Mandy Walsh

Movies

Land and Freedom
Dot
David Carr is a British Communist who is unemployed. In 1936, when the Spanish Civil War begins, he decides to fight for the Republican side, a coalition of liberals, communists and anarchists, so he joins the POUM militia and witnesses firsthand the betrayal of the Spanish revolution by Stalin's followers and Moscow's orders.
Priest
Guest at wake
Father Greg Pilkington is torn between his call as a conservative Catholic priest and his secret life as a homosexual with a gay lover, frowned upon by the Church. Upon hearing the confession of a young girl of her incestuous father, Greg enters an intensely emotional spiritual struggle deciding between choosing morals over religion and one life over another.
Blonde Fist
Mrs Maines
A woman attempts to escape her domestic problems by fleeing to New York in search of her father. She finds him, and also new problems, some friendship, a romance, and an unexpected career as pro-boxer, to make ends meet.
The Dressmaker
Factory Girl
In England during World War II, a repressed dressmaker and her sister struggle looking after their 17-year-old niece, who is having a delusional affair with an American soldier.
The Fruit Machine
Fat Woman at Party
Eddie and Michael are two 16-year-old gay friends from Liverpool. Berated by his father for his camp behavior, Eddie runs away from his Liverpool home and joins Michael, a streetwise hustler, who is also on the run.
The Terence Davies Trilogy
These three semi-autobiographical short films by Terence Davies follow the journey of Robert Tucker, first seen as a hangdog child in "Children" (1976), then as a hollow-eyed middle-aged man in "Madonna and Child" (1980), and finally as a decrepit old man in "Death and Transfiguration" (1983). Dreamlike and profoundly moving.
Death and Transfiguration
In sepia tones, the film moves back and forth among three periods in Robert Tucker's life: he's an old man, near death, in a nursing home at Christmas time; he's in middle age caring for his cheerful but dying mother; he's a lad at Catholic school, practicing his catechism, going to confession for the first time, receiving the Eucharist, surrounded by the singing of a children's choir. In middle age, he looks through his scrapbook of photographs of muscular men; he recalls lovers and his mother's cremation. A nurse sits beside him on his last night; in his last breath, he reaches forward and back.