Outer and Inner Space (1966)
Genre :
Runtime : 33M
Director : Andy Warhol
Synopsis
A 16mm Warhol film of Edie Sedgwick sitting in front of a television monitor on which is playing a prerecorded videotape of herself. On the videotape, Edie is positioned on the left side of the frame, facing right; she is talking to an unseen person off-screen to our right. In the film, the “real” or “live” Edie Sedgwick is seated on the right side of the film frame, with her video image behind her, and she is talking to an unseen person off-screen to our left. The effect of this setup is that it sometimes creates the rather strange illusion that we are watching Edie in conversation with her own video image.
Goofy's in the driver's seat, Mickey's in the kitchen, and Donald's in bed in Mickey's high-tech house trailer. When Goofy comes back to eat breakfast, leaving the car on autopilot, it takes them onto a dangerous closed mountain road. When Goofy realizes this, he accidentally unhooks the trailer, sending it on a perilous route. They come very close to disaster several times, while the oblivious Goofy drives on and hooks back up to them.
After being evicted from their old house by Tom's owner for causing major damage, cat and mouse Tom and Jerry enter a race entitled the "Fabulous Super Race" to win a mansion.
Ebenezer Scrooge is far too greedy to understand that Christmas is a time for kindness and generosity. But with the guidance of some new found friends, Scrooge learns to embrace the spirit of the season. A retelling of the classic Dickens tale with Disney's classic characters.
Agent Coulson stops at a convenience store and deals with a coincidental robbery during his visit.
A social worker is coming to Gru's house to check if it's suitable for children. Margo, Edith, Agnes and the Minions must take care of the situation.
While carrying on their usual hi-jinks, they inadvertantly stow-away on a spaceship bound for Mars. They meet up with the local Martian residents and cause them to invade the Earth, aided by the "Invincitron", a vacuum-wielding giant robot. Tom, Jerry and their Martian ally, Peep, save the day.
Olaf is on a mission to harness the best holiday traditions for Anna, Elsa, and Kristoff.
The Christmas tree isn't the only thing green in this new holiday classic. Shrek is back and trying to get into the spirit of the season. After promising Fiona and the kids a Christmas they'll remember, he is forced to take a crash course in the holiday. But just when he thinks he has everything for their quiet family Christmas just right, there is a knock at the door.
Tom And Jerry are among the last animals living in Storybook Town, a fairy tale-inspired theme park "where dreams come true, if you believe."
Dueling cat-and-mouse team Tom and Jerry hit the high seas on a hunt for buried treasure in this pirate adventure. The tale begins when crew member Tom sets sail with an infamous pirate and finds a treasure map along with stowaway Jerry. The furry swashbucklers race to a deserted island where X marks the spot, but along with battling each other, they must outwit ruthless buccaneers, angry monkeys and a giant octopus to strike it rich.
Tom and Jerry find a dragon egg, and help the baby dragon find its mother.
On Anna's birthday, Elsa and Kristoff are determined to give her the best celebration ever, but Elsa's icy powers may put more than just the party at risk.
In Disney's take on the Alexander Dumas tale, Mickey Mouse, Donald Duck and Goofy want nothing more than to perform brave deeds on behalf of their queen (Minnie Mouse), but they're stymied by the head Musketeer, Pete. Pete secretly wants to get rid of the queen, so he appoints Mickey and his bumbling friends as guardians to Minnie, thinking such a maneuver will ensure his scheme's success. The score features songs based on familiar classical melodies.
Robin Hood steals from the rich and give to the poor, and needs the help of Tom and Jerry! Your favorite daring duo aims to beloved medieval tale in a new film is all for one and one for all!
Two groups of classic cartoon characters come together in this fun-filled crossover with the popular action-adventure series Jonny Quest. Fans of all ages won't want to miss this heart-stopping romp as Tom and Jerry join Jonny Quest and his pal Hadji and embark on a dangerous spy mission in order to save the world.
Bo Peep explains what happened to herself and her sheep between the events of Toy Story 2 and Toy Story 4.
A jealous stump threatens two trees that are in love by starting a forest fire. When the rain comes and puts out the fire the forest revives and celebrates the wedding.
A mysterious thief has stolen the prosperous Happy Valley's most prized possession: the musical Singing Harp. Can Mickey, Donald, and Goofy find the answer in the irritable Willie the Giant's magnificent castle up in the blue sky?
A folk horror movie about a woman who follows her boyfriend into the woods for a romantic surprise only to find something far more sinister. Inspired by thousands of witness accounts documenting the ongoing phenomenon of a certain species of shape-shifting creature in the forests of North America.
Mia recounts her most intimate confessions, uncensored, in her first approach to a totally new world of domination and submission.
In "The Lead Shoes", we can neither thrust in our eyes nor our ears to help us understand how time flows or how space is. Therefore, Peterson forces us to take both space and time as relative experiences. The consistent disorientation in the film and our consistent inability to perceive them in absolute terms become the main subject of the film. Peterson makes us aware that space and time are more complicated than we think they are and they should be experienced in a more open-minded way. —Yoel Meranda
The 16-minute film falls neatly into two nearly equal parts, separated by fades to and from black. Part one depicts a sunrise, a journey out to sea in a boat, then gulls flying around the boat while fish are cleaned, and finally the journey back and the reappearance of land.
Breer's earliest experiments in animation are wonderfully dense yet lyrical abstractions based on Breer's own geometric paintings. - Harvard Film Archive
This art experiment by Andy Warhol captures the simple act of a man eating mushrooms. This one-man show starring Robert Indiana presents the actor slowly eating some mushrooms, having an enjoyable time not only with the food but also with a friendly cat that from time to time comes to see what the man is doing.
One of the few Brakhage films featuring spoken dialogue and a central character, this sly and bitter polemic pits an actor (poet? director?) against an unseen audience.
David Rimmer's avant-garde classic takes a single film fragment of a factory worker unraveling a sheet of cellophane, and alters it through a mesmerizing series of spectral apparitions and alchemical and sonic permutations.
A film exploration of the work and aesthetic concepts of Yayoi Kusama, painter, sculptor, and environmentalist, conceived in terms of an intense emotional experience with metaphysical overtones, an extension of my ultimate interest in a total fusion of the arts in a spirit of mutual collaboration. —Jud Yalkut
As a visual narrative it is reminiscent of a pile of postcards from a journey, which indeed is what the film is. It consists of a series of lengthy shots of a tableau nature, each appearing to be a more or less random cross section of American reality, but which in total invoke a highly emblematic picture of the USA.
"This beautiful example of far-fetched blasphemy accompanies a happy, ugly nun into the woods for her constitutional, replete with charming bird noises. Praying to and fondling a priapic mushroom, she is unaware of the evil rapist shadowing her. When the rape occurs, it is in long shot, hidden from view, under a huge tree. Articles of clothes and her cross sail through the air; the tree - entirely dominating the screen - sways rhythmically and repeatedly. A few minutes later it stops; then another tree, a few feet away, begins to sway in identical fashion. The rapist finally emerges, exhausted." (Amos Vogel, Film as a Subversive Art)
Intimate documentary about young women who make papier mache fruit and vegetables in a small factory in Mexico. They have a gringo boss, but the factory is owned by his Mexican wife. The focus of the film is on the color, music and movement involved, and the gossip which goes on constantly, revealing what the young women think about men.
An experimental film dedicated to the Dakota Sioux, which follows the form of the Christian Mass. A series of images of contemporary America interwoven with the ritual spiriting away of a dead Indian.
Documentary about the work and the unconventional approach of the painter Karel Appel. The film shows him flinging vast amounts of paint onto the canvas, resulting in dynamic paintings showing an overful, raging, run-away world. In 1962 awarded with a Golden Bear at the Berlinale. (filmcommission.nl)
The ‘imperfections’ of filmmaking, normally suppressed, are at the core of a work that uses a brief loop made from a Kodak color test. “The dirtiest film ever made” is one of the earliest examples of the film material dictating the film content. - Harvard Film Archive
[A] cautionary tale about past-their-prime thespians caught up in a typically Kucharian vortex of madness. - Anthology Film Archives
Impressionistic study of the fate of a stray dog, trying to avoid the results of human indifference and cruelty.
Residences, churches, funeral march, school children in Muskogee, OK; Taft, OK; and Okmulgee, OK.
A requiem for a Russian peasant woman, Maria Semionovna Voinova. The film is in two chapters. The first chapter consists of an impression of Maria Semionovna, scenes of the colours of summer time: hay–making, bathing in a river, work in the flax fields and a holiday in the Crimea. The second chapter, set nine years later, is in black and white and deals with how Maria Semionovna's life ended. The mood is one of a sad and elegiac narration.
A young boy gets caught stealing a sheep and is shaved of all his hair and branded with a mark on his forehead so that everyone will know that he is a thief and not to be trusted. Dumped in the desert, the thief covers his marking with a headscarf and goes to the nearest village where he is taken in by a trusting family in return for his work. However, has be actually changed or is he still the same thief at heart?
An insane man first loves then grows to hate his neighbor, an old man whose penetrating gaze unnerves the insane man. He plans a perfect crime and executes it one night. The next day, two officers knock on the insane man's door, investigating a shriek heard in the night. The insane man invites them in, answers their questions, and submits to an examination of his eyes by one of the officers, who proclaims him innocent. The insane man invites them to stay and relax awhile, then regales them with his theories of crime. His heart begins to beat louder. Angles on the set are skewed to suggest the man's internal disarray.
A lovely, poetic, humorous and crystal investigation of mankind standing, sitting and lying down. - John Wasserman