Screenplay
At the end of the TV series of the same name, it is revealed that the husband works for the Public Security Bureau, and their marriage is a cover to keep her under surveillance. In spite of his mission, he falls in love with Nami and tries to convince her not to get involved in other people’s affairs. She is being monitored as a state-level security risk, and the bureau is unwilling to tolerate any more trouble from her. However, to save a friend, Nami runs out of the house and risks everything she has to confront the enemy. When she comes home, she finds her husband pointing a gun at her! A gunshot echoes through the quiet, upscale neighborhood…The movie picks up where the controversial ending of the drama series left off!!
Screenplay
Jun is a girl whose words have been sealed away so that she cannot hurt anyone with them. But, one day, she is nominated to become an executive member of the "community outreach council." On top of that, Jun is also appointed to play the main lead in their musical...
Writer
Erika Shinohara is a first year of high school student. While talking to friends, she makes up a story about her "boyfriend." In reality, Erika Shinohara doesn't have a boyfriend. Erika's friends soon begin to doubt her story and Erika is also running out of lies. Erika then sees a pretty boy on the street and takes his picture discreetly. She later shows his picture to her friends as her boyfriend. The boy in the picture is Kyouya Sata and happens to attend the same school as Erika. She tells Kyouya about her situation and asks him to be her pretend boyfriend. Even though Kyouya has a pretty appearance, he has a dark side.
Screenplay
A smart high school student falls in love with her English teacher after she receives one-on-one tutoring from him.
Screenplay
An aspiring floral designer and the photographer next door become drawn to each other through the everyday sounds they hear through their shared walls.
Screenplay
Eight school friends innocently join together to play a game that, if played well, promised to make their greatest dreams come true. But, they soon discover that mistakes may cost them more than even their dreams could tell.
Piko
A masterpiece of militant cinema of 1968, filmed on the actual barricades of Adachi's very own Nihon University during the period of social struggles. The film begins in a lengthy free-love session taking the form of a 'play' rape being enacted by a group of aimless, listless and political apathetic students. The subtext intended by Adachi informs the rest of the film – that there is a world of difference between direct action politics, and merely talking the talk.
