-scene in this family melodrama, which evokes the work of Josef von Sternberg.
Three sisters earn money for their bossy mother by being samisen street musicians. This means mainly playing a banjo type instrument for tips in bars...
An abandoned temple in the mountains outside of the old capital city of Kyoto is the scene of a fated meeting between a traveling priest, two women, and a vicious killer. Bloody violence erupts whenever strangers approach the temple. Can the traveling priest bring his belief in the Buddha and rid the three temple residents of the devils that hold their souls?
Gisuke Hayashida is an illegal dentist during the day and a burglar by night. One night during a burglary he witnesses a train derailment. Some communists are found guilty of causing the incident, but he knows it wasn't them. He can save innocent people but for that he must confess his own crime.
Suspense drama about a married salaryman whose affair with one of his co-workers is compromised when, returning from a clandestine meeting with his lover, he runs into a neighbor who is later accused of murder. Questioned by police about the neighbor, and blackmailed by his lover's neighbor, the salaryman's lies lead him on a path to destruction.
In the sixth and final episode Rentaro Mikuni steals the show as Baiken Shishido, Musashi's nemesis. Mikuni is the nominal villain of the film, but he is a devoted husband and father as well. He tries to kill Musashi only to avenge the death of his brother-in-law. While Baiken (who wields a chain and sickle against Musashi's sword) is a very human character and the emotions that Mikuni displays in his performance are quite believable and engaging
Five longtime friends get back together, but are disappointed to find that their bonds are not as strong as they once were.
Kiku and her brother Isamu are social outcasts, children of a prostitute mother and black GI father, in postwar Japan.
A married couple looking for an apartment move in with the husband's co-worker, a widower. The husband becomes jealous of the widower and his wife.
A luckless geisha struggles to make a living for herself and her young son.
Soldiers Hayate and Yaheiji secretly escape from their besieged castle. Hayate has left behind his lover, Kano. On his way, Hayate is wounded and cared for by O’Ryo, who falls in love with him. But when Hayate accidentally kills her caretaker, he flees, with O’Ryo in pursuit. Subsequently, Hayate's comrade Yaheiji falls in love with Oryo. Kano, the lover left behind by Hayate, believes him dead, and becomes involved with another soldier, Jurota. When Jurota defects to the opposing army, he takes Kano with him. A double set of love triangles has developed, wherein each man and each woman loves one and is loved by another. Finally only combat and self-sacrifice can untangle the weave.
It's a man's world. Shimamura, an artist, comes to this snowbound town to rejuvenate himself. He connects with Komako, a geisha he met on a previous trip, and it seems like love. She's the foster daughter of a local family, almost engaged to the family's son Yukio, now dying of consumption. He's tended by his sister Yuko who's angry at Komako for abandoning her brother. Shimamura returns to Tokyo but promises he will be back soon. In anticipation of his return, Komako breaks with her patron and her family loses their home. Complications arise when Shimamura doesn't come back as promised. Then Komako discovers that he and Yuko knew each other in Tokyo. Can Komako escape destiny?
The study of a one-year marriage that begins to crumble. A married man is torn between the love of his wife, and the attraction to a cousin of his wife.
When an only child is struck by a car and dies, the child's mother seeks vengeance against the driver in this thrilling drama. The car was driven by the wife of a company president who is having an affair. The woman's husband manages to buy silence about the incident, but the victim's mother discovers the identity of the driver. After she secures a job in the home of the company president and his philandering spouse, the woman plans to murder the couple's son when he reaches the age of her late son.
Sanae is left a widow after her prestigious husband dies, but holds the proceeds of a million yen insurance policy. Being childless, her former in-laws have no objection to her return to her own family.
1864. Samurai Shinbei is sent in a secret mission to Ezo, in the North of Japan, to stop riots of villagers commanded by Jirozaemon. A Russian count's daughter, the village leader's daughter and a secret treasure add up to the adventure.