Director
A 27-year-old guy from a peripheral Roman suburb leads a normal but repetitive life: his conscience manifests in the form of an armadillo with whom he has conversations bordering on paradoxical during which he updates him on what's happening in the world. Based on the best-selling graphic novel.
Delegated Producer
Nurse Anna and her assistant Hans work in an old folks’ home that was once the orphanage where they were imprisoned as children, and they still seem trapped in time and space.
Screenplay
Mimmo is a construction worker who only wants to live in peace, but has to work as a debt collector for his uncle. Everything changes when he meets Tanya, a beautiful, street-smart girl who shares his dream.
Delegated Producer
A university researcher is fired because of the cuts to university. To earn a living he decides to produce drugs recruiting his former colleagues, who despite their skills are living at the margins of society.
Co-Writer
On July 19–21, 2001, over 200,000 people took to the streets of Genoa to protest against the ongoing G8 summit. Anti-globalization activists clashed with the police, with 23-year-old protester Carlo Giuliani shot dead after confronting a police vehicle. In the aftermath, the police organized a night raid on the Diaz high school, where a hundred unarmed people between protesters—mostly students—and independent reporters who documented the police brutality during the protests had took shelter. What happened next would be called by Amnesty International "the most serious breach of civil liberties in a democratic Western country since World War II."
Writer
Collective film for the 60th anniversary of the Universal Declaration of Human Rights, with 30 directors each helming a segment about one of the 30 articles of the Declaration.
Director
Collective film for the 60th anniversary of the Universal Declaration of Human Rights, with 30 directors each helming a segment about one of the 30 articles of the Declaration.
Second Assistant Director
In search of purpose, 17-year-old Claudio helps easygoing mechanic Stefano build a car capable of winning a street race that could solve his financial problems, all while going out with the latter's former girlfriend.
Screenplay
Marta and her daughter Nina move to Malanotte, a small mountain village. The little girl has been suffering from hypnagogic paralysis for some time, a sleep disorder which can lead to hallucinatory states, and Marta thought that a bit of mountain air and distance from the frenetic rhythm of city life might benefit the little girl. However, the house they move into is anything but welcoming, and children are never seen playing in the streets of Malanotte. Nina’s symptoms begin to worsen from the very first night in the new house, and the little girl has more and more vivid nightmares in which a ghostly figure sits on her chest, immobilises her and steals her breath. For Marta, a single mother in a place she finds increasingly sinister, it will become harder every day to know what is best for her child.
Writer
Marta and her daughter Nina move to Malanotte, a small mountain village. The little girl has been suffering from hypnagogic paralysis for some time, a sleep disorder which can lead to hallucinatory states, and Marta thought that a bit of mountain air and distance from the frenetic rhythm of city life might benefit the little girl. However, the house they move into is anything but welcoming, and children are never seen playing in the streets of Malanotte. Nina’s symptoms begin to worsen from the very first night in the new house, and the little girl has more and more vivid nightmares in which a ghostly figure sits on her chest, immobilises her and steals her breath. For Marta, a single mother in a place she finds increasingly sinister, it will become harder every day to know what is best for her child.
Director
Marta and her daughter Nina move to Malanotte, a small mountain village. The little girl has been suffering from hypnagogic paralysis for some time, a sleep disorder which can lead to hallucinatory states, and Marta thought that a bit of mountain air and distance from the frenetic rhythm of city life might benefit the little girl. However, the house they move into is anything but welcoming, and children are never seen playing in the streets of Malanotte. Nina’s symptoms begin to worsen from the very first night in the new house, and the little girl has more and more vivid nightmares in which a ghostly figure sits on her chest, immobilises her and steals her breath. For Marta, a single mother in a place she finds increasingly sinister, it will become harder every day to know what is best for her child.
