Abstract Experiment in Kodachrome (1950)

디즈니에서 제공하는 극장용 단편 시리즈. 이 재미있는 단편은 픽사 스튜디오에서 애니메이터겸 스토리 아티스트로 재직 중인 한인 직원 피터 손씨가 직접 감독한 것으로 아기들을 만들어내는 회색 구름 '거스'와 '아기들을 배달하는 황새 펙을 등장시켜 이미 미국 내에서는 좋은 반응을 얻어냈다.

A hunt for a lost sheep turns into a competition between Hiccup and friends as they compete to become the first Dragon Racing champion of Berk.

특별한 날이 없다고? 트롤 여왕 파피는 문득 깨닫는다. 트롤은 매일이 새로운데, 버겐은 매일이 똑같다는 사실! 버겐을 위한 홀리데이 만들기 대작전은 그렇게 시작됐다.

스노글토그에 히컵과 투슬리스, 라이트 퓨리와 새끼들까지 모두 버크 섬에 모인다

어느날 라일리의 집에 왠 남자아이가 찾아온다. 대뜸 "라일리 있나요?"라고 묻는 소년이 왠지 못마땅한 부모들. 아빠는 화를 꾹 눌러참아보지만 녀석의 태도에 화가 치밀어 오른다. 엄마가 라일리의 의중을 떠보는 사이. 아빠의 화는 폭발하기 일보직전. 카운트 3...2...1 "GO BACK TO JAIL!(감옥에 보내버렷!!!)" 라일리의 첫 번째 데이트는 무사히 진행될 수 있을까?

Margo, Edith, and Agnes spot an ice cream truck. The three of them go after the truck but Agnes falls as she attempts to pedal to the truck. The Minions, seeing her so upset by this, decide to build her a unicorn-themed motorcycle. Agnes goes for a little ride around town.

A Minion, seeing many owners walk their dogs, wants a puppy of his own. He tries to leash a ladybug but fails. Luckily, a UFO that sweeps away the ladybug somehow agrees to become a Puppy.

크리스마스에 보니를 따라 메이슨의 집으로 가게 된 우디와 버즈 그리고 토이 친구들. 대저택에서 사는 메이슨은 크리스마스에 메트로폴리스 공룡세트와 게임기를 선물로 받지만, 게임기에 정신이 팔려 장난감들에게는 관심도 없다. 메이슨의 장난감 속에서 우디와 버즈 그리고 토이 친구들은 자신들이 장난감임을 인식하지 못하는 렙틸러스 막시무스와 공룡들을 만나게 되고 원하지 않는 전투 배틀에 참여하게 된다. 한편, 자신이 장난감이란 사실을 알고 있지만 그 사실을 모르는 다른 공룡들을 속이며 메트로 폴리스를 지배하고 있는 악당 클레릭은 공룡들에게 자신의 비밀을 밝히려는 우디와 버즈 그리고 렉스를 제거하려고 하는데...

The residents of Hotel Transylvania find their world turned upside-down when youngster Dennis gets a surprise monster-sized pet.

겨울 축제 준비가 시작되면서 포는 드래곤 용사로서의 의무와 가족 중 어느 것이 더 중요한지 고민에 빠진다

A social worker is coming to Gru's house to check if it's suitable for children. Margo, Edith, Agnes and the Minions must take care of the situation.

가난한 소녀 안젤라가 크리스마스 이브에 교회에서 아기예수 인형을 발견, 추울까봐 따뜻하게 해주려고 집으로 훔쳐오면서 벌어지는 에피소드로 구성된 3D 에니메이션 작품

런던 근교. 엉성한 발명품만 만들어내는 발명가 월레스는 생활비를 충당하기 위해 창문닦이 서비스를 하고 있다. 월레스의 영리하고 충직한 애견 그로밋은 전자공학에서 도스토예프스키까지 읽는 식견 높은 개다. 그로밋의 생일을 맞자 월레스는 전자바지를 선물한다. 첨단 공법으로 만든 전자바지는 그로밋의 산책은 물론 무슨 일이든 척척 해내는 만능바지. 그러나 이 선물 제작에 많은 돈을 쓴 나머지 생활비가 부족하자 하숙을 놓게 된다. 광고를 보고 세를 든 동거인은 야비한 성격의 수배범 펭귄 맥그로우. 자신의 위치를 빼앗긴 그로밋은 가출을 하기에 이르는데...

Underworld: Endless War is a collection of three short, anime-style tie-in stories – whose creation was supervised by Len Wiseman, director of the first 2 Underworld movies and producer of Underworld 3 & 4 – each tell a different story, and at different periods of history to highlight new events of the Underworld mythology. These stories also tell of what happened before the events in Underworld: Awakening.

Scrat struggles once again to protect his nut.

올라프가 특별한 크리스마스 가족 전통이 없는 엘사와 안나를 위해 아렌델 왕국의 크리스마스 전통을 찾아 순록 스벤과 함께 모험하는 이야기. 디즈니 애니메이션 [코코] 상영시 오프닝 영상으로 공개.

이 새로운 홀리데이 클래식에서 크리스마스 트리만 초록색이 아닙니다. 슈렉이 돌아왔고 시즌의 정신을 되찾기 위해 노력하고 있습니다. 피오나와 아이들이 기억할 크리스마스를 약속한 후 피오나는 휴일에 집중 코스를 수강해야 합니다. 그러나 조용한 가족 크리스마스를 위한 모든 것이 자신에게 있다고 생각하는 바로 그때, 문을 두드리는 소리가 들립니다.

친구들이 생명의 날 축하 준비에 한창일 때, 레이는 신비로운 제다이 사원의 포스에 관해 깊이 알고 싶어 BB-8과 함께 탐색을 떠난다. 그 제다이 사원에서 시간을 거슬러 스타워즈 역사상 최고의 순간으로 모험하게 되고 스타워즈 전 시대에 걸친 상징적인 영웅과 악당을 만난다. 그런데 레이는 과연 생명의 날 축제로 다시 돌아갈 수 있을까?

생일을 맞이한 안나를 위해 엘사가 특별한 생일 파티를 준비하면서 벌어지는 이야기.

Experimental documentary film, set in the then-present day, about an impoverished, lost boy, living alone in the Bowery.

Long considered lost, The Assignation was Curtis Harrington's first color film. It was shot in Venice, Italy, and follows a masked figure through the labyrinthine canals of the city, building to a spectacular climax.

Two reels of mis-takes in shooting Part II of 3RD DEGREE. Film was loaded in camera improperly and the image slides about off-center and becomes blurred – creating some rather amusing and mysterious imagery. A made “found” object. —ubu.com

Stock footage edited with music to comment on American culture.

To the toccata portion of Bach's "Toccata and fugue in D minor," we watch a play of sorts. Blue smoke forms a background; a grid of black lines is the foreground. Behind the lines, a triangle appears, then patterns of multiple triangles. Their movements reflect the music's rhythm. Behind the barrier of the black lines, the triangle moves, jumps, and takes on multiple shapes. In contrast with the blue and the black, the triangles are warm: orange, red, yellow. The black lines bend, swirl into a vortex, then disappear. The triangle pulsates and a set of many of them rises.

Jay De Feo started painting THE WHITE ROSE in 1957. When the unfinished painting was removed eight years later it weighed over 2300 pounds.

“Riggs’s film poem conveys delight with his adopted hometown through a documentarian’s eye for significant detail, a lyrical sensitivity, and homespun humor. The film, too, serves as a chronicle of people and places of Santa Fe in the early 1930s, when it earned the epithet ‘Greenwich Village of the West.’” - William M. Butler

After WW2, a group of partisans comes to a bourgeois family in order to teach them singing and declamation of new songs. The family soon forgets their old customs and principles.

In a European seaside village, a maiden takes clean sheets down from the clothesline. Carrying her basket of linens home, she stops to consult a fortune teller. The cartomancienne sees love in the cards. The young woman pauses to reflect. We then see water, swirling, and into view swims a man, as if just appearing on earth. He arrives on shore - is he just in her mind's eye, or is he real? She weaves a garland for her hair. Will they meet?

'Adventures of Jimmy' resolves its immature hero’s quest for “playmates” through a tongue-in-cheek narration that juxtaposes ironically with the images. We are told his family left him their whole estate, as we see a shack in the woods. The happy resolution is a joke on monogamy. It’s a straightforward story, the work of someone who wants to entertain with elegance and quiet subversion.

독일 태생의 미국인 청부살인업자 리키는 뮌헨 경찰로부터 사건처리를 부탁받는다. 할리우드 장르영화의 영향을 받은 이 작품은 "사랑은 죽음보다 차갑다", "저주의 신들"에 이은 갱스터 영화 3부작의 완결판이다.

A reworking of an earlier film, Institutional Quality, in which the same test was given. In the earlier film, the person taking the test was not seen, and the film viewer in effect became the test taker. The newer version concerns itself with the effects of the test on the test taker. An attempt is made to escape from the oppressive environment of the test — a test containing meaningless, contradictory, and impossible-to-follow directions by entering into the imagination. —Canyon Cinema

The title Horizontal Boundaries refers to frame lines- the boundaries between one image and the next on a roll of motion picture film. These lines, usually hidden by the projector gate, are revealed as subject matter and as a means of dividing the screen into as many as four very wide images, stacked one above the other. They represent many places, and a few people. My intent was to find ways to allow the images to interact in ways not usually possible. The track includes some Irish fiddle solos and intense recycled dialog.

Analogies: Studies in the Movement of Time uses a variety of multiple screen formats to create an intriguing series of visual riddles. The film consists of a series of simple camera movements that are rendered "diachronically"- several different aspects of the action are presented on the screen at once. By playing with time delays between these images, new kinds of space, action, gesture, and temporality have been found. Generated from structural principles, the film is both lyrical and sensual and provokes a new understanding of time and cinema.

Collage of dramatic scenes, some exaggerated to comic effect, with asynchronous sound from well known classic, operatic, and rock and roll music – with different approaches to love, suffering, and death.

A woman waits for her husband, a woodcutter, during long lonely days. She becomes weary and leaves him to live with her sister. He takes the news with a look of resignation, but the next day she returns to wait for him again.

After a fight in their apartment, the story of a writer and a painter are divided. The writer is dedicated with his partner Manon to provoke continuous accidents in a field in which car carcasses abound. The painter is recruited to kill, through a poisoned picture, the old Arden to allow the latter's wife, Alice to live with her lover Mosbie.

A surrealistic nightmare inspired by an 1855 photographic portrait, in which the magic tricks of early cinema are used to eerie effect. Creepy and beautiful at the same time, it does not share platitudinous ways to frighten the audience with the vast majority of modern horrors. Countess di Castiglione is a really existed Italian courtesan famous for her beauty and wide acquaintanceship among the ruling elite of those times. She directed Pierre-Louis Pierson to help her create 700 different photographs in which she re-created the signature moments of her life for the camera. Robert de Montesquiou, a Symbolist poet, dandy, and avid art collector, was fascinated by the Countess di Castiglione. He spent thirteen years writing a biography, La Divine Comtesse, which appeared in 1913. After her death, he collected 433 of her photographs, all of which entered the collection of the Metropolitan Museum of Art.

This live-action short subject commissioned for the 75th birthday of German romantic composer Robert Schumann juxtaposes flowing water imagery with the piano playing of artist Nina Hanson.

Multi-faceted artist Phil Niblock captures a brief moment of an interstellar communication by the Arkestra in their prime. Black turns white in a so-called negative post-process, while Niblock's camera focuses on microscopic details of hands, bodies and instruments. A brilliant tribute to the Sun King by another brilliant supra-planetary sovereign. (Eye of Sound)