Abstract Experiment in Kodachrome (1950)

Las creaciones de Gus son obras de arte, pero no lo son tanto para la cigüeña que tiene asignada y que se encarga de hacer las entregas, Peck.

La aventura de "Cómo entrenar a tu dragón" continúa cuando la búsqueda de unas ovejas perdidas se convierte en una divertida e intensa competición.

Al darse cuenta de que Bridget y los Bergens no tienen ningún día de fiesta, la reina Poppy ingenia un plan con Branch y el resto de la pandilla para crear uno.

Han pasado diez años desde que los dragones se mudaron al Mundo Oculto, y aunque Toothless ya no vive en New Berk, Hiccup continúa las tradiciones navideñas que una vez compartió con su mejor amigo. Pero los vikingos de New Berk comenzaban a olvidarse de su amistad con los dragones. Hiccup, Astrid y Gobber saben exactamente qué hacer para mantener a los dragones en los corazones de los aldeanos. Y al otro lado del mar, los dragones tienen un plan propio ...

Riley, que ahora tiene 12 años, está pasando el rato con sus padres en casa, en San Francisco, cuando se presenta un problema. ¿Podrán papá y mamá gestionar las emociones que siente Riley por su primera cita?

Los Minions le preparan a Agnes una bicicleta muy especial.

Un Minion observa a la gente paseando a sus mascotas. Esto despierta en él un deseo de hacer lo mismo, así que busca la forma de lograrlo.

En un plan posnavideño, la pandilla de Toy Story se encuentra en territorio desconocido, donde los muñecos de acción más chulos del mundo resultan ser peligrosamente delirantes. Todo depende de Trixie si la pandilla espera regresar con Bonnie.

Cortometraje ambientado en el mundo de Hotel Transilvania, en el que Denis, el nieto de Drácula, lidia con una mascota de tamaño gigante.

Mientras se prepara la Fiesta del Inverno, Po tiene que decidir entre sus obligaciones como Guerrero Dragón y las tradiciones navideñas de su familia.

Un trabajador social llega a casa de Gru para descubrir si es idónea para niños. Los Minions tendrán que hacerse cargo de la situación. Spin-off de la película "Gru, mi villano favorito".

La pequeña Ángela tiene una idea estupenda cuando acude a la iglesia junto a su familia en Nochebuena. Una historia conmovedora basada en el libro de Frank McCourt.

En esta nueva aventura, Wallace le regala unos modernos pantalones a Gromit que le acabarán saliendo más caros de lo que esperaba después de conocer al huesped al que hospedarán en su casa, un aparentemente inocente pingüino...

película de animación estrenada en 2011 basado en la serie Underworld. Estas tres historias de anime, cuya creación fue supervisada por Len Wiseman, director de las dos primeras películas de Underworld y productor/escritor de Underworld: Rise of the Lycans y Underworld: Awakening, son cada uno un poco más de cinco minutos de duración, y contienen una historia diferente en tres diferentes períodos de la historia (1890, 1967, 2012), para poner de relieve los nuevos eventos de la mitología de Underworld. Estas historias también hablan de lo que ocurrió antes de los acontecimientos en Underworld: Awakening.

La ardilla Scrat esta vez lleva más lejos que nunca la búsqueda incansable de su bellota: al espacio exterior.

Olaf y Sven trabajan juntos en una alegre misión: traer las mejores tradiciones navideñas del reino a casa y salvar la Navidad de Anna y Elsa.

Justo cuando Shrek pensaba que, por fin, podría sentarse, relajarse en su ciénaga y disfrutar de su recién ampliada familia... llega la Navidad. Es Nochebuena y todo el mundo está feliz, excepto Shrek. En estas fechas, el ogro no es precisamente la viva imagen de la alegría. A pesar de todo y aunque sólo sea por Fiona y los bebés, intenta contagiarse del espíritu navideño y promete a su mujer una gran sorpresa navideña. Después del éxito de la tercera secuela de "Shrek", se estrenó en televisión esta producción de animación de media hora de duración que se centra en el gruñón ogro y su pandilla. Adaptada a la época navideña, la cinta contó con los mismos dobladores que en la saga cinematográfica: Mike Myers, Eddie Murphy y Cameron Díaz en la versión original; y las voces de Cruz y Raya en la española. El internacional Antonio Banderas realiza un doblete interpretando en ambos idiomas al carismático Gato con Botas.

Tras la derrota de la Primera Orden en 'Star Wars: El Ascenso de Skywalker', la galaxia se encuentra en un momento de paz y libertad, un instante de merecido descanso para nuestros héroes que, como bien narra el querido Maestro Yoda, se dispone a girar en torno a la celebración del Día de la Vida. Así, en esta fecha señalada dedicada a disfrutar de amigos y familia, Rey, Finn, Poe, Rose y compañía planean organizar una fiesta de la que formará parte la familia de Chewbacca y otros conocidos galácticos como Lando Calrissian o Maz Kanata.

Es el cumpleaños de Anna, y Elsa y Kristoff están buscando la forma de hacerle la mejor fiesta posible. Pero los poderes con el hielo de Elsa van a complicar las cosas.

Experimental documentary film, set in the then-present day, about an impoverished, lost boy, living alone in the Bowery.

Long considered lost, The Assignation was Curtis Harrington's first color film. It was shot in Venice, Italy, and follows a masked figure through the labyrinthine canals of the city, building to a spectacular climax.

Two reels of mis-takes in shooting Part II of 3RD DEGREE. Film was loaded in camera improperly and the image slides about off-center and becomes blurred – creating some rather amusing and mysterious imagery. A made “found” object. —ubu.com

Stock footage edited with music to comment on American culture.

To the toccata portion of Bach's "Toccata and fugue in D minor," we watch a play of sorts. Blue smoke forms a background; a grid of black lines is the foreground. Behind the lines, a triangle appears, then patterns of multiple triangles. Their movements reflect the music's rhythm. Behind the barrier of the black lines, the triangle moves, jumps, and takes on multiple shapes. In contrast with the blue and the black, the triangles are warm: orange, red, yellow. The black lines bend, swirl into a vortex, then disappear. The triangle pulsates and a set of many of them rises.

Jay De Feo started painting THE WHITE ROSE in 1957. When the unfinished painting was removed eight years later it weighed over 2300 pounds.

“Riggs’s film poem conveys delight with his adopted hometown through a documentarian’s eye for significant detail, a lyrical sensitivity, and homespun humor. The film, too, serves as a chronicle of people and places of Santa Fe in the early 1930s, when it earned the epithet ‘Greenwich Village of the West.’” - William M. Butler

After WW2, a group of partisans comes to a bourgeois family in order to teach them singing and declamation of new songs. The family soon forgets their old customs and principles.

In a European seaside village, a maiden takes clean sheets down from the clothesline. Carrying her basket of linens home, she stops to consult a fortune teller. The cartomancienne sees love in the cards. The young woman pauses to reflect. We then see water, swirling, and into view swims a man, as if just appearing on earth. He arrives on shore - is he just in her mind's eye, or is he real? She weaves a garland for her hair. Will they meet?

'Adventures of Jimmy' resolves its immature hero’s quest for “playmates” through a tongue-in-cheek narration that juxtaposes ironically with the images. We are told his family left him their whole estate, as we see a shack in the woods. The happy resolution is a joke on monogamy. It’s a straightforward story, the work of someone who wants to entertain with elegance and quiet subversion.

Ricky returns to Munich from Vietnam and is promptly hired as a contract killer.

A reworking of an earlier film, Institutional Quality, in which the same test was given. In the earlier film, the person taking the test was not seen, and the film viewer in effect became the test taker. The newer version concerns itself with the effects of the test on the test taker. An attempt is made to escape from the oppressive environment of the test — a test containing meaningless, contradictory, and impossible-to-follow directions by entering into the imagination. —Canyon Cinema

The title Horizontal Boundaries refers to frame lines- the boundaries between one image and the next on a roll of motion picture film. These lines, usually hidden by the projector gate, are revealed as subject matter and as a means of dividing the screen into as many as four very wide images, stacked one above the other. They represent many places, and a few people. My intent was to find ways to allow the images to interact in ways not usually possible. The track includes some Irish fiddle solos and intense recycled dialog.

Analogies: Studies in the Movement of Time uses a variety of multiple screen formats to create an intriguing series of visual riddles. The film consists of a series of simple camera movements that are rendered "diachronically"- several different aspects of the action are presented on the screen at once. By playing with time delays between these images, new kinds of space, action, gesture, and temporality have been found. Generated from structural principles, the film is both lyrical and sensual and provokes a new understanding of time and cinema.

Collage of dramatic scenes, some exaggerated to comic effect, with asynchronous sound from well known classic, operatic, and rock and roll music – with different approaches to love, suffering, and death.

A woman waits for her husband, a woodcutter, during long lonely days. She becomes weary and leaves him to live with her sister. He takes the news with a look of resignation, but the next day she returns to wait for him again.

After a fight in their apartment, the story of a writer and a painter are divided. The writer is dedicated with his partner Manon to provoke continuous accidents in a field in which car carcasses abound. The painter is recruited to kill, through a poisoned picture, the old Arden to allow the latter's wife, Alice to live with her lover Mosbie.

A surrealistic nightmare inspired by an 1855 photographic portrait, in which the magic tricks of early cinema are used to eerie effect. Creepy and beautiful at the same time, it does not share platitudinous ways to frighten the audience with the vast majority of modern horrors. Countess di Castiglione is a really existed Italian courtesan famous for her beauty and wide acquaintanceship among the ruling elite of those times. She directed Pierre-Louis Pierson to help her create 700 different photographs in which she re-created the signature moments of her life for the camera. Robert de Montesquiou, a Symbolist poet, dandy, and avid art collector, was fascinated by the Countess di Castiglione. He spent thirteen years writing a biography, La Divine Comtesse, which appeared in 1913. After her death, he collected 433 of her photographs, all of which entered the collection of the Metropolitan Museum of Art.

This live-action short subject commissioned for the 75th birthday of German romantic composer Robert Schumann juxtaposes flowing water imagery with the piano playing of artist Nina Hanson.

Multi-faceted artist Phil Niblock captures a brief moment of an interstellar communication by the Arkestra in their prime. Black turns white in a so-called negative post-process, while Niblock's camera focuses on microscopic details of hands, bodies and instruments. A brilliant tribute to the Sun King by another brilliant supra-planetary sovereign. (Eye of Sound)