Paul Bertrand

貧しい家庭に育ったアメリカ人青年トム（アラン・ドロン）は、息子のフィリップ（モーリス・ロネ）を帰国させてほしいとフィリップの父親から依頼されイタリアへと向かう。美しい恋人マルジュ（マリー・ラフォレ）も手にした富豪の息子フィリップは親の金で遊び回り、全くアメリカに戻る気はなかった。一方、彼から邪険に扱われるトムの心に、やがて小さな殺意が芽生え……。

自然主義文学の傑作といわれるエミール・ゾラの小説を、クレマンが忠実に映画化。19世紀の半ばのパリの裏町、主人公のジェルヴェーズは内縁の夫に裏切られ、屋根職人と所帯を持つ。しかしその後、彼は事故に遭い、家計は彼女が洗濯屋の仕事で支えることになる。アル中となった亭主は先夫を同居させ、二人のヨリが戻っても平静に見えたが……。

A Parisian reporter tries to exonerate a fugitive neighbor of charges he murdered his wife.

A story of the love of Frou-Frou - an actress and singer in the in the beginning of her career.

Victor Le Garrec, a former boxer, runs a gym in Paris while dreaming of finding an aspiring champion who will reach the goals he was never able to achieve.

Star-crossed lovers Thérèse (Simone Signoret) and Laurent (Raf Vallone) think they've gotten away with murder after Thérèse's weakling husband "falls" from a speeding train. But when forced to contend with a blackmailer's demands and the mute accusations of Thérèse's mother-in-law (French stage and screen diva Sylvie, in a scene stealing performance), it's only a matter of time before the law, their passion or blind chance trips them up.

ルネ・クレマン監督が1952年に手がけ、同年のベネチア国際映画祭で金獅子賞、アカデミー賞で名誉賞（後の外国語映画賞）などに輝いた、映画史上の不朽の名作。ナルシソ・イエペスのギター演奏による主題曲「愛のロマンス」の哀愁に満ちた旋律も広く知られる。第2次世界大戦中のフランス。ドイツ軍によるパリ侵攻から逃れる途中、爆撃により両親と愛犬を亡くした5歳の少女ポーレットは、ひとりさまよううちに11歳の農民の少年ミシェルと出会う。ミシェルから死んだものは土に埋め、お墓を作ることを教わったポーレットは、子犬を埋め、十字架を供える。これをきっかけに、お墓を作って十字架を供える遊びに夢中になった2人は、教会や霊柩車からも十字架を持ち出してしまうが……。日本では53年に初公開。2018年9月、デジタルリマスター版でリバイバル公開（パンドラ配給）。2020年8月には、人気声優による名画吹き替えプロジェクト「NEW ERA MOVIES」で新たに制作された吹き替え版（ポーレット役＝戸松遥／ミシェル・ドレ役＝小松未可子、ジョゼフ・ドレ役＝稲田徹）で公開される（モービー・ディック配給）。

An American is on the run in the streets and back alleys of France.

Socially conscious and realistic treatment of hard working coal miners in the north of France, and a struggle between a younger and older engineer.

A group of Nazis and sympathizers board a submarine bound for South America in the hopes of finding shelter.

A drifting woman hangs out in the suburbs of Marseille. A young engineer picks her up drunk and takes her to the hospital. He does not know then that it is the Countess Armance de Lunegarde, driven from her home and performing as a gummy in third-rate music halls.

At the beginning of the 20th century, the destiny of Félicie Nanteuil, a young girl from the provinces who became a big star on the stage thanks to a comedian who committed suicide out of love for her.

Vénus aveugle (Blind Venus) is a 1941 French film melodrama, directed by Abel Gance, and one of the first films to be undertaken in France during the German occupation. Although the film is not set in any specified period, Gance wanted it to be seen as relevant to the contemporary situation in France. He wrote, "...La Vénus aveugle is at the crossroads of reality and legend... The heroine ... gradually sinks deeper and deeper into despair. Only when she has reached the bottom of the abyss does she encounter the smile of Providence that life reserves for those who have faith in it, and she can then go serenely back up the slope towards happiness. If I have been able to show in this film that elevated feelings are the only force that can triumph over Fate, then my efforts will not have been in vain."

It is one thing to open a beauty salon (which Edwige and her young lover Gaston have just done) but it is another to keep it on its feet.To best promote their speciality, fountain-of-youth treatments, Edwige decides to apply to the letter the old slogan "It pays to advertise" by posing as... Gaston's mother, a sixty-year-old woman, miraculously grown younger.