The Homeless (1974)

Minami mistakenly kills a gangster associate of his named Brother. Almost as soon as the murder takes place, the body of the deceased man is gone, prompting Minami to conduct a search. While looking, he finds a mysterious isolated hotel where he decides to take a rest. Not only are the front desk clerks a bit strange, but even the ambiance feels unusual. Minami soon realizes he may have gotten more than he bargained for.

As sadomasochistic yakuza enforcer Kakihara searches for his missing boss he comes across Ichi, a repressed and psychotic killer who may be able to inflict levels of pain that Kakihara has only dreamed of.

Financially troubled, a newbie hitman reluctantly takes the job of finding the plotted killer of a Japanese tycoon.

When two Girl Bosses fight each other over territory, their enmity is difficult to solve - they are equals in looks, strength, determination, and power of their respective girl gangs. So, the way is open to a mischievous Yakuza Boss who invites them for a peaceful way to decide their feud: a sexual challenge for him to decide who is the better Girl Boss. Trapped, both are subject to the man's lust and sadistic assaults. They escape by joining forces against the yakuza gang, though it costs one of the young women her life - when she was friends already with her former enemy.

A Yakuza underling is given the assignment to rid an apartment of its tenants within a week. He tries a variety of desperate tactics to no avail. Soon his problems get worse as an evil spirit makes its presence known.

A young girl named Oichi is abandoned by her mother and blinded by a lightning strike. When her guardian is killed, she learns to wield a sword from a traveling ronin. As she develops into a master swordsman, her profession becomes that of a bounty hunter. Many test her sword and many die by her skills. She travels throughout the countryside to seek her mother and her revenge.

Three high-school students tangle with indulgent yakuza and lackadaisical police as they set out in search of the class bully, who has been kidnapped.

To pay off his loan shark, failed actor Ryōsuke Kinuta is forced to smuggle dead bodies – and one live elite assassin – in the middle of the night.

Tokyo, 1934. The boss of the clan that controls gambling agonizes and some of his followers propose to Nakai to take his place, but he refuses the offer and suggests they choose Matsuda, who is in prison. Other clan members oppose and Ishido is elected. When Matsuda is freed, he doesn't accept this decision.

Freelance reporter “Scoop” Machida is hot on the trail of a prostitution ring called the Black Line, when he is framed for the murder of a young woman. Forced to clear his own name, the handsome journalist sinks deeper into the Black Line’s rotten swamp of drugs, prostitution, and murder and finds unexpected help in Maya, a steamy female gambler familiar with the neon-lit streets, shadowy alleyways, and seedy nightclubs he must navigate. The closest film in the Line series to classic American film noir, Ishii’s Black Line is a pulpy assortment of crime film conventions including the starkly expressionistic black and white cinematography by Jûgyô Yoshida, a jazzy music score by Michiaki Watanabe, and a sleazy screenplay by Ishii and Ichirô Miyagawa.

Follows the fluctuating fortunes of three ronin in feudal Japan who wander from castle to castle, selling their services to whichever lord will fill their rice bowls. Though they use the servants' entrance, they still feel themselves bound by the samurai code of Bushido; and this tension leads to tragedy.

A once-powerful yakuza clan disbands as a result of a police crackdown, but one small group refuses to bow to police pressure, and launches a campaign to take over Tokyo's drug, prostitution, and gambling rackets. Someone wants to stop them. Is it the police? Rival gang members? Or is it an entirely new group of hired killers who will stop at nothing to gain complete control of Tokyo's "bloody territories"?

In prison for 50 years after massacring his corrupt workmates with a samurai sword in 1945, Ginji Sonesaki (Riki Takeuchi) is given the nickname of Ginji the Slasher. On his release he finds himself on the streets living with the homeless hiding from a man whose life he tried to end. His former boss and the object of Ginji's hatred is now a highly-regarded figure in politics but Ginji plans to remind him of his past transgressions and make him pay for ruining his life.

The Japanese equivalent of penny dreadfuls glorifying Jesse James, A Diary of Chuji’s Travels gives a unique gloss to the tale of Chuji Kunisada, the legendary bakuto (or gambler, the precursors to modern-day yakuza). One of the two remaining segments of Ito’s original four-hour trilogy, it depicts Chuji’s attempt to save the geisha Oshina, a rebellion against the rigid social structure of Edo Japan. With socialist overtones, it’s a passionate artifact of early Japanese film.

A young yakuza in love with the girl who's to marry his clan oyabun, kidnaps the girl before fleeing with her. In Tokyo, he hides under the identity of a worker while the young woman becomes a waitress in a restaurant.

Rin Jyoshima lost her father to death-by-gambling; years later, she's grown up in the Kosugi household and has fallen victim to gambling herself.

Girl Boss Ruriko and her cellmates escape from a greedy corrupt reform school that's more interested in cheating the government out of money than reformation. Each having their own reasons for escaping, they go their seperate ways. With the help of a young mechanic, who's also on the lam, Ruriko tries to realize her dream of leaving the island of Japan behind. But the authorities are always one step behind her...

In Japan, gonzo filmmakers hatch a three-pronged plan to save an actress's career, end a yakuza war and make a hit movie.

As the police launch a full-scale crackdown on organized crime, it ignites a national yakuza struggle between the Sanno of the East and Hanabishi of the West. What started as an internal strife in Outrage has now become a nationwide war in Outrage Beyond.