Director
In a country ruled by the Liberal Democratic Party, running on austerity and neoliberal ambitions, for most of its postwar years, gender and economic inequalities have become increasingly acute in Japan. Takashi Nishihara, a filmmaker who has been following the youth protests in Japan notices that there is one party that seems to be raising issues of gender and economic in the political sphere, the Japanese Communist Party (JCP), a party about to enter its hundredth year and consistently burdened by its historical connotations. Though an outsider of the party, Nishihara gained unprecedented access to the JCP and driven by his interest in the younger party members who find hope in the JCP, the resulting documentary goes beyond party politics and observes the current grassroots leftist movements in Japan. It also becomes witness to the larger and deep-seated patriarchal system that continues to quell momentums of hope.
Writer
도쿄에 삶의 기반을 두고 있는 니시하라 다카시 감독은 일관된 페미니즘의 관점을 유지하면서 현대를 살아가는 젊은이들과 인터뷰를 하고 그들의 삶의 편린들을 포착하여 다큐멘터리와 극영화를 결합한 방식으로 전체 영화를 구성했다. 그의 대상들은 나쁜 상황에 놓여있는 학생, 누드모델, 음악가 등이다. 그들의 삶의 조각은 이시하라 감독의 개인적 논제, 즉 오늘날 우리가 살고 있는 사회를 변화시켜야 한다는 주장과 잘 결합해 영화 내러티브의 근간을 이룬다.
Director
도쿄에 삶의 기반을 두고 있는 니시하라 다카시 감독은 일관된 페미니즘의 관점을 유지하면서 현대를 살아가는 젊은이들과 인터뷰를 하고 그들의 삶의 편린들을 포착하여 다큐멘터리와 극영화를 결합한 방식으로 전체 영화를 구성했다. 그의 대상들은 나쁜 상황에 놓여있는 학생, 누드모델, 음악가 등이다. 그들의 삶의 조각은 이시하라 감독의 개인적 논제, 즉 오늘날 우리가 살고 있는 사회를 변화시켜야 한다는 주장과 잘 결합해 영화 내러티브의 근간을 이룬다.
Producer
Nana is 19 and lives in a corner of Tokyo. Her birth mother and Marin, a girl the same age who she loves, were the only people she could trust. Nana confronts them in her yearning for love, but the world does not give it to her. With her whole life ahead of her, Nana struggles, suffers, and begins a search for the true meaning of love.
Editor
Nana is 19 and lives in a corner of Tokyo. Her birth mother and Marin, a girl the same age who she loves, were the only people she could trust. Nana confronts them in her yearning for love, but the world does not give it to her. With her whole life ahead of her, Nana struggles, suffers, and begins a search for the true meaning of love.
Writer
Nana is 19 and lives in a corner of Tokyo. Her birth mother and Marin, a girl the same age who she loves, were the only people she could trust. Nana confronts them in her yearning for love, but the world does not give it to her. With her whole life ahead of her, Nana struggles, suffers, and begins a search for the true meaning of love.
Director
Nana is 19 and lives in a corner of Tokyo. Her birth mother and Marin, a girl the same age who she loves, were the only people she could trust. Nana confronts them in her yearning for love, but the world does not give it to her. With her whole life ahead of her, Nana struggles, suffers, and begins a search for the true meaning of love.
Editor
A man and a woman at the mercy of fate.
Writer
A man and a woman at the mercy of fate.
Director
A man and a woman at the mercy of fate.
Sound Mixer
Based on the play "Our Town" (written by Thornton Wilder), the daily life of a girl living in a rural town and the members of the theater company who are practicing the stage of Act 3 of "Our Town" are drawn alternately. Is done. The drama's words about the world in which the dead live overlap with the everyday life of a rural town and are projected onto the actors themselves. It is a work completed in the process with the actors.
