Emanuele Scaringi

Emanuele Scaringi

Perfil

Emanuele Scaringi

Películas

The Armadillo's Prophecy
Director
A 27-year-old guy from a peripheral Roman suburb leads a normal but repetitive life: his conscience manifests in the form of an armadillo with whom he has conversations bordering on paradoxical during which he updates him on what's happening in the world. Based on the best-selling graphic novel.
Donde caen las sombras
Delegated Producer
Anna y Hans, una enfermera y su ayudante en una clínica para ancianos, son dos almas de niños que habitan cuerpos adultos. Atrapados en el tiempo y el espacio, se mueven entre los cuartos y el jardín de lo que solía ser un orfanato.
Senza nessuna pietà
Screenplay
Mimmo is a construction worker who only wants to live in peace, but has to work as a debt collector for his uncle. Everything changes when he meets Tanya, a beautiful, street-smart girl who shares his dream.
Lo dejo cuando quiero
Delegated Producer
Siete cerebros brillantes, licenciados de las carreras más complejas, pero sin trabajo, tienen una idea genial y, sobre todo, eficaz para combatir la crisis: producir y distribuir drogas sintéticas "legales".
Diaz, no limpiéis esta sangre
Co-Writer
Basada en hechos reales, la película narra la noche en que se organizó la Contracumbre del G8 en la ciudad de Génova, en forma de rebatimiento a la Cumbre del G8 por parte del movimiento antiglobalización. Esa noche se produjeron varios incidentes, entre ellos, el trágico asalto a la escuela Diaz, un lugar de acogida para periodistas acreditados y para manifestantes. Varias personas se hallaban delante de esta escuela manifestándose. Tras un aviso por parte de los vecinos de la zona, se denunció un ataque hacia el cuerpo policial, por lo que las fuerzas del Estado italiano decidieron asaltar la escuela. Diaz, no limpiéis esta sangre narra desde la posición de policías, manifestantes y periodistas, los sucesos trágicos de noche del asalto a la escuela, que terminaron con personas heridas y numerosos detenidos.
All Human Rights for All
Writer
Collective film for the 60th anniversary of the Universal Declaration of Human Rights, with 30 directors each helming a segment about one of the 30 articles of the Declaration.
All Human Rights for All
Director
Collective film for the 60th anniversary of the Universal Declaration of Human Rights, with 30 directors each helming a segment about one of the 30 articles of the Declaration.
Velocità massima
Second Assistant Director
In search of purpose, 17-year-old Claudio helps easygoing mechanic Stefano build a car capable of winning a street race that could solve his financial problems, all while going out with the latter's former girlfriend.
Pantafa
Screenplay
Marta and her daughter Nina move to Malanotte, a small mountain village. The little girl has been suffering from hypnagogic paralysis for some time, a sleep disorder which can lead to hallucinatory states, and Marta thought that a bit of mountain air and distance from the frenetic rhythm of city life might benefit the little girl. However, the house they move into is anything but welcoming, and children are never seen playing in the streets of Malanotte. Nina’s symptoms begin to worsen from the very first night in the new house, and the little girl has more and more vivid nightmares in which a ghostly figure sits on her chest, immobilises her and steals her breath. For Marta, a single mother in a place she finds increasingly sinister, it will become harder every day to know what is best for her child.
Pantafa
Writer
Marta and her daughter Nina move to Malanotte, a small mountain village. The little girl has been suffering from hypnagogic paralysis for some time, a sleep disorder which can lead to hallucinatory states, and Marta thought that a bit of mountain air and distance from the frenetic rhythm of city life might benefit the little girl. However, the house they move into is anything but welcoming, and children are never seen playing in the streets of Malanotte. Nina’s symptoms begin to worsen from the very first night in the new house, and the little girl has more and more vivid nightmares in which a ghostly figure sits on her chest, immobilises her and steals her breath. For Marta, a single mother in a place she finds increasingly sinister, it will become harder every day to know what is best for her child.
Pantafa
Director
Marta and her daughter Nina move to Malanotte, a small mountain village. The little girl has been suffering from hypnagogic paralysis for some time, a sleep disorder which can lead to hallucinatory states, and Marta thought that a bit of mountain air and distance from the frenetic rhythm of city life might benefit the little girl. However, the house they move into is anything but welcoming, and children are never seen playing in the streets of Malanotte. Nina’s symptoms begin to worsen from the very first night in the new house, and the little girl has more and more vivid nightmares in which a ghostly figure sits on her chest, immobilises her and steals her breath. For Marta, a single mother in a place she finds increasingly sinister, it will become harder every day to know what is best for her child.