Anna Rosenberg (2020)
Genre : Drama, Thriller
Runtime : 1H 30M
Director : Michele Moscatelli
Writer : André Delauré
Synopsis
A psychological thriller inspired by a true story, which tells of the physical and psychological violence that lead Anna, the protagonist, to its extreme consequences.
A botched robbery indicates a police informant, and the pressure mounts in the aftermath at a warehouse. Crime begets violence as the survivors -- veteran Mr. White, newcomer Mr. Orange, psychopathic parolee Mr. Blonde, bickering weasel Mr. Pink and Nice Guy Eddie -- unravel.
Communication is the key to the survival for nine strangers who have been kidnapped by a masked gunman and told that one of them will die every ten minutes until they discover how they are all connected. Who of the nine lives and who dies?
A man wakes up in an unknown room with no memory of how he got there. As he tries to escape, he realizes the truth and that all is not as it seems.
Two friends enter an Emergency Room, seeking help after an incident. They will find themselves living a series of surreal experiences through the eccentric characters that populate the waiting room. But will they get the help they need?
Tom, a conservative cisgender jock encounters Sarah, a non-binary person, in a university men’s toilets, but when he intends to leave, they have been accidentally locked in and are stuck together until morning.
Set in a single hotel room, this film traces its history from conception to decay through an intimate look at five of its occupants, all of whom the room once knew but have since been lost in time.
A group of students finds themselves in an academic environment, which hides a terrifiying danger. Should they stay? Where to expect a menace from? What would happen if they try to leave? Students are forced to find it all out by themselves, without getting any hints.
Three kids are trying to stand strong. In a world where you don’t know for what you want to stay strong. Full of sexuality and the need to define their identity. “We are the children with no obligations, the most possibilities, with the most liberated freedom. We are children who build words. Children who give birth to children. We are children of our time, free from guilt.”
A young man takes his love for lizards to the extreme.
Bruno is a physician whose license had been revoked, due to some ethical problems in the past. He gathers some criminals to kidnap the children of two powerful bankers. While the police faces contradictory evidence and clues, Bruno starts killing the other criminals, to keep the ransom for himself.
Wealthy landowner Dr. Earl Denton buys a premium development with the intention of leaving it to his daughter, Joan. When Joan gets impregnated by her mechanic boyfriend, she tries to convince her father to help her get an abortion, despite the protestations of her boyfriend.
Live-action footage of canaries and beachgoers overlaid with hand-painted effects.
The industrial city of Brindisi is the setting for this film, the tension between the bright promises of the industrial world and the not-so-bright reality of a young worker, in one of Mangini's most emblematic works.
The unbridled life and kaleidoscopic filmography of Piero Vivarelli, who made Italian B-movies of all genres, wrote hit rock songs and penned the screenplay for Sergio Corbucci's Western "Django," adored by Quentin Tarantino, are intertwined in a portrait of an unsung postwar provocateur and revolutionary (the only non-Cuban besides Che Guevara to be given a Cuban Communist Party card signed by Fidel Castro). The creative doc is also a prism into an unexplored territory of Italian — and by extension global — pop culture and its unique vitality.
Fortuna (6 years old) lives with her mother in an anonymous suburb. She spends her time with two playmates, Nicola and Anna, dreaming of being Nancy, an alien princess chased by giants who want to kidnap her and her friends. After a tragic accident happened to Nicola, an obscure secret surfaces in a struggle between reality and imagination, unveiling a horrible truth. A dark fairy tale, based on a true story.
Truck driving is all sixty-year-old widower Germain has ever known. When he is involved in a head-on collision that leaves a woman dead, his quiet life is suddenly thrown into a tailspin.
Lorenzo known as Ghandi and Elena met at 18 during a vacation through Nevada and ended up doing the classic madness: they got married in Las Vegas. A few hours later everyone was going their own way, putting the incident behind them (or at least that's what Elena thinks). Twenty years later Elena is about to marry a very rich and brilliant man, but her best friend Sara, a lawyer, informs her that, being technically still married to Lorenzo, she must first dissolve that bond or she will be accused of bigamy. Elena and Lorenzo must therefore return to Las Vegas and obtain a divorce decree in a few days. If they really want to.
Mayme and sister Janie are salesgirls in Ginsberg's Department Store. Mayme is in love with store clerk Bill, but Janie tries to steal him from her. Hazel, another salesgirl, is Jean Harlow's first credited role.
This is a glimpse into a day shared by an extremely sad father and his dare devil son. Each male has experienced an especially traumatic afternoon and although they bond over a love for skateboarding, neither is able to communicate their feelings.
The film begins at night, as parishioners holding lanterns form a series of processions, travelling through the night from Rome, and villages in the Abruzzi and Lazio regions, to make it to the Santuario della Madonna del Divino Amore, 10 miles from the capital, by morning. More than an anthropological study of ecstatic devotion – with its genuflecting disciples, and women who scream desperately at the sky – Divino Amore also speaks to Mangini’s interest in disappearing rituals and communities at risk of extinction. When generations of worshippers pour out of the church at the end of the service, formality dissolves into secular leisure, as families perched on horse carts eat plates of spaghetti and men fall asleep on the grass. The velvet-clad austerity of the church’s interior gives way to a series of pastoral tableaux.
This documentary is one of the earliest film enquiries on women's condition in Italy, seen in its different aspects: social, economic, psychological. Starting from an analysis of the feminine role models proposed by the cultural industry, the film finds its protagonists among all kinds of women.
A happily-married woman is blackmailed by her first husband, who she wrongly believed was killed in the Blitz.
Filming amid the flaxen wheat fields of Sicily, Vittorio De Seta documents the everyday rituals of farmers during harvest time.
Jessica and Gus, two apathetic teenagers, drift aimlessly from one day to the next until they meet each other. They make a tenuous and fleeting connection when Gus confides in Jessica about his dark past.
Five women celebrate one of the girl's bachelorette party but one of them doesn't show up.
This is the story of two completely opposite households: the Pavone are intellectual and bourgeois, the Vismara are proletarian and fascists. They are two tribes sharing the same jungle: Rome. A trivial accident brings these two poles together. The madness of a 25-year old youth will set them on a collision course, discovering the cards to reveal that everyone has a secret. People are never what they seem – but we are all predators in the end.
When his girlfriend Giorgia leaves him for his boss, journalist Giulio suddenly finds himself without a woman and with no job. Determined to win back his ex, he attends Valeria's classes, who teaches single men the art of seduction, convinced that relationships between people are motivated by simple biological stimuli.
The story of the legendary star Alida Valli through the unpublished words of her letters and diaries, enriching it with other exclusive materials: photographs, family film in 8mm, new interviews with her sons, relatives, friends and collaborators, and much more archive material.