Screenplay
At the end of the TV series of the same name, it is revealed that the husband works for the Public Security Bureau, and their marriage is a cover to keep her under surveillance. In spite of his mission, he falls in love with Nami and tries to convince her not to get involved in other people’s affairs. She is being monitored as a state-level security risk, and the bureau is unwilling to tolerate any more trouble from her. However, to save a friend, Nami runs out of the house and risks everything she has to confront the enemy. When she comes home, she finds her husband pointing a gun at her! A gunshot echoes through the quiet, upscale neighborhood…The movie picks up where the controversial ending of the drama series left off!!
Screenplay
Jun is a girl whose words have been sealed away so that she cannot hurt anyone with them. But, one day, she is nominated to become an executive member of the "community outreach council." On top of that, Jun is also appointed to play the main lead in their musical...
Writer
Erika Shinohara, una chica vanidosa de 16 años le habla a sus amigos sobre su vida amorosa, aunque en realidad no tiene novio. Va diciendo por ahí que un chico guapo de una foto es su novio, pero resulta que ese chico es un compañero de clase que se llama Kyouya Sata. Por desgracia, Sata, aunque parezca una persona agradable, es una persona cruel y malvada, que se aprovecha de la debilidad de Erika y la trata como si fuera su perro.
Screenplay
Kururugi Uni es una chica de secundaria a la que todo le va bien, excepto el idioma inglés. Un día, ella insulta a su profesor suplente de idioma, Sakurai Haruka, y es obligada a ir a su oficina después de clases. Sakurai es el mujeriego que todas las alumnas quieren tener, pero él solo está interesando en una persona: Uni.
Screenplay
An aspiring floral designer and the photographer next door become drawn to each other through the everyday sounds they hear through their shared walls.
Screenplay
Eight school friends innocently join together to play a game that, if played well, promised to make their greatest dreams come true. But, they soon discover that mistakes may cost them more than even their dreams could tell.
Piko
A masterpiece of militant cinema of 1968, filmed on the actual barricades of Adachi's very own Nihon University during the period of social struggles. The film begins in a lengthy free-love session taking the form of a 'play' rape being enacted by a group of aimless, listless and political apathetic students. The subtext intended by Adachi informs the rest of the film – that there is a world of difference between direct action politics, and merely talking the talk.
