Sreylin Meas began her career in filmmaking as a film crew member in 2009. She has since worked on film and television productions, and California Dreaming is her first short film.
SAMNANG, 20, faces the demolition of his lifelong home in Phnom Penh and the pressures from family, friends, and neighbors which arise and intersect in this moment of sudden change.
A young woman working late at night at a beauty salon gives into her restrained interest in a young man who spends his evenings driving Phnom Penh's streets by motorbike as a delivery man.
Phom Penh, Cambodia, nowadays. Sony, a 10-year-old Cambodian kid working at a discharge, is thrown out of home by his father. Left on his own, he is fostered by an association that is allowing him to go to school and to discover a new way of living. Sony will quickly settle, but on the day of a school outing, he makes an unexpected discovery.
Two women of different backgrounds encounter one another at an oceanfront resort. They then discover a hidden bond that allows them to escape from their realities.
Two women of different backgrounds encounter one another at an oceanfront resort. They then discover a hidden bond that allows them to escape from their realities.
What started as a simple escort mission will soon turn to chaos as the prisoners of Koh Kla take over the prison grounds. A special task force [Jean-Paul Ly, Dara Our, Tharoth Sam] gets trapped in the prison will have to fight their way out for survival, to protect a key witness [Savin Phillip].
The story of Aniccam follows an ivory smuggler, a crooked policeman, and Narith, a young construction worker running away into the night with a mysterious suitcase, coveted by everyone that sees it. Inspired by the rapid evolution of Sihanoukville, a fishing village turned into the next Macao of South East Asia as a result of Chinese investment, Aniccam (Khmer for ‘impermanence’) straddles the tension between cultural alienation and belonging, and the muddiness of individual betterment in a climate of economic colonialism.
