Paul Bertrand
Birth : 1915-04-04, Chalon-sur-Saône, Saône-et-Loire, France
Death : 1994-04-19
Production Design
Tom Ripley is a talented mimic, moocher, forger and all-around criminal improviser; but there's more to Tom Ripley than even he can guess.
Production Design
An adaptation of Émile Zola’s 1877 masterpiece L’assommoir, the film is an uncompromising depiction of a lowly laundress’s struggles to deal with an alcoholic husband while running her own business.
Production Design
A Parisian reporter tries to exonerate a fugitive neighbor of charges he murdered his wife.
Production Design
A story of the love of Frou-Frou - an actress and singer in the in the beginning of her career.
Production Design
Victor Le Garrec, a former boxer, runs a gym in Paris while dreaming of finding an aspiring champion who will reach the goals he was never able to achieve.
Production Design
Star-crossed lovers Thérèse (Simone Signoret) and Laurent (Raf Vallone) think they've gotten away with murder after Thérèse's weakling husband "falls" from a speeding train. But when forced to contend with a blackmailer's demands and the mute accusations of Thérèse's mother-in-law (French stage and screen diva Sylvie, in a scene stealing performance), it's only a matter of time before the law, their passion or blind chance trips them up.
Art Direction
Orphaned after a Nazi air raid, Paulette, a young Parisian girl, runs into Michel, an older peasant boy, and the two quickly become close. Together, they try to make sense of the chaotic and crumbling world around them, attempting to cope with death as they create a burial ground for Paulette's deceased pet dog. Eventually, however, Paulette's stay with Michel's family is threatened by the harsh realities of wartime.
Set Decoration
An American is on the run in the streets and back alleys of France.
Production Design
Socially conscious and realistic treatment of hard working coal miners in the north of France, and a struggle between a younger and older engineer.
Production Design
A group of Nazis and sympathizers board a submarine bound for South America in the hopes of finding shelter.
Art Direction
A drifting woman hangs out in the suburbs of Marseille. A young engineer picks her up drunk and takes her to the hospital. He does not know then that it is the Countess Armance de Lunegarde, driven from her home and performing as a gummy in third-rate music halls.
Set Decoration
At the beginning of the 20th century, the destiny of Félicie Nanteuil, a young girl from the provinces who became a big star on the stage thanks to a comedian who committed suicide out of love for her.
Set Decoration
Vénus aveugle (Blind Venus) is a 1941 French film melodrama, directed by Abel Gance, and one of the first films to be undertaken in France during the German occupation. Although the film is not set in any specified period, Gance wanted it to be seen as relevant to the contemporary situation in France. He wrote, "...La Vénus aveugle is at the crossroads of reality and legend... The heroine ... gradually sinks deeper and deeper into despair. Only when she has reached the bottom of the abyss does she encounter the smile of Providence that life reserves for those who have faith in it, and she can then go serenely back up the slope towards happiness. If I have been able to show in this film that elevated feelings are the only force that can triumph over Fate, then my efforts will not have been in vain."
It is one thing to open a beauty salon (which Edwige and her young lover Gaston have just done) but it is another to keep it on its feet.To best promote their speciality, fountain-of-youth treatments, Edwige decides to apply to the letter the old slogan "It pays to advertise" by posing as... Gaston's mother, a sixty-year-old woman, miraculously grown younger.