Abstract Experiment in Kodachrome (1950)

Everyone knows that the stork delivers babies, but where do the storks get the babies from? The answer lies up in the stratosphere, where cloud people sculpt babies from clouds and bring them to life. Gus, a lonely and insecure grey cloud, is a master at creating "dangerous" babies. Crocodiles, porcupines, rams and more - Gus's beloved creations are works of art, but more than a handful for his loyal delivery stork partner, Peck. As Gus's creations become more and more rambunctious, Peck's job gets harder and harder. How will Peck manage to handle both his hazardous cargo and his friend's fiery temperament?

A hunt for a lost sheep turns into a competition between Hiccup and friends as they compete to become the first Dragon Racing champion of Berk.

When the eternally optimistic Poppy, queen of the Trolls, learns that the Bergens no longer have any holidays on their calendar, she enlists the help of Branch and the rest of the gang on a delightfully quirky mission to fix something that the Bergens don't think is broken.

It's been ten years since the dragons moved to the Hidden World, and even though Toothless doesn't live in New Berk anymore, Hiccup continues the holiday traditions he once shared with his best friend. But the Vikings of New Berk were beginning to forget about their friendship with dragons. Hiccup, Astrid, and Gobber know just what to do to keep the dragons in the villagers' hearts. And across the sea, the dragons have a plan of their own...

Riley, now 12, who is hanging out with her parents at home when potential trouble comes knocking. Mom's and Dad's Emotions find themselves forced to deal with Riley going on her first "date."

Margo, Edith, and Agnes spot an ice cream truck. The three of them go after the truck but Agnes falls as she attempts to pedal to the truck. The Minions, seeing her so upset by this, decide to build her a unicorn-themed motorcycle. Agnes goes for a little ride around town.

A Minion, seeing many owners walk their dogs, wants a puppy of his own. He tries to leash a ladybug but fails. Luckily, a UFO that sweeps away the ladybug somehow agrees to become a Puppy.

During a post-Christmas play date, the gang find themselves in uncharted territory when the coolest set of action figures ever turn out to be dangerously delusional. It's all up to Trixie, the triceratops, if the gang hopes to return to Bonnie's room in this Toy Story That Time Forgot.

The residents of Hotel Transylvania find their world turned upside-down when youngster Dennis gets a surprise monster-sized pet.

The Winter Feast is Po's favorite holiday. Every year he and his father hang decorations, cook together, and serve noodle soup to the villagers. But this year Shifu informs Po that as Dragon Warrior, it is his duty to host the formal Winter Feast at the Jade Palace. Po is caught between his obligations as the Dragon Warrior and his family traditions: between Shifu and Mr. Ping.

A social worker is coming to Gru's house to check if it's suitable for children. Margo, Edith, Agnes and the Minions must take care of the situation.

A trip to church with her family on Christmas Eve gives young Angela an extraordinary idea. A heartwarming tale based on a story by Frank McCourt.

Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal.

Underworld: Endless War is a collection of three short, anime-style tie-in stories – whose creation was supervised by Len Wiseman, director of the first 2 Underworld movies and producer of Underworld 3 & 4 – each tell a different story, and at different periods of history to highlight new events of the Underworld mythology. These stories also tell of what happened before the events in Underworld: Awakening.

Scrat struggles once again to protect his nut.

Olaf is on a mission to harness the best holiday traditions for Anna, Elsa, and Kristoff.

The Christmas tree isn't the only thing green in this new holiday classic. Shrek is back and trying to get into the spirit of the season. After promising Fiona and the kids a Christmas they'll remember, he is forced to take a crash course in the holiday. But just when he thinks he has everything for their quiet family Christmas just right, there is a knock at the door.

As her friends prep for a Life Day holiday celebration, Rey journeys with BB-8 on a quest to gain a deeper knowledge of the Force at a mysterious Jedi Temple. There, she embarks on a cross-timeline adventure through beloved moments in Star Wars history, coming into contact with iconic heroes and villains from all eras of the saga. But will she make it back in time for the Life Day feast?

On Anna's birthday, Elsa and Kristoff are determined to give her the best celebration ever, but Elsa's icy powers may put more than just the party at risk.

Experimental documentary film, set in the then-present day, about an impoverished, lost boy, living alone in the Bowery.

Long considered lost, The Assignation was Curtis Harrington's first color film. It was shot in Venice, Italy, and follows a masked figure through the labyrinthine canals of the city, building to a spectacular climax.

Two reels of mis-takes in shooting Part II of 3RD DEGREE. Film was loaded in camera improperly and the image slides about off-center and becomes blurred – creating some rather amusing and mysterious imagery. A made “found” object. —ubu.com

Stock footage edited with music to comment on American culture.

To the toccata portion of Bach's "Toccata and fugue in D minor," we watch a play of sorts. Blue smoke forms a background; a grid of black lines is the foreground. Behind the lines, a triangle appears, then patterns of multiple triangles. Their movements reflect the music's rhythm. Behind the barrier of the black lines, the triangle moves, jumps, and takes on multiple shapes. In contrast with the blue and the black, the triangles are warm: orange, red, yellow. The black lines bend, swirl into a vortex, then disappear. The triangle pulsates and a set of many of them rises.

Jay De Feo started painting THE WHITE ROSE in 1957. When the unfinished painting was removed eight years later it weighed over 2300 pounds.

“Riggs’s film poem conveys delight with his adopted hometown through a documentarian’s eye for significant detail, a lyrical sensitivity, and homespun humor. The film, too, serves as a chronicle of people and places of Santa Fe in the early 1930s, when it earned the epithet ‘Greenwich Village of the West.’” - William M. Butler

After WW2, a group of partisans comes to a bourgeois family in order to teach them singing and declamation of new songs. The family soon forgets their old customs and principles.

In a European seaside village, a maiden takes clean sheets down from the clothesline. Carrying her basket of linens home, she stops to consult a fortune teller. The cartomancienne sees love in the cards. The young woman pauses to reflect. We then see water, swirling, and into view swims a man, as if just appearing on earth. He arrives on shore - is he just in her mind's eye, or is he real? She weaves a garland for her hair. Will they meet?

'Adventures of Jimmy' resolves its immature hero’s quest for “playmates” through a tongue-in-cheek narration that juxtaposes ironically with the images. We are told his family left him their whole estate, as we see a shack in the woods. The happy resolution is a joke on monogamy. It’s a straightforward story, the work of someone who wants to entertain with elegance and quiet subversion.

Ricky returns to Munich from Vietnam and is promptly hired as a contract killer.

A reworking of an earlier film, Institutional Quality, in which the same test was given. In the earlier film, the person taking the test was not seen, and the film viewer in effect became the test taker. The newer version concerns itself with the effects of the test on the test taker. An attempt is made to escape from the oppressive environment of the test — a test containing meaningless, contradictory, and impossible-to-follow directions by entering into the imagination. —Canyon Cinema

The title Horizontal Boundaries refers to frame lines- the boundaries between one image and the next on a roll of motion picture film. These lines, usually hidden by the projector gate, are revealed as subject matter and as a means of dividing the screen into as many as four very wide images, stacked one above the other. They represent many places, and a few people. My intent was to find ways to allow the images to interact in ways not usually possible. The track includes some Irish fiddle solos and intense recycled dialog.

Analogies: Studies in the Movement of Time uses a variety of multiple screen formats to create an intriguing series of visual riddles. The film consists of a series of simple camera movements that are rendered "diachronically"- several different aspects of the action are presented on the screen at once. By playing with time delays between these images, new kinds of space, action, gesture, and temporality have been found. Generated from structural principles, the film is both lyrical and sensual and provokes a new understanding of time and cinema.

Collage of dramatic scenes, some exaggerated to comic effect, with asynchronous sound from well known classic, operatic, and rock and roll music – with different approaches to love, suffering, and death.

A woman waits for her husband, a woodcutter, during long lonely days. She becomes weary and leaves him to live with her sister. He takes the news with a look of resignation, but the next day she returns to wait for him again.

After a fight in their apartment, the story of a writer and a painter are divided. The writer is dedicated with his partner Manon to provoke continuous accidents in a field in which car carcasses abound. The painter is recruited to kill, through a poisoned picture, the old Arden to allow the latter's wife, Alice to live with her lover Mosbie.

A surrealistic nightmare inspired by an 1855 photographic portrait, in which the magic tricks of early cinema are used to eerie effect. Creepy and beautiful at the same time, it does not share platitudinous ways to frighten the audience with the vast majority of modern horrors. Countess di Castiglione is a really existed Italian courtesan famous for her beauty and wide acquaintanceship among the ruling elite of those times. She directed Pierre-Louis Pierson to help her create 700 different photographs in which she re-created the signature moments of her life for the camera. Robert de Montesquiou, a Symbolist poet, dandy, and avid art collector, was fascinated by the Countess di Castiglione. He spent thirteen years writing a biography, La Divine Comtesse, which appeared in 1913. After her death, he collected 433 of her photographs, all of which entered the collection of the Metropolitan Museum of Art.

This live-action short subject commissioned for the 75th birthday of German romantic composer Robert Schumann juxtaposes flowing water imagery with the piano playing of artist Nina Hanson.

Multi-faceted artist Phil Niblock captures a brief moment of an interstellar communication by the Arkestra in their prime. Black turns white in a so-called negative post-process, while Niblock's camera focuses on microscopic details of hands, bodies and instruments. A brilliant tribute to the Sun King by another brilliant supra-planetary sovereign. (Eye of Sound)