Girls of the Road (1940)

A man who has a body almost completely covered in tattoos is searching for the woman who cursed him with the "skin illustrations". Each tattoo reveals a bizarre story, which is experienced by staring at the scene depicted. When the illustrated man meets a fellow tramp on the road a strange voyage begins.

The Tramp struggles to live in modern industrial society with the help of a young homeless woman.

The Tramp and his dog companion struggle to survive in the inner city.

At an upper class golf resort, a tramp discovers he's the lookalike of a rich man with a beautiful, unhappy wife.

The struggle to survive, for a generation, torn between wanting to leave its country, yet bound by blood to home.

Set against Paris' oldest bridge, the Pont Neuf, while it was closed for repairs, this film is a love story between two young vagrants: Alex, a would be circus performer addicted to alcohol and sedatives and Michele, a painter driven to a life on the streets because of a failed relationship and an affliction which is slowly turning her blind.

Composed of three disturbingly sensual and terrifying short narratives, unified by the twin themes of sex and death.

Alberto Medina is a very famous composer and is on a field trip when his car runs out of gas and goes downhill. While looking for help, he finds the Valverdes' house and is welcome by Emilia, the mother of the family, who is known for giving shelter to tramps. The rest of the family disagrees, because the last one disappointed her. In a story of family situations, funny moments and jealousy, Alberto ends up earning everyone's respect and has a special connection with the oldest daughter, the beautiful Susana, and they fall in love.

Society matron Emily Kilbourne has a habit of hiring ex-cons and hobos as servants. Her latest find is a handsome tramp who shows up at her doorstep and ends up in a chauffeur's uniform. He also catches the eye of Geraldine.

An isolated house is too remote for a lone servant, who leaves a note, quietly exits the back door, and puts the key under the mat. Left alone in the house is a mother and her infant. A tramp has watched the servant leave and begins to skulk. When the lady of the house sees him outside as he discovers the key, she's terrified and desperately phones her husband, who's at work in town. He jumps into a car that's idling in front of his office and races toward home, the car's owner, and police, in hot pursuit.

A man goes fishing in the same pond where a burglar has thrown a sock of money stolen from the man's house.

A couple of naïve girls get themselves unwittingly involved in the gambling racket in this Poverty Row production directed by the redoubtable Phil Rosen.

On Christmas Eve, the Little King sneaks two tramps into the castle. The next morning, the three men are thrilled by the presents Santa left behind.

Rival window cleaners Willy I and Willy 2 befriend Jou-Jou, an aspiring dancer, who has been tricked out of money by a con-man posing as an American movie mogul, and together they turn an old railway carriage into a "Villa Hollywood" for her.

After returning from a party, Angela finds herself locked in her house with two unknown women, while a homeless man lurks outside.

In this sound-era silent film, a tramp falls in love with a beautiful blind flower seller.

When former Green Beret John Rambo is harassed by local law enforcement and arrested for vagrancy, the Vietnam vet snaps, runs for the hills and rat-a-tat-tats his way into the action-movie hall of fame. Hounded by a relentless sheriff, Rambo employs heavy-handed guerilla tactics to shake the cops off his tail.

John Vincent is a cop on a quest for vengeance. After finding his wife murdered in his own home, he decides to dispense justice on the murderous psycho's who have destroyed his life. Armed with only a crowbar and his wits, John takes to the city streets and takes out the insane maniacs only to find there's something worse out there.

In 1928, as the talkies threw the film industry and film language into turmoil, Chaplin decided that his Tramp character would not be heard. City Lights would not be a talking picture, but it would have a soundtrack. Chaplin personally composed a musical score and sound effects for the picture. With Peter Lord, the famous co-creator of Chicken Run and Wallace & Gromit, we see how Chaplin became the king of slapstick comedy and the superstar of the movies.