Paul Bertrand

Tom Ripley é um talentoso imitador, golpista, dissimulado e tudo mais de um criminoso improvisador. Mas há muito mais esperando Tom Ripley do que ele mesmo poderia imaginar.

An adaptation of Émile Zola’s 1877 masterpiece L’assommoir, the film is an uncompromising depiction of a lowly laundress’s struggles to deal with an alcoholic husband while running her own business.

A Parisian reporter tries to exonerate a fugitive neighbor of charges he murdered his wife.

A story of the love of Frou-Frou - an actress and singer in the in the beginning of her career.

Victor Le Garrec, a former boxer, runs a gym in Paris while dreaming of finding an aspiring champion who will reach the goals he was never able to achieve.

Star-crossed lovers Thérèse (Simone Signoret) and Laurent (Raf Vallone) think they've gotten away with murder after Thérèse's weakling husband "falls" from a speeding train. But when forced to contend with a blackmailer's demands and the mute accusations of Thérèse's mother-in-law (French stage and screen diva Sylvie, in a scene stealing performance), it's only a matter of time before the law, their passion or blind chance trips them up.

O filme conta a história de Paulette (Brigitte Fossey), uma menina de cinco anos de idade que perde os pais e o cachorro em um ataque aéreo quando eles fugiam de uma Paris ocupada pelos nazistas. Ao se perder do grupo de refugiados, Paulette é recolhida por Michel Dollé (Georges Poujouly), um menino de onze anos. Eles logo se tornam os melhores amigos. E enquanto os pais dele estão ocupados querendo dar uma de benfeitores e em luta com os vizinhos Gouard, Paulette e Michel criam um universo só deles. As crianças enterram o cão de Paulette num cemitério criado por eles dentro de um moinho abandonado perto da casa de Michel. Logo, passam a enterrar todo tipo de animais e embarcam em uma odisseia atrás de crucifixos para ornamentar os “túmulos”.

An American is on the run in the streets and back alleys of France.

Socially conscious and realistic treatment of hard working coal miners in the north of France, and a struggle between a younger and older engineer.

A group of Nazis and sympathizers board a submarine bound for South America in the hopes of finding shelter.

A drifting woman hangs out in the suburbs of Marseille. A young engineer picks her up drunk and takes her to the hospital. He does not know then that it is the Countess Armance de Lunegarde, driven from her home and performing as a gummy in third-rate music halls.

At the beginning of the 20th century, the destiny of Félicie Nanteuil, a young girl from the provinces who became a big star on the stage thanks to a comedian who committed suicide out of love for her.

Vénus aveugle (Blind Venus) is a 1941 French film melodrama, directed by Abel Gance, and one of the first films to be undertaken in France during the German occupation. Although the film is not set in any specified period, Gance wanted it to be seen as relevant to the contemporary situation in France. He wrote, "...La Vénus aveugle is at the crossroads of reality and legend... The heroine ... gradually sinks deeper and deeper into despair. Only when she has reached the bottom of the abyss does she encounter the smile of Providence that life reserves for those who have faith in it, and she can then go serenely back up the slope towards happiness. If I have been able to show in this film that elevated feelings are the only force that can triumph over Fate, then my efforts will not have been in vain."

It is one thing to open a beauty salon (which Edwige and her young lover Gaston have just done) but it is another to keep it on its feet.To best promote their speciality, fountain-of-youth treatments, Edwige decides to apply to the letter the old slogan "It pays to advertise" by posing as... Gaston's mother, a sixty-year-old woman, miraculously grown younger.