Outer and Inner Space (1966)

Goofy's in the driver's seat, Mickey's in the kitchen, and Donald's in bed in Mickey's high-tech house trailer. When Goofy comes back to eat breakfast, leaving the car on autopilot, it takes them onto a dangerous closed mountain road. When Goofy realizes this, he accidentally unhooks the trailer, sending it on a perilous route. They come very close to disaster several times, while the oblivious Goofy drives on and hooks back up to them.

After being evicted from their old house by Tom's owner for causing major damage, cat and mouse Tom and Jerry enter a race entitled the "Fabulous Super Race" to win a mansion.

Ebenezer Scrooge is far too greedy to understand that Christmas is a time for kindness and generosity. But with the guidance of some new found friends, Scrooge learns to embrace the spirit of the season. A retelling of the classic Dickens tale with Disney's classic characters.

Agent Coulson stops at a convenience store and deals with a coincidental robbery during his visit.

A social worker is coming to Gru's house to check if it's suitable for children. Margo, Edith, Agnes and the Minions must take care of the situation.

いつものように追いかけっこをしていたトムとジェリーは、間違って火星行きのロケットに乗り込んでしまい、地球を飛び出してしまう。宇宙船の乗船員ビフ＆バズは臆病者で、火星に着いたと思ったらすぐに地球にとんぼ返り。なんとトムとジェリーは火星に取り残され、火星人に見つかってしまう。ピンチに追い込まれた2匹は、火星人の女の子ピープの助けで何とか逃げ出すが…。

エルサとアナの仲良し姉妹は、幼いころに起きた事件以来、ずっとはなればなれでした。今日は、そんな二人が久しぶりに一緒に迎えたクリスマス。ところが、アレンデール中どの家にもあるクリスマスのならわしが、長い間はなれて育った姉妹には、何もなかったのです。さびしそうな二人のために立ち上がったのはオラフでした。

The Christmas tree isn't the only thing green in this new holiday classic. Shrek is back and trying to get into the spirit of the season. After promising Fiona and the kids a Christmas they'll remember, he is forced to take a crash course in the holiday. But just when he thinks he has everything for their quiet family Christmas just right, there is a knock at the door.

行方不明の父親を捜している少女ロビンと出会ったトムとジェリー。ロビンを助けることに決めたトムとジェリーでしたが、意地悪なフィグおばさんと弁護士のリックブートに捕まり、悪いお医者さんアップルチークの待つペット刑務所に入れられてしまいます。新しい友達パグシーやフランキーと協力し、刑務所を脱獄したトムとジェリーは果たして…。さあ、トムとジェリーとロビンの大冒険が始まります!

悪名高き大海賊の手下になり、船に乗って航海に出たトム。ある日、トムは船に打ち上げられた謎の瓶を見つけるが、その中には宝の地図とジェリーが一緒に入っていた。2匹は魅惑の宝を手に入れるべく、協力してサルや大ダコ、海賊たちに立ち向かう。

トムとジェリーと一緒に住んでいる魔女の女の子。おばが悪い魔女であったため、街の人達にあまりよく思われていない。 その悪い魔女が盗ませたドラゴンの卵を助けて生まれた赤ちゃんが、最初に見たのがトムだったため、トムのことを「ママ」と思いこんでしまう。 ドラゴンの子供をさらった悪い魔女を相手に、お母さんドラゴンと一緒にトムとジェリーが大活躍。

アナの誕生日の朝。エルサはこの日を完璧な一日にすべく、クリストフたちとともにとびきりのサプライズを準備していた。城中に張りめぐらされた赤い糸をたどっていくと、あちこちにアナへのプレゼントが隠されているという仕掛けだ。誕生日の特別なドレスに身を包み、エルサとアナは糸をたどり始める。だがエルサはどうやら風邪をひいたらしく、くしゃみが止まらない。心配するアナをよそに、ひとり張り切るエルサだった。

舞台は昔のフランス。かの有名なヒーロー“三銃士”に憧れ、いつかは自分たちも輝かしい近衛銃士の一員になりたいと夢見る下働きのミッキー、ドナルド、グーフィー。ある日突然、落ちこぼれで失敗してばかりのミッキーたちが、ミニー姫の警護にあたる銃士に大抜擢される…。でもその裏には、ミニー姫を危険に陥れようとする近衛隊長ピートの悪巧みが隠されていたのです。大張り切りのミッキーたち“三銃士”は、力を合わせてミニー姫を守れるのでしょうか…？

ロビン・フッドの一番小さな仲間ジェリーは、ある日ネコの騎士トムに出くわす。トムはひそかにノッティンガムの悪代官と国王の弟ジョンのスパイをしていたが、悪者たちがロビン・フッドを捕らえ、リチャード王暗殺を企てていることを知り、ジェリーたちの仲間に加わることするが…。

トムとジェリーがビーチへ繰り出したところ、2人がバッタリ出会ったのは…なんと世界的に有名なスパイ少年のジョニー・クエスト、そして親友のハジと愛犬のバンディ。実は、ジョニーの父ベントン・クエスト博士が世界のエネルギー問題を解決する装置を持っていることを宿敵であるジン博士が嗅ぎつけ、手下の邪悪なネコ軍団を使ってその装置を盗み出す計画が進行していたのだ。

ボー・ピープはどこに?ディズニー&ピクサー作品「トイ・ストーリー4』で華麗なるカムバックを果たしたボーピープ。彼女が主役の短編「ボー･ピープはどこに?」では、「トイ・ストーリー2」のあとボー・ピープに何が起こったのかが描かれている。

A jealous stump threatens two trees that are in love by starting a forest fire. When the rain comes and puts out the fire the forest revives and celebrates the wedding.

A mysterious thief has stolen the prosperous Happy Valley's most prized possession: the musical Singing Harp. Can Mickey, Donald, and Goofy find the answer in the irritable Willie the Giant's magnificent castle up in the blue sky?

A folk horror movie about a woman who follows her boyfriend into the woods for a romantic surprise only to find something far more sinister. Inspired by thousands of witness accounts documenting the ongoing phenomenon of a certain species of shape-shifting creature in the forests of North America.

Mia recounts her most intimate confessions, uncensored, in her first approach to a totally new world of domination and submission.

In "The Lead Shoes", we can neither thrust in our eyes nor our ears to help us understand how time flows or how space is. Therefore, Peterson forces us to take both space and time as relative experiences. The consistent disorientation in the film and our consistent inability to perceive them in absolute terms become the main subject of the film. Peterson makes us aware that space and time are more complicated than we think they are and they should be experienced in a more open-minded way. —Yoel Meranda

The 16-minute film falls neatly into two nearly equal parts, separated by fades to and from black. Part one depicts a sunrise, a journey out to sea in a boat, then gulls flying around the boat while fish are cleaned, and finally the journey back and the reappearance of land.

Breer's earliest experiments in animation are wonderfully dense yet lyrical abstractions based on Breer's own geometric paintings. - Harvard Film Archive

This art experiment by Andy Warhol captures the simple act of a man eating mushrooms. This one-man show starring Robert Indiana presents the actor slowly eating some mushrooms, having an enjoyable time not only with the food but also with a friendly cat that from time to time comes to see what the man is doing.

One of the few Brakhage films featuring spoken dialogue and a central character, this sly and bitter polemic pits an actor (poet? director?) against an unseen audience.

David Rimmer's avant-garde classic takes a single film fragment of a factory worker unraveling a sheet of cellophane, and alters it through a mesmerizing series of spectral apparitions and alchemical and sonic permutations.

A film exploration of the work and aesthetic concepts of Yayoi Kusama, painter, sculptor, and environmentalist, conceived in terms of an intense emotional experience with metaphysical overtones, an extension of my ultimate interest in a total fusion of the arts in a spirit of mutual collaboration. —Jud Yalkut

As a visual narrative it is reminiscent of a pile of postcards from a journey, which indeed is what the film is. It consists of a series of lengthy shots of a tableau nature, each appearing to be a more or less random cross section of American reality, but which in total invoke a highly emblematic picture of the USA.

"This beautiful example of far-fetched blasphemy accompanies a happy, ugly nun into the woods for her constitutional, replete with charming bird noises. Praying to and fondling a priapic mushroom, she is unaware of the evil rapist shadowing her. When the rape occurs, it is in long shot, hidden from view, under a huge tree. Articles of clothes and her cross sail through the air; the tree - entirely dominating the screen - sways rhythmically and repeatedly. A few minutes later it stops; then another tree, a few feet away, begins to sway in identical fashion. The rapist finally emerges, exhausted." (Amos Vogel, Film as a Subversive Art)

Intimate documentary about young women who make papier mache fruit and vegetables in a small factory in Mexico. They have a gringo boss, but the factory is owned by his Mexican wife. The focus of the film is on the color, music and movement involved, and the gossip which goes on constantly, revealing what the young women think about men.

An experimental film dedicated to the Dakota Sioux, which follows the form of the Christian Mass. A series of images of contemporary America interwoven with the ritual spiriting away of a dead Indian.

Documentary about the work and the unconventional approach of the painter Karel Appel. The film shows him flinging vast amounts of paint onto the canvas, resulting in dynamic paintings showing an overful, raging, run-away world. In 1962 awarded with a Golden Bear at the Berlinale. (filmcommission.nl)

The ‘imperfections’ of filmmaking, normally suppressed, are at the core of a work that uses a brief loop made from a Kodak color test. “The dirtiest film ever made” is one of the earliest examples of the film material dictating the film content. - Harvard Film Archive

[A] cautionary tale about past-their-prime thespians caught up in a typically Kucharian vortex of madness. - Anthology Film Archives

Impressionistic study of the fate of a stray dog, trying to avoid the results of human indifference and cruelty.

Residences, churches, funeral march, school children in Muskogee, OK; Taft, OK; and Okmulgee, OK.

A requiem for a Russian peasant woman, Maria Semionovna Voinova. The film is in two chapters. The first chapter consists of an impression of Maria Semionovna, scenes of the colours of summer time: hay–making, bathing in a river, work in the flax fields and a holiday in the Crimea. The second chapter, set nine years later, is in black and white and deals with how Maria Semionovna's life ended. The mood is one of a sad and elegiac narration.

A young boy gets caught stealing a sheep and is shaved of all his hair and branded with a mark on his forehead so that everyone will know that he is a thief and not to be trusted. Dumped in the desert, the thief covers his marking with a headscarf and goes to the nearest village where he is taken in by a trusting family in return for his work. However, has be actually changed or is he still the same thief at heart?

An insane man first loves then grows to hate his neighbor, an old man whose penetrating gaze unnerves the insane man. He plans a perfect crime and executes it one night. The next day, two officers knock on the insane man's door, investigating a shriek heard in the night. The insane man invites them in, answers their questions, and submits to an examination of his eyes by one of the officers, who proclaims him innocent. The insane man invites them to stay and relax awhile, then regales them with his theories of crime. His heart begins to beat louder. Angles on the set are skewed to suggest the man's internal disarray.

A lovely, poetic, humorous and crystal investigation of mankind standing, sitting and lying down. - John Wasserman