Second Unit Director
It’s been 20 years since the corporations took over the world’s governments. Their thirst for power and profits led to the Corporate Wars, a fierce global battle that laid waste to society as we know it. Born from the ash, the Council of Nine rose as a new law and order for this dark age. To avenge the corporations’ reckless destruction, the Council issues death warrants for all white collar criminals. Their hunters—the bounty killer. From amateur savage to graceful assassin, the bounty killers now compete for body count, fame and a fat stack of cash. They’re ending the plague of corporate greed and providing the survivors of the apocalypse with retribution. These are the new heroes. This is the age of the BOUNTY KILLER.
Producer
VICKI is a loving, somewhat subtly comedic homage to John Carpenter’s truly underrated Christine, adapted from the novel by Stephen King. It’s also a stand-alone tribute to 80′s horror in general, with very controlled compositions, non-choppy edits, a natural lighting style (like the master, Dean Cundy), and a killer synth soundtrack by Umberto and Time Fighter.
Editor
VICKI is a loving, somewhat subtly comedic homage to John Carpenter’s truly underrated Christine, adapted from the novel by Stephen King. It’s also a stand-alone tribute to 80′s horror in general, with very controlled compositions, non-choppy edits, a natural lighting style (like the master, Dean Cundy), and a killer synth soundtrack by Umberto and Time Fighter.
Writer
VICKI is a loving, somewhat subtly comedic homage to John Carpenter’s truly underrated Christine, adapted from the novel by Stephen King. It’s also a stand-alone tribute to 80′s horror in general, with very controlled compositions, non-choppy edits, a natural lighting style (like the master, Dean Cundy), and a killer synth soundtrack by Umberto and Time Fighter.
Director
VICKI is a loving, somewhat subtly comedic homage to John Carpenter’s truly underrated Christine, adapted from the novel by Stephen King. It’s also a stand-alone tribute to 80′s horror in general, with very controlled compositions, non-choppy edits, a natural lighting style (like the master, Dean Cundy), and a killer synth soundtrack by Umberto and Time Fighter.
