Anna Rosenberg (2020)

동부 LA 폐허의 텅빈 창고 안. 대규모 보석 강도를 위해 서로를 전혀 모르는 6명의 프로갱들이 한곳에 모인다. 이들을 한 곳에 불러 모은 장본인은 프로 도둑인 죠 캐봇과 그의 아들 나이스 가이 에디. 다이아몬드 도매상을 강탈하는 보석강도의 전 과정을 지휘하는 이 두 사람은 6명의 갱들에게 각각의 가명을 지정하고, 서로의 신분을 노출시킬 어떠한 정보 교환도 하지 말 것을 지시한다. 거사에 성공한 갱들은 그들 앞으로 돌아올 거액을 꿈구며 환호성을 지른다. 그러나 환호성도 잠시, 그들의 강도짓이 끝나기를 기다리며 문밖에 대기하고 있던 경찰을 발견한 그들은 경악하는데...

Communication is the key to the survival for nine strangers who have been kidnapped by a masked gunman and told that one of them will die every ten minutes until they discover how they are all connected. Who of the nine lives and who dies?

A man wakes up in an unknown room with no memory of how he got there. As he tries to escape, he realizes the truth and that all is not as it seems.

Two friends enter an Emergency Room, seeking help after an incident. They will find themselves living a series of surreal experiences through the eccentric characters that populate the waiting room. But will they get the help they need?

Tom, a conservative cisgender jock encounters Sarah, a non-binary person, in a university men’s toilets, but when he intends to leave, they have been accidentally locked in and are stuck together until morning.

Set in a single hotel room, this film traces its history from conception to decay through an intimate look at five of its occupants, all of whom the room once knew but have since been lost in time.

A group of students finds themselves in an academic environment, which hides a terrifiying danger. Should they stay? Where to expect a menace from? What would happen if they try to leave? Students are forced to find it all out by themselves, without getting any hints.

Three kids are trying to stand strong. In a world where you don’t know for what you want to stay strong. Full of sexuality and the need to define their identity. “We are the children with no obligations, the most possibilities, with the most liberated freedom. We are children who build words. Children who give birth to children. We are children of our time, free from guilt.”

A young man takes his love for lizards to the extreme.

Bruno is a physician whose license had been revoked, due to some ethical problems in the past. He gathers some criminals to kidnap the children of two powerful bankers. While the police faces contradictory evidence and clues, Bruno starts killing the other criminals, to keep the ransom for himself.

Wealthy landowner Dr. Earl Denton buys a premium development with the intention of leaving it to his daughter, Joan. When Joan gets impregnated by her mechanic boyfriend, she tries to convince her father to help her get an abortion, despite the protestations of her boyfriend.

Live-action footage of canaries and beachgoers overlaid with hand-painted effects.

The industrial city of Brindisi is the setting for this film, the tension between the bright promises of the industrial world and the not-so-bright reality of a young worker, in one of Mangini's most emblematic works.

모든 장르의 이탈리아 B급 영화를 만들고, 히트곡을 쓰고, 타란티노가 흠모하는 세르히오 코르부치의 '장고' 각본을 쓴 피에로 비바렐리의 삶과 다채로운 필모그래피가 펼쳐진다.

맑은 하늘 아래 빠른 속도로 돌아가는 회전그네에 타고 있던 소녀가 갑자기 바닥으로 떨어진다. 이내 아무렇지도 않게 툭툭 털며 일어나는 소녀를 포르투나라고 부르며 오토바이를 탄 한 여성이 쫓기 시작한다. 여섯 살 소녀 낸시의 꿈이다. 낸시에게는 비밀이 하나 있다. 바로 그녀의 진짜 정체는 거인에게 납치당할 위기에 처한 공주 포르투나라는 거다. 그리고 단짝 친구 니콜라가 갑작스러운 추락사를 당하면서 감춰져 있던 또 다른 진실이 서서히 모습을 드러낸다.

Truck driving is all sixty-year-old widower Germain has ever known. When he is involved in a head-on collision that leaves a woman dead, his quiet life is suddenly thrown into a tailspin.

Lorenzo known as Ghandi and Elena met at 18 during a vacation through Nevada and ended up doing the classic madness: they got married in Las Vegas. A few hours later everyone was going their own way, putting the incident behind them (or at least that's what Elena thinks). Twenty years later Elena is about to marry a very rich and brilliant man, but her best friend Sara, a lawyer, informs her that, being technically still married to Lorenzo, she must first dissolve that bond or she will be accused of bigamy. Elena and Lorenzo must therefore return to Las Vegas and obtain a divorce decree in a few days. If they really want to.

Mayme and sister Janie are salesgirls in Ginsberg's Department Store. Mayme is in love with store clerk Bill, but Janie tries to steal him from her. Hazel, another salesgirl, is Jean Harlow's first credited role.

This is a glimpse into a day shared by an extremely sad father and his dare devil son. Each male has experienced an especially traumatic afternoon and although they bond over a love for skateboarding, neither is able to communicate their feelings.

The film begins at night, as parishioners holding lanterns form a series of processions, travelling through the night from Rome, and villages in the Abruzzi and Lazio regions, to make it to the Santuario della Madonna del Divino Amore, 10 miles from the capital, by morning. More than an anthropological study of ecstatic devotion – with its genuflecting disciples, and women who scream desperately at the sky – Divino Amore also speaks to Mangini’s interest in disappearing rituals and communities at risk of extinction. When generations of worshippers pour out of the church at the end of the service, formality dissolves into secular leisure, as families perched on horse carts eat plates of spaghetti and men fall asleep on the grass. The velvet-clad austerity of the church’s interior gives way to a series of pastoral tableaux.

생계를 위해 애쓰는 노동자, 어머니 등 실제 여성의 이미지와 광고를 통해 판매되는 여성의 이미지를 단순하면서도 급진적으로 대조하며 페미니즘 운동을 예견한 상징적인 작품.

A happily-married woman is blackmailed by her first husband, who she wrongly believed was killed in the Blitz.

Filming amid the flaxen wheat fields of Sicily, Vittorio De Seta documents the everyday rituals of farmers during harvest time.

Jessica and Gus, two apathetic teenagers, drift aimlessly from one day to the next until they meet each other. They make a tenuous and fleeting connection when Gus confides in Jessica about his dark past.

Five women celebrate one of the girl's bachelorette party but one of them doesn't show up.

언뜻 대조적으로 보이는 두 가족의 이야기를 통해 현대 이탈리아 사회를 풍자하는 코미디. 파보네 가족과 비스마라 가족은 같은 로마에 살고 있지만 매우 다른 삶을 살고 있다. 파보네 가족은 소위 ‘지식인’으로서 부유한 삶을 누리고 있고, 노동자 계급인 비스마라 가족은 극우에 가까운 정치적 입장을 갖고 있다. 그러던 어느 날 작은 계기로 두 가족이 엮이게 되며 이들이 숨기고 있던 각자의 비밀이 드러나기 시작한다.

When his girlfriend Giorgia leaves him for his boss, journalist Giulio suddenly finds himself without a woman and with no job. Determined to win back his ex, he attends Valeria's classes, who teaches single men the art of seduction, convinced that relationships between people are motivated by simple biological stimuli.

The story of the legendary star Alida Valli through the unpublished words of her letters and diaries, enriching it with other exclusive materials: photographs, family film in 8mm, new interviews with her sons, relatives, friends and collaborators, and much more archive material.