Pablo Krögh

Two prisoners escape execution by the police and become successful circus clowns in Pinochet's Chile.

Ana, wants her brother Andres to forgive her father, after years of distance. She must deal over and over again with all the situations that affect her dysfunctional family, while in silence, her own children coexist with abortion, drugs and indifference. Three conflicts over lack of communication and an unexpected end.

Based on the real story of a French family, during 1878, this film is an adaptation based on the diary written by their daughter Chantal, on their ordeal as the first European colonizers who came to the wild lands of Patagonia, to enact their dreams and conflicts, through adventures and intense emotions.

Paulina, a trainee social worker doing her internship in a reintegration center, meets Manuel, with whom she starts a friendship that promps her to question her vocation and begin a 'second adolescence', this time free from the tyranny of conventions and routine. Spending time in a world that does not belong to her.

Gloria is a 58-year-old divorcée. Her children have all left home but she has no desire to spend her days and nights alone. Determined to defy old age and loneliness, she rushes headlong into a whirl of singles’ parties on the hunt for instant gratification – which only leads to repeated disappointment and enduring emptiness. But when Gloria meets Rodolfo, an ex-naval officer seven years her senior, she begins to imagine the possibility of a permanent relationship.

In 1988, Chilean military dictator Augusto Pinochet, due to international pressure, is forced to call a plebiscite on his presidency. The country will vote ‘Yes’ or ‘No’ to Pinochet extending his rule for another eight years. Opposition leaders for the ‘No’ vote persuade a brash young advertising executive, René Saavedra, to spearhead their campaign. Against all odds, with scant resources and while under scrutiny by the despot’s minions, Saavedra and his team devise an audacious plan to win the election and set Chile free.

A drama centered on an office worker on the verge of retirement who begins to relive both real and imagined memories.

When a prominent researcher in the field of human memory returns home, he stumbles upon the fact that a man's past, as he remembers and tells it, is often nothing but fiction.

Daniela, raised in the bosom of a strict Evangelical family and recently unmasked as a fornicator by her shocked parents, struggles to find her own path to spiritual harmony.

Four women who used to be classmates, reunite years after for a Baby Shower party, in which several murders will unfold.

Focuses on the intense life of the French painter Raymond Monvosin and his relationship with his devoted assistant Clara Filleul, and his associations with political and high-society figures of the mid-nineteenth century.

After the 1973 coup that deposed Allende and brought Pinochet to power in Chile, the former members of his cabinet are imprisoned on Dawson Island, the world's southernmost concentration camp. Here these men are determined to survive and provide history with their testimony.

Sebastian and Paula meet each other in a subway. A friendship develops that forces them to examine their lives.

Ana, Verónica, Marta, and Toro are four lonely people who live an unadventurous and quiet existence in southern Chile. They are with each other without the need of using words, trying to save themselves in a stealthy and extreme way. In order not only of getting away of the loneliness that constitutes their innermost core, but also of finding themselves, they reach for each other to get brotherly and sexual love, affection, and a space and time of their own.

In Chile, Mexican photographer Emilia falls in love with a rabbi and gets the news that her father is terminally ill.

A Chilean talent show in the mold of "American Idol," "Rojo" became a huge hit the moment it hit the airwaves. This comic series puts a fictional spin on all the backstage drama: the backstabbing, the ruthless competition and the passionate abandon. Further blurring the line between fantasy and reality, several of the show's big stars -- including Monserrat Bustamante, Mario Guerrero and Yamna Lobos -- appear as pseudo versions of themselves.

Nicolás is furious. Once again they broke into his house and took his bicycle. Outside, in the streets, the city is half destroyed by an earthquake. There is a curfew and Pinochet is asked if he is going to declare a state of catastrophe. Nicolás accompanies his mother to court to recognize the thief.

Santiago, capital of Chile during the Marxist government of elected, highly controversial president Salvador Allende. Father McEnroe supports his leftist views by introducing a program at the prestigious "collegio" (Catholic prep school) St. Patrick to allow free admission of some proletarian kids. One of them is Pedro Machuca, slum-raised son of the cleaning lady in Gonzalo Infante's liberal-bourgeois home. Yet the new classmates become buddies, paradoxically protesting together as Gonzalo gets adopted by Pedro's slum family and gang. But the adults spoil that too, not in the least when general Pinochet's coup ousts Allende, and supporters such as McEnroe.

The elderly heir of a formerly wealthy and respected Chilean family, Andres, suffers from decadence and solitude. He hires young Estela in order to look after his tiranic and almost crazy grandmother. The differences in class and age don't stop Andres from courting Estela, whose fiancé Mario tries to make some money with the passions of his well-off rival. The suffocating atmosphere of the run-down mansion in the outskirts of Santiago represents the deterioration of the bourgeoisie, and sets the scene for the total collapse of Andres.

The elderly heir of a formerly wealthy and respected Chilean family, Andres, suffers from decadence and solitude. He hires young Estela in order to look after his tiranic and almost crazy grandmother. The differences in class and age don't stop Andres from courting Estela, whose fiancé Mario tries to make some money with the passions of his well-off rival. The suffocating atmosphere of the run-down mansion in the outskirts of Santiago represents the deterioration of the bourgeoisie, and sets the scene for the total collapse of Andres.

The elderly heir of a formerly wealthy and respected Chilean family, Andres, suffers from decadence and solitude. He hires young Estela in order to look after his tiranic and almost crazy grandmother. The differences in class and age don't stop Andres from courting Estela, whose fiancé Mario tries to make some money with the passions of his well-off rival. The suffocating atmosphere of the run-down mansion in the outskirts of Santiago represents the deterioration of the bourgeoisie, and sets the scene for the total collapse of Andres.

The life-story of Chilean author Maria Luisa Bombal, intertwined with the plot of her own novel "La última niebla".

Dramatic comedy that raise questions through satire about the moral tradition of Chilean society, its dogmatism and sexual intolerance and the repressive nature of the country's traditional family.