Second Unit Director
Ya han pasado 20 años desde que las corporaciones se hicieron cargo los gobiernos del mundo. Su sed de poder y los beneficios dirigidos a las guerras corporativas arrasó con la sociedad tal como la conocemos. Nacido de las cenizas, el Consejo de los Nueve se levantó como un nuevo orden para esta edad oscura para vengar la destrucción irresponsable de las corporaciones. El resultado es los Bounty Killer. De aficionados salvajes a asesinos elegantes, el Bounty Killer ahora compiten por número de muertos, la fama y un montón de grasa de dinero en efectivo. Están terminando la plaga de la codicia empresarial por exterminar a los CEO y brindar a los sobrevivientes del apocalipsis con la retribución. Estos son los nuevos héroes. Esta es la era de los Bounty Killer.
Producer
VICKI is a loving, somewhat subtly comedic homage to John Carpenter’s truly underrated Christine, adapted from the novel by Stephen King. It’s also a stand-alone tribute to 80′s horror in general, with very controlled compositions, non-choppy edits, a natural lighting style (like the master, Dean Cundy), and a killer synth soundtrack by Umberto and Time Fighter.
Editor
VICKI is a loving, somewhat subtly comedic homage to John Carpenter’s truly underrated Christine, adapted from the novel by Stephen King. It’s also a stand-alone tribute to 80′s horror in general, with very controlled compositions, non-choppy edits, a natural lighting style (like the master, Dean Cundy), and a killer synth soundtrack by Umberto and Time Fighter.
Writer
VICKI is a loving, somewhat subtly comedic homage to John Carpenter’s truly underrated Christine, adapted from the novel by Stephen King. It’s also a stand-alone tribute to 80′s horror in general, with very controlled compositions, non-choppy edits, a natural lighting style (like the master, Dean Cundy), and a killer synth soundtrack by Umberto and Time Fighter.
Director
VICKI is a loving, somewhat subtly comedic homage to John Carpenter’s truly underrated Christine, adapted from the novel by Stephen King. It’s also a stand-alone tribute to 80′s horror in general, with very controlled compositions, non-choppy edits, a natural lighting style (like the master, Dean Cundy), and a killer synth soundtrack by Umberto and Time Fighter.
