Pablo Krögh

Two prisoners escape execution by the police and become successful circus clowns in Pinochet's Chile.

Ana, wants her brother Andres to forgive her father, after years of distance. She must deal over and over again with all the situations that affect her dysfunctional family, while in silence, her own children coexist with abortion, drugs and indifference. Three conflicts over lack of communication and an unexpected end.

Based on the real story of a French family, during 1878, this film is an adaptation based on the diary written by their daughter Chantal, on their ordeal as the first European colonizers who came to the wild lands of Patagonia, to enact their dreams and conflicts, through adventures and intense emotions.

Paulina, a trainee social worker doing her internship in a reintegration center, meets Manuel, with whom she starts a friendship that promps her to question her vocation and begin a 'second adolescence', this time free from the tyranny of conventions and routine. Spending time in a world that does not belong to her.

Gloria é uma divorciada de 58 anos. Seus filhos saí­ram de casa, mas ela não tem vontade de passar seus dias e noites sozinha. Determinada a desafiar a velhice e a solidão, ela entra de cabeça em um turbilhão de festas para solteiros em busca de gratificação instantânea – que só leva repetidamente para decepções e vazio. Mas então ela conhece Rodolfo, um ex-oficial naval sete anos mais velho que ela, a quem se sente romanticamente inclinada. Glora até começa a imaginar uma relação permanente entre os dois. No entanto, o encontro apresenta desafios inesperados e Gloria gradualmente se encontra sendo forçada a confrontar seus próprios segredos obscuros.

No Chile de 1988, o governo ditatorial convoca um plebiscito para perguntar se a população apoia os militares. Um publicitário, então, fica responsável pela Campanha do Não, com ideias ousadas para convencer o povo a acabar com o regime militar.

A drama centered on an office worker on the verge of retirement who begins to relive both real and imagined memories.

When a prominent researcher in the field of human memory returns home, he stumbles upon the fact that a man's past, as he remembers and tells it, is often nothing but fiction.

Daniela (Alicia Rodriguez) é uma jovem de 17 anos que teve uma rígida criação no seio da sua família evangélica. A rebeldia e a frustração, próprias da sua idade, leva-a a viver uma vida pautada por aventuras sexuais que são narradas em um blog. Uma dessas aventuras é descoberta e ela é expulsa do colégio. Como castigo, a sua mãe (Aline Kuppenheim), impõe que a jovem trabalhe numa emissora que produz programas gospel, onde ela conhece Thomas e Antonia . A relação com Thomas e Antonia, potencializará os questionamentos existenciais de Daniela, intensificando também as suas experiências individuais…

Four women who used to be classmates, reunite years after for a Baby Shower party, in which several murders will unfold.

Focuses on the intense life of the French painter Raymond Monvosin and his relationship with his devoted assistant Clara Filleul, and his associations with political and high-society figures of the mid-nineteenth century.

Dawson, Ilha 10, aborda o golpe militar que em 1973 derrubou o governo democrático de Salvador Allende e vitimou milhares de chilenos, dando início a uma das mais longas e sangrentas ditaduras da América Latina. O filme mostra o sofrimento de ministros do governo Allende que foram aprisionados em uma ilha gelada, de clima antártico, onde funcionou um campo de concentração projetado pelo criminoso nazista Walter Rauff, então refugiado no Chile. A história é baseada no livro Isla 10, de autoria de Sergio Bitar - então ministro das Minas e Energias do governo Allende e, à época do lançamento do filme, ministro do governo de Michelle Bachelet. O filme utiliza cenas reais e revela os minutos finais do presidente eleito Salvador Allende, entrincheirado e resistindo solitário no Palácio La Moneda, onde foi assassinado pelos militares chilenos.

Sebastian and Paula meet each other in a subway. A friendship develops that forces them to examine their lives.

Ana, Verónica, Marta, and Toro are four lonely people who live an unadventurous and quiet existence in southern Chile. They are with each other without the need of using words, trying to save themselves in a stealthy and extreme way. In order not only of getting away of the loneliness that constitutes their innermost core, but also of finding themselves, they reach for each other to get brotherly and sexual love, affection, and a space and time of their own.

In Chile, Mexican photographer Emilia falls in love with a rabbi and gets the news that her father is terminally ill.

A Chilean talent show in the mold of "American Idol," "Rojo" became a huge hit the moment it hit the airwaves. This comic series puts a fictional spin on all the backstage drama: the backstabbing, the ruthless competition and the passionate abandon. Further blurring the line between fantasy and reality, several of the show's big stars -- including Monserrat Bustamante, Mario Guerrero and Yamna Lobos -- appear as pseudo versions of themselves.

Nicolás is furious. Once again they broke into his house and took his bicycle. Outside, in the streets, the city is half destroyed by an earthquake. There is a curfew and Pinochet is asked if he is going to declare a state of catastrophe. Nicolás accompanies his mother to court to recognize the thief.

Chile, 1973. Gonzalo Infante (Matías Quer) é um garoto que estuda no Colégio Saint Patrick, o mais conceituado de Santiago. Gonzalo é de uma família de classe alta, morando em um bairro na área nobre da cidade com seus pais e sua irmã. O padre McEnroe (Ernesto Malbran), o diretor do colégio, inspirado no governo de Salvador Allende decide implementar uma política que faça com que alunos pobres também estudem no Saint Patrick. Um deles é Pedro Machuca (Ariel Mateluna) que, assim como os demais, fica deslocado em meio aos antigos alunos da escola. Provocado, Pedro é seguro por trás e um deles manda que Gonzalo o bata, que se recusa a fazer isto e ainda o ajuda a fugir. A partir de então nasce uma amizade entre os dois garotos, apesar do abismo de classe existente entre eles.

The elderly heir of a formerly wealthy and respected Chilean family, Andres, suffers from decadence and solitude. He hires young Estela in order to look after his tiranic and almost crazy grandmother. The differences in class and age don't stop Andres from courting Estela, whose fiancé Mario tries to make some money with the passions of his well-off rival. The suffocating atmosphere of the run-down mansion in the outskirts of Santiago represents the deterioration of the bourgeoisie, and sets the scene for the total collapse of Andres.

The elderly heir of a formerly wealthy and respected Chilean family, Andres, suffers from decadence and solitude. He hires young Estela in order to look after his tiranic and almost crazy grandmother. The differences in class and age don't stop Andres from courting Estela, whose fiancé Mario tries to make some money with the passions of his well-off rival. The suffocating atmosphere of the run-down mansion in the outskirts of Santiago represents the deterioration of the bourgeoisie, and sets the scene for the total collapse of Andres.

The elderly heir of a formerly wealthy and respected Chilean family, Andres, suffers from decadence and solitude. He hires young Estela in order to look after his tiranic and almost crazy grandmother. The differences in class and age don't stop Andres from courting Estela, whose fiancé Mario tries to make some money with the passions of his well-off rival. The suffocating atmosphere of the run-down mansion in the outskirts of Santiago represents the deterioration of the bourgeoisie, and sets the scene for the total collapse of Andres.

The life-story of Chilean author Maria Luisa Bombal, intertwined with the plot of her own novel "La última niebla".

Dramatic comedy that raise questions through satire about the moral tradition of Chilean society, its dogmatism and sexual intolerance and the repressive nature of the country's traditional family.