Director
In a country ruled by the Liberal Democratic Party, running on austerity and neoliberal ambitions, for most of its postwar years, gender and economic inequalities have become increasingly acute in Japan. Takashi Nishihara, a filmmaker who has been following the youth protests in Japan notices that there is one party that seems to be raising issues of gender and economic in the political sphere, the Japanese Communist Party (JCP), a party about to enter its hundredth year and consistently burdened by its historical connotations. Though an outsider of the party, Nishihara gained unprecedented access to the JCP and driven by his interest in the younger party members who find hope in the JCP, the resulting documentary goes beyond party politics and observes the current grassroots leftist movements in Japan. It also becomes witness to the larger and deep-seated patriarchal system that continues to quell momentums of hope.
Writer
Sisterhood portrays a current reality in Japan, showing the vision and lives of different people, such as a nude model, a music artist, a student and other diverse individuals who give their opinions in front of the camera.
Director
Sisterhood portrays a current reality in Japan, showing the vision and lives of different people, such as a nude model, a music artist, a student and other diverse individuals who give their opinions in front of the camera.
Producer
Nana is 19 and lives in a corner of Tokyo. Her birth mother and Marin, a girl the same age who she loves, were the only people she could trust. Nana confronts them in her yearning for love, but the world does not give it to her. With her whole life ahead of her, Nana struggles, suffers, and begins a search for the true meaning of love.
Editor
Nana is 19 and lives in a corner of Tokyo. Her birth mother and Marin, a girl the same age who she loves, were the only people she could trust. Nana confronts them in her yearning for love, but the world does not give it to her. With her whole life ahead of her, Nana struggles, suffers, and begins a search for the true meaning of love.
Writer
Nana is 19 and lives in a corner of Tokyo. Her birth mother and Marin, a girl the same age who she loves, were the only people she could trust. Nana confronts them in her yearning for love, but the world does not give it to her. With her whole life ahead of her, Nana struggles, suffers, and begins a search for the true meaning of love.
Director
Nana is 19 and lives in a corner of Tokyo. Her birth mother and Marin, a girl the same age who she loves, were the only people she could trust. Nana confronts them in her yearning for love, but the world does not give it to her. With her whole life ahead of her, Nana struggles, suffers, and begins a search for the true meaning of love.
Editor
A man and a woman at the mercy of fate.
Writer
A man and a woman at the mercy of fate.
Director
A man and a woman at the mercy of fate.
Sound Mixer
Based on the play "Our Town" (written by Thornton Wilder), the daily life of a girl living in a rural town and the members of the theater company who are practicing the stage of Act 3 of "Our Town" are drawn alternately. Is done. The drama's words about the world in which the dead live overlap with the everyday life of a rural town and are projected onto the actors themselves. It is a work completed in the process with the actors.
